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Dieter Roth Collected Interviews
An intimate and inspiring firsthand encounter with the radical philosophy of the renowned twentieth-century artist Dieter Roth. The oeuvre of Dieter Roth (1930–1998) encompasses painting, sculpture, drawing, printmaking, film, video, music, typography, design, architecture, and, last but not least, literature. “His books alone would give him a place of honor in 20th-century art,” wrote artist Richard Hamilton, who championed Roth very early on. But is there a philosophy that ties his media together? In these interviews, Roth offered many surprising and fascinating clues to his life and line of thought. Included are conversations with Hamilton and the very intimate interview Roth conduc...
The Parables in Q
Few New Testament topics have been discussed as often and as intensely as Q, the hypothesized second major source alongside the gospel of Mark for the gospels of Matthew and Luke, and the parables. And yet, no monograph to date has been devoted to considering the parables in Q. In addition to filling this gap in New Testament scholarship, Dieter T. Roth addresses the need to move scholarship on both Q and the parables forward along methodological and interpretive lines. Roth considers Q not as a text behind Matthew and Luke that needs to be reconstructed but rather as an intertext between Matthew and Luke that offered plots, characters, and images in parables that were taken up by Matthew and Luke and utilized in their own respective texts. In addition, Roth draws on recent parables research in his examination of the 27 parables in Q (two spoken by John the Baptist, one by the Centurion, and 24 by Jesus) in order to consider their purpose and function in this early Christian text.
Roth Time
Sculptor, poet, diarist, graphic designer, pioneer artist's book maker, performer, publisher, musician, and, most of all, provocateur, Dieter Roth has long been beloved as an artist's artist. Known for his mistrust of all art institutions and commercial galleries--he once referred to museums as funeral homes--he was also known for his generosity to friends, his collaborative spirit, and for including his family in his art making. Much to the frustration of any gallery that tried to exhibit his work (supposedly none more than once), Roth thumbed his nose at those who valued high purpose and permanence in art. Constantly trying to undo his art education, he would set up systems that discourage...
Wait, Later this Will be Nothing
Catalog of an exhibition held Feb. 13-June 24, 2013.
The Text of Marcion’s Gospel
In The Text of Marcion’s Gospel Dieter T. Roth offers a new, critical reconstruction of Marcion’s Gospel including various levels of certainty for readings in this Gospel text. An extensive history of research, overview of both attested and unattested verses in the various sources, and methodological considerations related, in particular, to understanding the citation customs of the sources set the stage for a comprehensive analysis of all relevant data concerning Marcion’s Gospel. On the basis of this new reconstruction significant issues in the study of early Christianity, including the relationship between Marcion’s Gospel and Luke and the place of Marcion in the history of the canon and the formation of the fourfold Gospel, can be considered anew.
246 little clouds
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The Boy on the Hill
A delightful story for everyone, because it is about everyone; young, old and young at heart. A little boy struggles with the limitations of being little. Although he lives an ordinary life, he strives for more. With his vivid imagination he believes he can take on the world. But when his favourite companion goes missing, his world falls apart. Through his experiences of anger, loss and sadness, he discovers that real peace comes from recognising what can be, while accepting what is.
Dark Toys
A wide-ranging look at surrealist and postsurrealist engagements with the culture and imagery of childhood We all have memories of the object-world of childhood. For many of us, playthings and images from those days continue to resonate. Rereading a swathe of modern and contemporary artistic production through the lens of its engagement with childhood, this book blends in-depth art historical analysis with sustained theoretical exploration of topics such as surrealist temporality, toys, play, nostalgia, memory, and 20th-century constructions of the child. The result is an entirely new approach to the surrealist tradition via its engagement with "childish things." Providing what the author describes as a "long history of surrealism," this book plots a trajectory from surrealism itself to the art of the 1980s and 1990s, through to the present day. It addresses a range of figures from Marcel Duchamp, Giorgio de Chirico, Max Ernst, Hans Bellmer, Joseph Cornell, and Helen Levitt, at one end of the spectrum, to Louise Bourgeois, Eduardo Paolozzi, Claes Oldenburg, Susan Hiller, Martin Sharp, Helen Chadwick, Mike Kelley, and Jeff Koons, at the other.
Breaking New Ground in John
Over the past two decades, Ruben Zimmermann has sought to advance Johannine scholarship in several respects and to challenge the scholarly consensus at various points. Many of his studies explicitly embrace an interdisciplinary methodology and apply, in particular, insights gained from contemporary work on images and metaphor, narratology, and ethical theory. This volume, edited by Dieter T. Roth, presents twenty-five essays - several of which appear here in print or in English for the first time - under five headings: Imagery, Parables, Characters, Christology, and Ethics. These essays address a broad spectrum of questions and issues in the Fourth Gospel, and they are brought together in the present format in the hopes of contributing to and further stimulating truly groundbreaking work in the treasured, ancient text of the Gospel of John.
Collaborations of Ch. Rotham
Published as the catalogue of a travelling exhibition, 1976 and 1977.
