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The Terrorist Album
An award-winning historian and journalist tells the very human story of apartheid’s afterlife, tracing the fates of South African insurgents, collaborators, and the security police through the tale of the clandestine photo album used to target apartheid’s enemies. From the 1960s until the early 1990s, the South African security police and counterinsurgency units collected over 7,000 photographs of apartheid’s enemies. The political rogue’s gallery was known as the “terrorist album,” copies of which were distributed covertly to police stations throughout the country. Many who appeared in the album were targeted for surveillance. Sometimes the security police tried to turn them; so...
Safari Nation
Safari Nation opens new lines of inquiry in the study of national parks in Africa and the rest of the world. The Kruger National Park is South Africa’s most iconic nature reserve, renowned for its rich flora and fauna. According to author Jacob Dlamini, there is another side to the park, a social history neglected by scholars and popular writers alike in which blacks (meaning Africans, Coloureds, and Indians) occupy center stage. Safari Nation details the ways in which black people devoted energies to conservation and to the park over the course of the twentieth century—engagement that transcends the stock (black) figure of the laborer and the poacher. By exploring the complex and dynami...
Native Nostalgia
Challenging the stereotype that black people who lived under South African apartheid have no happy memories of the past, this examination into nostalgia carves out a path away from the archetypical musings. Even though apartheid itself had no virtue, the author, himself a young black man who spent his childhood under apartheid, insists that it was not a vast moral desert in the lives of those living in townships. In this deep meditation on the experiences of those who lived through apartheid, it points out that despite the poverty and crime, there was still art, literature, music, and morals that, when combined, determined the shape of black life during that era of repression.
Equal But Different
None
Askari
"In 1986 'Comrade September', a charismatic ANC operative and popular MK commander, was abducted from Swaziland by the apartheid security police and taken across the border. After torture and interrogation, September was 'turned' and before long the police had extracted enough information to hunt down and kill some of his former comrades. September underwent changes that marked him for the rest of his life: from resister to collaborator, insurgent to counter-insurgent, revolutionary to counter-revolutionary and, to his former comrades, hero to traitor. Askari is the story of these changes in an individual's life and of the larger, neglected history of betrayal and collaboration in the struggle against apartheid. It seeks to understand why September made the choices he did - collaborating with his captors, turning against the ANC, and then hunting down his comrades - without excusing those choices. It looks beyond the black-and-white that still dominates South Africa's political canvas, to examine the grey zones in which South Africans - combatants and non- combatants - lived." -- Publisher.
Kings, Commoners and Concessionaires
A first full-length study of the political economy of the nineteenth-century Swazi state.
New Directions in African Education
A collection of essays which critically examines education in the African context and presents possible courses of action to reinvent its future.
Learning about Livelihoods
Videocassette summary: Drawn from Lesotho, Mozambique, South Africa, Zambia and Zimbabwe, these films reflect the impacts of retrenchment, flood risk, recurrent drought, HIV/AIDS, violence and political instability on individual households and their communities.
A Prophet of the People
In 1910 Isaiah Shembe was struggling. He had left his family and quit his job as a sanitation worker to become a Baptist evangelist, but he ended his first mission without much to show. Little did he know that he would soon establish the Nazaretha Church as he began to attract attention from people left behind by industrial capitalism in South Africa. By his death in 1935, Shembe was an internationally known prophet and healer, described by his peers as “better off than all the Black people.” In A Prophet of the People: Isaiah Shembe and the Making of a South African Church, historian Lauren V. Jarvis provides a fascinating and intimate portrait of one of South Africa’s most famous religious figures, and in turn the making of modern South Africa. Following Shembe from his birth in the 1860s across many environments and contexts, Jarvis illuminates the tight links between the spread of Christianity, strategies of evasion, and the capacious forms of community that continue to shape South Africa today.
