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Bulletin
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Bulletin
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No Laughing Matter
In the wake of the Charlie Hebdo attacks, this collection - which gathers scholars in the fields of race, ethnicity, and humor - seems especially urgent. Inspired by Denmark's Muhammad cartoons controversy, the contributors inquire into the role that racial and ethnic stereotypes play in visual humor and the thin line that separates broad characterization as a source of humor from its power to shock or exploit. The authors investigate the ways in which humor is used to demean or give identity to racial, national, or ethnic groups and explore how humor works differently in different media, such as cartoons, photographs, film, video, television, and physical performance. This is a timely and necessary study that will appeal to scholars across disciplines.
Unsettling Accounts
DIVFocuses on perpetrators of human rights crimes, investigating confessions by human rights violators in contexts of transitional justice in South America and South Africa./div
Bulletin
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More Good News
"In this revised and updated edition of their bestselling Good news for a change ..."--Back cover.
Interfaith Activism
Abraham Joshua Heschel was the towering religious figure of American Jewry in the twentieth century. In Interfaith Activism, Harold Kasimow, who is known for his work on Heschel and on interfaith dialogue between Jews and members of other faiths, presents a selection of his essays on Heschel's thought. Topics include Heschel's perspective on the different religious traditions, Heschel's three pathways to God, his deep friendship with Maurice Friedman and Martin Luther King Jr., and his surprising affinity to the great Hindu Vedantist Swami Vivekananda and to Pope Francis. A new essay examines Heschel's struggle with the Holocaust. Since the late 1950s, when Kasimow was Heschel's student, he has wrestled with Heschel's claim that "in this eon, diversity of religions is the will of God" and Heschel's belief that there must be dialogue "between the river Jordan and the River Ganges."
On Heaven and Earth - Pope Francis on Faith, Family and the Church in the 21st Century
An open, frank and revealing dialogue with a rabbi from the man who became Pope Francis. On Heaven and Earth is an open and expansive dialogue between Jorge Mario Bergoglio and Abraham Skorka, a Rabbi and biophysicist, in which they share their thoughts on religion, reason, and the challenges the world faces in the 21st Century. For years Cardinal Bergoglio (then Archbishop of Buenos Aires) and Rabbi Skorka were tenacious promoters of interreligious dialogues on faith and reason. They both sought to build bridges between Catholicism, Judaism and the world at large. On Heaven and Earth brings together a series of these dialogues where both men talk about various theological and world issues including God, fundamentalism, atheism, abortion, homosexuality, euthanasia, same sex marriage and globalization. From these personal and accessible dialogues comes a first-hand view of the man who is now Pope to 1.2 billion Catholics around the world.
Memories that Lie a Little
At first glance, this book might appear to be yet another study on anti-Semitism in Argentina, supplementing those portraying this Southern Cone country as a Nazi shelter and perpetrator of anti-Jewish acts. Accounts of the last military dictatorship (1976-1983), which was responsible for the disappearance of thousands of people of Jewish origin, have contributed to this image. Memories that Lie a Little, however, challenges this view, shedding new light on Jewish experiences during the military dictatorship. Based on extensive archival research, it maps the positions of a wide range of Jewish organizations toward the military regime, opening the way for a better understanding of this complex historical period. If, then, the dictatorship was not actually anti-Semitic in the strictest sense of the term, why is it remembered as such? Historical research is complemented here by a reconstruction of the ways in which the notion of the regime’s anti-Semitism was crafted from early on, and an examination of its uses, as well as the changes that this narrative underwent in the following years.
Alton's Paradox
Alton's Paradox builds upon extensive archival and primary research, but uses a single text as its point of departure—a 1934 article by the Hungarian American cinematographer John Alton in the Hollywood-published International Photographer. Writing from Argentina, Alton paradoxically argues of cine nacional, "The possibilities are enormous, but not until foreign technicians will take the matter in their hands and with foreign organization will there be local industry." Nicolas Poppe argues that Alton succinctly articulates a line of thought commonly held across Latin America during the early sound period but little explored by scholars: that foreign labor was pivotal to the rise of national film industries. In tracking this paradox from Hollywood to Mexico to Argentina and beyond, Poppe reconsiders a series of notions inextricably tied to traditional film historiography, including authorship, (dis)continuation, intermediality, labor, National Cinema, and transnationalism. Wide-angled views of national film industries complement close-up analyses of the work of José Mojica, Alex Phillips, Juan Orol, Ángel Mentasti, and Tito Davison.
