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Dürer's Fight Book
Albrecht Dürer is probably the most famous German artist of the Renaissance, if not of all time. His works are world-famous and he was a master in numerous artistic disciplines such as woodcut, copperplate engraving, drawing and painting. What is less well known is that he was interested in weapons and fencing throughout his life. He produced several woodcuts for a tournament book by Emperor Maximilian I, but he devoted himself much more thoroughly to the subject of duels in his own extensive fencing manuscript. Dürer’s fight book stands out from the mass of illustrated fencing manuscripts because of its outstanding quality. In well over 100 elaborate drawings, the master uniquely depict...
Medieval Armoured Combat
The "Gladiatoria" group of German fencing manuscripts are several editions of a treatise on armoured foot combat, specifically aimed at duel fighting.Gloriously-illustrated, and replete with substantial commentary, these works are some of the greatest achievements in the corpus of late medieval fight books. These works have both tremendous artistic merit and incalculable historical value.In this remarkable full colour volume, authors Dierk Hagedorn and Bartomiej Walczak elegantly present their work on the copy of this treatise now in the Yale Center for British Art, including a reproduction of the manuscript, a full transcription, and translations into English.The work includes a foreword by Sydney Anglo which explains how the work shows a highly sophisticated pedagogical system of movement and applauds the editors for presenting the material in a clear and practical way.Additional essays discuss other aspects of the manuscript - including a tale of Dierk Hagedorn's adventures tracking down the manuscript.
Renaissance Combat
"Dierk Hagedorn continues to solidify his reputation as one of today's most talented authorities on German Fechtbücher with another superlative volume... Highly recommended for students of history, historical reenactors, and today's fighting practitioners." - Christian Henry Tobler Longsword instructor Dierk Hagedorn brings the work of one of the most prolific authors of 16th century fight books to a modern audience for the first time. Jörg Wilhalm’s teachings feature fighting techniques with the long sword, in armour and on horseback and combines the teachings of the famous fighting master Johannes Liechtenauer with those of his successors. Vividly illustrated throughout, each technique is rendered in detail that even modern practitioners will be able to easily follow. This book will appeal to enthusiasts of historical European martial arts, re-enactors, jousters, as well as art historians - particularly those with an interest in the armour and clothing of the 16th century. Comprehensive in its scope, it is a striking and fascinating insight into the ancient art of swordplay.
The Peter Von Danzig Fightbook
Noted medieval combat authorities Dierk Hagedorn and Christian Henry Tobler join forces to present a transcription, translation, and analysis of the Peter von Danzig Fight Book, one of the finest manuscripts of the 15th century devoted to the fencing tradition of German grandmaster Johannes Liechtenauer. The codex features anonymous commentaries on Liechtenauer's own mnemonic verses, as well as treatises by other masters of his circle: Masters Lignitzer, Huntfelt, Ott, and Peter von Danzig himself. A compendium of teachings for how to fight with the long sword, spear, sword and buckler, dagger, as well as unarmed grappling, both in and out of armour, this volume is a valuable resource for historical martial artists, historians, and medieval reenactors.
Dürer's Fight Book
Albrecht Dürer is probably the most famous German artist of the Renaissance, if not of all time. His works are world-famous and he was a master in numerous artistic disciplines such as woodcut, copperplate engraving, drawing and painting. What is less well known is that he was interested in weapons and fencing throughout his life. He produced several woodcuts for a tournament book by Emperor Maximilian I, but he devoted himself much more thoroughly to the subject of duels in his own extensive fencing manuscript. Dürer’s fight book stands out from the mass of illustrated fencing manuscripts because of its outstanding quality. In well over 100 elaborate drawings, the master uniquely depict...
Medieval Combat in Colour
Hans Talhoffer's professional fencing manual of 1467 illustrates the intricacies of the medieval art of fighting, covering both the 'judicial duel' (an officially sanctioned fight to resolve a legal dispute) and personal combat.Combatants in the Middle Ages used footwork, avoidance, and the ability to judge and manipulate timing and distance to exploit and enhance the sword's inherent cutting and thrusting capabilities. These skills were supplemented with techniques for grappling, wrestling, kicking and throwing the opponent, as well as disarming him by seizing his weapon. Every attack contained a defence and every defence a counter-attack. Talhoffer reveals the techniques for wrestling, unarmoured fighting with the long sword, pole-axe, dagger, sword and buckler, and mounted combat.This unparalleled guide to medieval combat, illustrated with 268 contemporary images, provides a glimpse of real people fighting with skill, sophistication and ruthlessness. This is one of the most popular and influential manuals of its kind.
Medieval Combat in Colour
Hans Talhoffer's professional fencing manual of 1467 illustrates the intricacies of the medieval art of fighting, covering both the 'judicial duel' (an officially sanctioned fight to resolve a legal dispute) and personal combat. Combatants in the Middle Ages used footwork, avoidance, and the ability to judge and manipulate timing and distance to exploit and enhance the sword's inherent cutting and thrusting capabilities. These skills were supplemented with techniques for grappling, wrestling, kicking and throwing the opponent, as well as disarming him by seizing his weapon. Every attack contained a defence and every defence a counter-attack. Talhoffer reveals the techniques for wrestling, unarmoured fighting with the long sword, pole-axe, dagger, sword and buckler, and mounted combat. This unparalleled guide to medieval combat, illustrated with 268 contemporary images, provides a glimpse of real people fighting with skill, sophistication and ruthlessness. This is one of the most popular and influential manuals of its kind.
...the Foundation and Core of All the Arts of Fighting
The long sword gloss in GNM ms. 3227a is one of the most important texts in the Liechtenauer corpus. It presents a teaching that is unique in the tradition, more focused on ideas and concepts than on individual plays or techniques. In this way, it is the perfect companion to the more action-oriented glosses of other masters like Sigmund ain Ringeck, Pseudo-Peter von Danzig, and Jud Lew. This book seeks to present these teachings in a new light, with an original English translation that is easier to read and understand than existing offerings. In this way, it will hopefully reveal this important text to a wider audience. Included are color scans, revised transcription by Dierk Hagedorn, English translation by Michael Chidester, introductory material, and a few notes along the way.
Late Medieval and Early Modern Fight Books
Late Medieval and Early Modern Fight Books offers insights into the cultural and historical transmission and practices of martial arts, based on the corpus of the Fight Books (Fechtbücher) in 14th- to 17th-century Europe. The first part of the book deals with methodological and specific issues for the studies of this emerging interdisciplinary field of research. The second section offers an overview of the corpus based on geographical areas. The final part offers some relevant case studies. This is the first book proposing a comprehensive state of research and an overview of Historical European Martial Arts Studies. One of its major strengths lies in its association of interdisciplinary scholars with practitioners of martial arts. Contributors are Sydney Anglo, Matthias Johannes Bauer, Eric Burkart, Marco Cavina, Franck Cinato, John Clements, Timothy Dawson, Olivier Dupuis, Bert Gevaert, Dierk Hagedorn, Daniel Jaquet, Rachel E. Kellet, Jens Peter Kleinau, Ken Mondschein, Reinier van Noort, B. Ann Tlusty, Manuel Valle Ortiz, Karin Verelst, and Paul Wagner.
Ritterliche Taten der Gewalt
Florian Dörschel deals with the martial side of German chivalry towards the end of the Middle Ages. Knightly violence was at the center of social, military and political life as an instrument of power, representation and communication. Florian Dörschel befasst sich mit der kriegerischen Seite des deutschen Rittertums im ausgehenden Mittelalter. Diese ritterliche Gewalt stand als Machtinstrument, Repräsentations- und Kommunikationsmittel im Mittelpunkt des sozialen, militärischen und politischen Lebens.
