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Rudolf Leopold
In the historical period of new beginnings starting in the 1950s, the collector Rudolf Leopold (1925-2010), with pioneer-like foresight and a keen sense of art, was able to do someting few others of his ilk succeeded in doing: build up a large, both aesthetically sophisticated and art historically relevant collection of international renown. The biography paints a picture of Rudolf Leopold as a fascinating collector. It is based on the personal memories of his son, Diethard Leopold, and the latter's conversations with his father, relatives and contemporaries, as well as with competitors of his father. It is the lasting record of a lifelong effort to preserve what has defined a cultural period. Beginning with Schiele as core artist, his collection includes numerous major works by the likes of Klimt, Kokoschka, Gerstl, Egger-Lienz, and Kubin as well as by German Expressionists. Important furniture, arts and crafts, jewelry, and African and Japanese art complement the collection.
Richard Gerstl
The art academy failed to recognise his talent; he rejected the contemporary art scene in Vienna; and his visionary work was largely neglected during his lifetime: the painter Richard Gerstl (1883-1908), whose creative period lasted for just four intensive years, is regarded today as one of the most important representatives of Austrian Expressionism for his portraits and landscapes. With his early pictures Self-Portrait against a Blue Background and The Sisters Karoline and Pauline Frey Richard Gerstl began to create an oeuvre which was well ahead of his times and which made him one of the pioneers of Abstract Expressionism. In 1906 Gerstl met the musician Arnold Schönberg. He embarked upon an affair with the latter's wife Mathilde, who briefly left her husband but then returned to him in 1908. Gerstl not only lost his lover but was also socially isolated; he committed suicide during that same year. His work sank into oblivion
Egon Schiele
Egon Schiele (1890 - 1918) is nowadays regarded as one of the leading pioneers of Modernism in Austria. Although he already enjoyed some success during his lifetime and came to be considered Austria's greatest artist following his death, his outstanding impo rtance for art was recognized only in the early 1950s. Rudolf Leopold, the early collector of Schiele who first became interested in Schiele in the 1950s, has been instrumental in raising the international profile of Egon Schiele. Today, his art treasures are housed in the Leopold Museum in Vienna, which holds the world's largest and most outstanding collection of works by Schiele. Diethard Leopold, the collector's son and author of this...
Doppelgangers, Alter Egos and Mirror Images in Western Art, 1840-2010
The notion of a person--or even an object--having a "double" has been explored in the visual arts for ages, and in myriad ways: portraying the body and its soul, a woman gazing at her reflection in a pool, or a man overwhelmed by his own shadow. In this edited collection focusing on nineteenth- and twentieth-century western art, scholars analyze doppelgangers, alter egos, mirror images, double portraits and other pairings, human and otherwise, appearing in a large variety of artistic media. Artists whose works are discussed at length include Richard Dadd, Salvador Dali, Egon Schiele, Frida Kahlo, the creators of Superman, and Nicola Costantino, among many others.
Egon Schiele - Jenny Saville
This catalogue brings together the work of seminal Austrian painter Egon Schiele (1890-1918) and young British artist Jenny Saville for the first time. Revealed is the stylistic and thematic proximity of the body-landscapes and portraits by the two young "stars". The paint ings and drawings of both artists lend the human body an insistent corporeality, which is rendered in every detail. In Schiele's self-portraits, usually small-format works, the pose, the accentuated view from below, and gestural style give the images a visual impact equal to the forceful punch of Saville's giant formats.
Vienna 1900. Birth of Modernism
The new presentation of the Leopold Museum's collection highlights the splendour and wealth of artistic achievements of an era shaped by the emergence of the Secessionists, the collapse of the Habsburg Monarchy and the deaths of eminent artists of Viennese Modernism, including Gustav Klimt, Egon Schiele, Koloman Moser and Otto Wagner. Like the exhibition, the accompanying 560-page publication also aims to convey a sense of the character of this time and of the vibrant atmosphere in the metropolis of Vienna.Twelve scientific essays by renowned experts illustrate the historical aspects and biographies of the era's eminent protagonists whose fruitful synergy provided the basis for Vienna's unique cultural life around the turn of the century. A comprehensive appendix of illustrations shows the highlights of the Leopold Collection presented in the exhibition as well as important external loans.
Dispossession
This collection of essays by a range of international, multidisciplinary scholars explores the financial history, social significance, and cultural meanings of the theft, starting in 1933, of assets owned by German Jews. Despite the fraught topic and the ongoing legal discussions, the subject has not received much scholarly attention until now. This volume offers a much needed contribution to our understanding of the history of the period and the acts. The essays examine the confiscatory taxation of Jewish property, the looting of art and confiscation of gold, the role of German freight forwarders in property theft, salesmen and dispossession in the retail world, theft from the elderly, and the complicity of the banking industry, as well as the reach of the practice beyond German borders.
Ethics under the Aspect of Constructive Realism
Ethics is a wide field which has contradicting argumentation. This book tries to open the foundations of ethics by the means of philosophical reasoning. It bridges the gap between the argumentation of ethics and the discussions in the philosophy of science.
Goering's Man in Paris
A charged biography of a notorious Nazi art plunderer and his career in the postwar art world "[Petropoulos] brings Lohse into sharper focus, as a personality and axis point from which to explore a network of art dealers, collectors and museum curators connected to Nazi looting. . . . What emerges from Petropoulos's research is a portrait of a charismatic and nefarious figure who tainted everyone he touched."--Nina Siegal, New York Times "Readers of art history and WWII biographies will appreciate this engrossing deep dive into one of the world's most prolific art looters."--Publishers Weekly Bruno Lohse (1911-2007) was one of the most notorious art plunderers in history. Appointed by Her...
Nude Men
This book includes glimpses into the life-drawing classes of European art academies, representations of men during the time of the French Revolution, "Sturm und Drang" and late Impressionism. It also offers examples of 20th century art. It contains a variety of essays that examine concepts such as masculinity and the construction of identity, male desire in modern art and the naked man as a motif in advertising
