Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Growth
Zin Taylor has become known internationally for his elaborate installations encompassing elements of performance and sculpture along with drawing, printing, and video. Narration is an essential ingredient of much of Taylor's multifaceted work, and his stories are often culled from the undergrowth of popular culture (more specifically underground music scenes) and contemporary art lore. Journalism, research, storytelling: not surprisingly, both the spoken word and the printed word figure prominently in Taylor's practice (the artist himself belonging to a generation of practitioners for whom a definite facility with language, both on a theoretical and literary level, has become a key aspect of artistic identity), and many of his installations have also been accompanied by publications and/or artist books. This artist book is published on the occasion of the exhibition at the Ursula Blickle Stiftung, "The Units," from May 29 to July 10, 2011.
Richard Long
An illustrated study of a work that marks the transition from minimalism to a new mode of practice encompassing conceptual art, land art, and performance art.
The Way of the Shovel
Catalog for the exhibition held at the Museum of Contemporary Art Chicago from November 9, 2013-March 9, 2014.
The Freedom Principle
Exhibited artists: Muhal Richard Abrams, Terry Adkins, Lisa Alvarado, Aye Aton, Sanford Biggers, Anthony Braxton, Nick Cave, Emilio Cruz, Jamal Cyrus, Lauren Deutsch, Jeff Donaldson, Stan Douglas, Douglas R. Ewart, Charles Gains, Renée Green, sean griffin, The Otolith Group, David Hammons, Jae Jarrell, Wadsworth Jarrell, Rashid Johnson, Jennie C. Jones, Leonard E. Jones, Barbara Jones-Hogu, William Pope. L, George Lewis, Glenn Ligon, Matthew Metzger, Roscoe Mitchell, Douglas Repetto, Lili Reynaud-Dewar, Matana Roberts, Anri Sala, Robert Abbott Sengstacke, Cauleen Smith, Wadada Leo Smith, Nelson Stevens, Catherine Sullivan, Nari Ward, Gerald Williams, Jose Williams.
Afterall
None
Apsáalooke Women and Warriors
The Apsáalooke people, also known as the Crow, are noted for their bravery and artistry, twin pillars of a centuries-old culture rooted in the landscape of the Northern Plains. This book, published in conjunction with a multi-site exhibition jointly organized by the Field Museum and the Neubauer Collegium at the University of Chicago, offers a rich narrative of the Apsáalooke paste with a keen eye on issues that concern present-day Apsáalooke identity. Apsáalooke Women and Warriors features contributions by contemporary Apsáalooke artists, intellectuals, and writers. Together, they constitute a major statement on the cosmologies, iconographies, and lifeways of the Apsáalooke people past, present--and, above all--future.
Batia Suter, Surface Series
Surface Series - created by Batia Suter between 2008 and 2011 - contains images and fragments from other books. The recurrent use of photographic images is a common denominator in the work of Suter. Since the 1990s she makes use of enlarged photographic images to cover entire walls of exhibition spaces, exploring trompe loeil effects and the relationship between the inside and outside of those spaces. In the same way she makes her books, like specific exhibitions on paper.
Archaeology's Visual Culture
Archaeology’s Visual Culture explores archaeology through the lens of visual culture theory. The insistent visuality of archaeology is a key stimulus for the imaginative and creative interpretation of our encounters with the past. Balm investigates the nature of this projection of the visual, revealing an embedded subjectivity in the imagery of archaeology and acknowledging the multiplicity of meanings that cohere around artifacts, archaeological sites and museum displays. Using a wide range of case studies, the book highlights how archaeologists can view objects and the consequences that ensue from these ways of seeing. Throughout the book Balm considers the potential for documentary imag...
Pope.L: Campaign
This book is a three-part report on the long-term collaboration between artist Pope.L and curator Dieter Roelstraete which revolves around issues of connectedness, home, and migration, while addressing art's relationship to knowledge. Begun in spring 2016 with an invitation, extended to the artist by Roelstraete and his colleagues Monika Szewczyk and Adam Szymczyk, to participate in the fourteenth edition of documenta, Pope.L's contribution took on the guise of an immersive, seemingly omnipresent sound installation titled Whispering Campaign, consisting of thousands of hours of whispered content-addressing nationhood and borders-broadcast throughout Athens and Kassel using both speakers and ...
Over and Over and Over Again
Over the last twenty years, reenactment has been appropriated by both contemporary artistic production and art-theoretical discourse, becoming a distinctive strategy to engage with history and memory. As a critical act of repetition, which is never neutral in reactualizing the past, it has established unconventional modes of historicization and narration. Collecting work by artists, scholars, curators, and museum administrators, the volume investigates reenactment's potential for a (re)activation of layered temporal experiences, and its value as an ongoing interpretative and political gesture performed in the present with an eye to the future. Its contributions discuss the mobilization of archives in the struggle for inclusiveness and cultural revisionism; the role of the body in the presentification and rehabilitation of past events and (impermanent) objects; the question of authenticity and originality in artistic practice, art history, as well as in museum collections and conservation practices.
