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Art of the Defeat
"Art of the Defeat offers an unflinching look at the pivotal role art played in France during the German occupation. It begins with Adolf Hitler's staging of the armistice at Rethondes and moves across the dark years - analyzing the official junket by French artists to Germany, the exhibition of Arno Breker's colossi in Paris, the looting of the state museums and Jewish collections, the glorification of Philippe P?tain and a pure national identity, the demonization of modernists and foreigners, and the range of responses by artists and artisans. The sum is a pioneering expos? of the deployment of art and ideology to hold the heart of darkness at bay"--Page 4 of cover.
Dan Flavin
"New scholarship and interpretation of Flavin's work also appears in the form of three critical essays by experts and an extensive chronology, comprehensive bibliography, and exhibition history. In addition, this book includes Flavin's text, "'...in daylight or cool white.' an autobiographical sketch," originally published in Artforum in 1965, and two interviews with the artist - one from 1972 and the other from 1982."--BOOK JACKET.
Jouer dans l'Antiquité
Depuis l'ouvrage de Becq de Fouquières, en 1869, sur les jeux des Anciens, Grecs et Romains, rien n'avait été consacré à ce sujet. L'exposition reprend l'idée en l'élargissant aux civilisations égyptienne et proche-orientales. Le ludique, où se mêlent croyances et rites funéraires, est vu sous trois thèmes : les jeux de l'enfance, les jeux de hasard, d'adresse et les jeux de table. « Copyright Electre »
Patrimoine et tourisme
Le cours offre un éclairage sur les différents métiers du secteur et apporte une aide pratique en s'intéressant à la construction d'un itinéraire de voyage, d'une visite de ville et d'un commentaire d'une oeuvre d'art.
Art Books
Expanded to twice as many entries as the 1985 edition, and updated with new publications, new editions of previous entries, titles missed the first time around, more of the artists' own writings, and monographs that deal with significant aspects or portions of an artist's work though not all of it. The listing is alphabetical by artist, and the index by author. The works cited include analytical and critical, biographical, and enumerative; their formats range from books and catalogues raisonnes to exhibition and auction sale catalogues. A selection of biographical dictionaries containing information on artists is arranged by country. Annotation copyrighted by Book News, Inc., Portland, OR
Surrealism Beyond Borders
Surrealism Beyond Borders challenges conventional narratives of a revolutionary artistic, literary, and philosophical movement. Tracing Surrealism's influence and legacy from the 1920s to the late 1970s in places as geographically diverse as Colombia, Czechoslovakia, Egypt, Japan, Korea, Mexico, the Philippines, Romania, Syria, Thailand, and Turkey, this publication includes more than 300 works of art in a variety of media by well-known figures—including Dalí, Ernst, Kahlo, Magritte, and Miró—as well as numerous artists who are less widely known. Contributions from more than forty distinguished international scholars explore the network of Surrealist exchange and collaboration, artists' responses to the challenges of social and political unrest, and the experience of displacement and exile in the twentieth century. The multiple narratives addressed in this expansive book move beyond the borders of history, geography, and nationality to provocatively redraw the map of Surrealism.
De la scène au tableau
Ce catalogue, qui accompagne l'exposition internationale de Marseille, Rovereto et Toronto, se propose de réarticuler à la tradition moderne le retour à l'antique des années 1750-1800. De mettre en évidence un XIXe siècle dévoré par la passion du théâtre, dont les bornes s'étendraient de la redécouverte de Pompéi jusqu'à la dématérialisation de l'espace scénique voulue par Appia et Craig. Il voudrait conduire les lecteurs de Voltaire et David à l'agonie du symbolisme, plus d'un siècle et demi d'art européen soumis au démon de la scène. Mon intention profonde est de réaffirmer qu'il y a plusieurs voies vers la modernité en peinture. Elle ne se limite pas à une marche régulière et imperturbable vers l'abstraction, comme on l'a trop dit. Ce livre permet d'explorer d'autres chemins, d'associer le moderne à une théâtralité qui n'est plus un mouvement à sens unique, mais un double mouvement, un aller-retour de la scène au tableau.
Bulletin des musées
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