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Colonial Phantoms
Winner, 2019 Isis Duarte Book Prize, given by the Haiti/Dominican Republic Section of the Latin American Studies Association Winner, 2019 Barbara Christian Literary Award, given by the Caribbean Studies Association Highlights the histories and cultural expressions of the Dominican people Using a blend of historical and literary analysis, Colonial Phantoms reveals how Western discourses have ghosted—miscategorized or erased—the Dominican Republic since the nineteenth century despite its central place in the architecture of the Americas. Through a variety of Dominican cultural texts, from literature to public monuments to musical performance, it illuminates the Dominican quest for legibili...
Colonial Phantoms
Using a blend of historical and literary analysis, Colonial Phantoms reveals how Western discourses have ghosted—miscategorized or erased—the Dominican Republic since the nineteenth century despite its central place in the architecture of the Americas. Through a variety of Dominican cultural texts, from literature to public monuments to musical performance, it illuminates the Dominican quest for legibility and resistance.
This Will Not Be Generative
This Will Not Be Generative attends to the semiotics of ecological writings via Caribbean literary studies and black critical theory. Closely reading texts by Donna Haraway, Monique Allewaert, and Lisa Wells, it exposes how the language of tentacles and tendrils, an assumptive 'we,' and redemptive sympathy or 'care' disguises extraction from black people and blackness. This often speculative rhetoric, abetted by fantasies of white communion with indigenous groups, contrasts with the horror semiotics of the films Get Out (2017) and Midsommar (2019), which unmask the antagonistic relationship between white survival 'at the end of the world' and blackness as compost.
Estamos Bien: La Trienal 20/21
Documenting the Barrio's first national survey of Latinx art, featuring more than 40 artists from the US and Puerto Rico This publication features the work of the 42 participating artists and collectives included in the highly anticipated titular exhibition organized by El Museo del Barrio in New York. The result of two years of research, this project is the museum's first nationwide exhibition and publication exploring the diverse landscape of contemporary Latinx artists working in the United States and Puerto Rico. The volume includes an essay by the curators, a conversation between some of the artists conducted by artist Elia Alba as part of her Supper Club series and illustrated, individual short interviews with the participants. A closing anthology brings together poems and excerpts of essays by Lourdes Alberto, Ariana Brown, Karla Cornejo Villavicencio, Deborah Cullen, Carolina Ponce de León, Esteban Jefferson, Ed Morales, Alan Pelaez Lopez, Dixa Ramírez d'Oleo, Rose Salseda and Adriana Zavala.
The Great Recoil
What comes after neoliberalism? In these times of health emergency, economic collapse, populist anger and ecological threat, societies are forced to turn inward in search of protection. Neoliberalism, the ideology that presided over decades of market globalisation, is on trial, while state intervention is making a spectacular comeback amid lockdowns, mass vaccination programmes, deficit spending and climate planning. This is the Great Recoil, the era when the neo-statist endopolitics of national sovereignty, economic protection and democratic control overrides the neoliberal exopolitics of free markets, labour flexibility and business opportunity. Looking back to the role of the state in Pla...
Imperial Intimacies
'Where are you from?' was the question hounding Hazel Carby as a girl in post-World War II London. One of the so-called brown babies of the Windrush generation, born to a Jamaican father and Welsh mother, Carby's place in her home, her neighbourhood, and her country of birth was always in doubt. Emerging from this setting, Carby untangles the threads connecting members of her family to each other in a web woven by the British Empire across the Atlantic. We meet Carby's working-class grandmother Beatrice, a seamstress challenged by poverty and disease. In England, she was thrilled by the cosmopolitan fantasies of empire, by cities built with slave-trade profits, and by street peddlers selling...
Yellow Star, Red Star
Yellow Star, Red Star asks why Holocaust memory continues to be so deeply troubled—ignored, appropriated, and obfuscated—throughout Eastern Europe, even though it was in those lands that most of the extermination campaign occurred. As part of accession to the European Union, Jelena Subotić shows, East European states were required to adopt, participate in, and contribute to the established Western narrative of the Holocaust. This requirement created anxiety and resentment in post-communist states: Holocaust memory replaced communist terror as the dominant narrative in Eastern Europe, focusing instead on predominantly Jewish suffering in World War II. Influencing the European Union's own...
Mental Traveler
How does a parent make sense of a child’s severe mental illness? How does a father meet the daily challenges of caring for his gifted but delusional son, while seeking to overcome the stigma of madness and the limits of psychiatry? W. J. T. Mitchell’s memoir tells the story—at once representative and unique—of one family’s encounter with mental illness and bears witness to the life of the talented young man who was his son. Gabriel Mitchell was diagnosed with schizophrenia at age twenty-one and died by suicide eighteen years later. He left behind a remarkable archive of creative work and a father determined to honor his son’s attempts to conquer his own illness. Before his death,...
Global Race War
Global Race War explores the racial foundations of global politics from the Haitian Revolution to the present. Alexander D. Barder traces the emergence of this global racial hierarchy from the early 19th century to the present to explain how a historical racial global order unraveled over the first half of the 20th century, continued during the Cold War, and reemerged during the Global War on Terror. As Barder shows, imperial, racial, and geopolitical orders intersected over time in ways that violently tore apart the imperial and sovereign state system and continue to haunt politics today.
Out of Time
Between 2009 and 2014, an anti-homosexuality law circulating in the Ugandan parliament came to be the focus of a global conversation about queer rights. The law attracted attention for the draconian nature of its provisions and for the involvement of US evangelical Christian activists who were said to have lobbied for its passage. Focusing on the Ugandan case, this book seeks to understand the encounters and entanglements across geopolitical divides that produce and contest contemporary queerphobias. It investigates the impact and memory of the colonial encounter on the politics of sexuality, the politics of religiosity of different Christian denominations, and the political economy of conte...
