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Volume 1 relates the story of the invention of the airplane by the Wright brothers and the creation of the original aeronautical research establishment in the United States.
The Hanse, an organization of towns and traders in medieval and early modern Europe, was a unique phenomenon. At the same time, it was embedded in the northern European urban and mercantile culture. The contributions in this volume therefore seek to highlight the atypical features of the Hanse, and place them in a wider context of common roots, influences and parallel developments. New research is presented on the origin and growth of the Hanse, the organization of trade, legal history, interaction with non-Hansards and transitions in the Hanse in the early modern period. Moreover, the historiography of the Hanse, problems of source criticism and possibilities for future research are discussed. The volume is an inspiring guide to Hanse studies. Contributors are Carsten Jahnke, Edda Frankot, Sofia Gustafsson, James M. Murray, Mike Burkhardt, Marie-Louise Pelus-Kaplan, Stuart Jenks, and Justyna Wubs-Mrozewicz.
The airplane ranks as one of history's most ingenious and phenomenal inventions--and surely one of the most world-shaking. How ideas about its aerodynamics first came together and how the science and technology evolved to forge the airplane into the revolutionary machine it became is the epic story James R. Hansen tells in The Bird Is on the Wing. Just as the airplane is a defining technology of the twentieth century, aerodynamics has been the defining element of the airplane. Hansen provides an engaging, easily understandable introduction to the role of aerodynamics in the design of such historic American aircraft as the DC-3, X-1, and 747. Recognizing the impact individuals have had on the...
In the years leading up to the World Wars, Germany and Austria saw an unprecedented increase in the study and depiction of the criminal. Science, journalism and crime fiction were obsessed with delinquents while ignoring the social causes of crime. As criminologists measured criminals' heads and debated biological predestination, court reporters and crime writers wrote side-splitting or heart-rending stories featuring one of the most popular characters ever created--the hilarious or piteous crook. The author examines the figure of the crook and notions of "Jewish" criminality in a range of antisemitic writing, from Nazi propaganda to court reporting to forgotten classics of crime fiction.