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The Way of the Shovel
Catalog for the exhibition held at the Museum of Contemporary Art Chicago from November 9, 2013-March 9, 2014.
Table of Contents
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The Freedom Principle
Exhibited artists: Muhal Richard Abrams, Terry Adkins, Lisa Alvarado, Aye Aton, Sanford Biggers, Anthony Braxton, Nick Cave, Emilio Cruz, Jamal Cyrus, Lauren Deutsch, Jeff Donaldson, Stan Douglas, Douglas R. Ewart, Charles Gains, Renée Green, sean griffin, The Otolith Group, David Hammons, Jae Jarrell, Wadsworth Jarrell, Rashid Johnson, Jennie C. Jones, Leonard E. Jones, Barbara Jones-Hogu, William Pope. L, George Lewis, Glenn Ligon, Matthew Metzger, Roscoe Mitchell, Douglas Repetto, Lili Reynaud-Dewar, Matana Roberts, Anri Sala, Robert Abbott Sengstacke, Cauleen Smith, Wadada Leo Smith, Nelson Stevens, Catherine Sullivan, Nari Ward, Gerald Williams, Jose Williams.
Afterall
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Pope.L: Campaign
This book is a three-part report on the long-term collaboration between artist Pope.L and curator Dieter Roelstraete which revolves around issues of connectedness, home, and migration, while addressing art's relationship to knowledge. Begun in spring 2016 with an invitation, extended to the artist by Roelstraete and his colleagues Monika Szewczyk and Adam Szymczyk, to participate in the fourteenth edition of documenta, Pope.L's contribution took on the guise of an immersive, seemingly omnipresent sound installation titled Whispering Campaign, consisting of thousands of hours of whispered content-addressing nationhood and borders-broadcast throughout Athens and Kassel using both speakers and ...
Richard Long
An illustrated study of a work that marks the transition from minimalism to a new mode of practice encompassing conceptual art, land art, and performance art.
Afterall
''Afterall'' is a journal of art, context, and inquiry that offers in-depth consideration of the work of contemporary artists from around the world, along with essays that set the work in a broader context. Articles on art history and critical theory applied to art round out each volume. Afterall is written by scholars - but with an eye toward the general reader who is interested in the situation of art and artists in our world. Issue 26 offers new looks at American artist Catherine Sullivan, Brazilian artist and writer Ricardo Basbaum, Spanish conceptualist Valcarcel Madeina, and the influential US collective Group Material. Contextual pieces address forms of radical pedagogy and the intersections between text and aesthetic style; the issue also offers the first-ever English translation of the 1971 Helio Oiticia text ''Tropicamp,'' alongside an essay explaining its importance.
Jan Van Imschoot
A comprehensive overview of the oeuvre of Belgian painter Jan Van Imschoot A comprehensive overview of the oeuvre of Belgian painter Jan Van Imschoot (b. 1963), whose contemporary work builds bridges to predecessors such as Caravaggio, Tintoretto, Goya, and Manet. Van Imschoot's painting consciously opts for a clear, sometimes contradictory and ironic style. The directness of his decisive brushwork and his balanced yet audacious use of color is strikingly contemporary, while his work draws on historical themes from literature and art history. In this way, Van Imschoot engages in a continuous dialogue with the past, in which he, with a dose of cynicism, often targets phenomena or figures that find themselves on the fringes of (contemporary) society. Bringing together more than 220 works by Van Imschoot with five accompanying texts, this book gives fresh insight into the painting practice of this Belgian master.
Afterall
Afterall, a journal of art, context and enquiry, offers in-depth considerations of the work of contemporary artists along with essays that broaden how to understand it. Issue 28 maps a history of objects, photography and experience. The articles include Brazilian artist Ricardo Basbaum writing about the move to activate the audience in contemporary art, Pablo Lafuente dissecting the role of the object in participatory practices, an exploration of Emily Wardill's elusive films of objects and ossified social relations, a look at the photographic and sculptural practice of Jean-Luc Moulène, and discussions of the work of 1970s Chicago collective AfriCOBRA and the return of modernism in the work of Carol Bove, Mathias Poledna, and others.
