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Historic Organ Conservation
Intended as a practical guide to organ conservation issues, this work covers such topics as the need for regulation, the availability of grants, the benefits of good advice, the results of neglect and bad practice, the rewards of care and good housekeeping, and the principles of good restoration practice. Dominic Gwynn draws on his knowledge, experience and expertise and dedicates over half of the book to restoration techniques and the materials from which organs are made.
The Ashgate Research Companion to Henry Purcell
The Ashgate Research Companion to Henry Purcell provides a comprehensive and authoritative review of current research into Purcell and the environment of Restoration music, with contributions from leading experts in the field. Seen from the perspective of modern, interdisciplinary approaches to scholarship, the companion allows the reader to develop a rounded view of the environment in which Purcell lived, the people with whom he worked, the social conditions that influenced his activities, and the ways in which the modern perception of him has been affected by reception of his music after his death. In this sense the contributions do not privilege the individual over the environment: rather...
The History of the English Organ
This 1996 book describes the history of organs built in England from AD 900 to the present day.
Bach's Feet
Yearsley explores the cultural significance of making music with hands and feet, a mode of performance unique to the organ.
Staging Harmony
In Staging Harmony, Katherine Steele Brokaw reveals how the relationship between drama, music, and religious change across England’s long sixteenth century moved religious discourse to more moderate positions. It did so by reproducing the complex personal attachments, nostalgic overtones, and bodily effects that allow performed music to evoke the feeling, if not always the reality, of social harmony. Brokaw demonstrates how theatrical music from the late fifteenth to the early seventeenth centuries contributed to contemporary discourses on the power and morality of music and its proper role in religious life, shaping the changes made to church music as well as people’s reception of those...
Towards the Conservation and Restoration of Historic Organs
A collection of papers from a conference on organs, held in Liverpool in 1999. Areas covered include conservation related to musical performance and surviving historic instruments, concert organs and their repertoire, advisers, training, archaeology, and conservation plans.
A History of Performing Pitch
Haynes (U. of Montreal) traces the history of musical pitch standards over the last four centuries, linking frequency values to pitch names and telling where, when, and why various pitch levels have been used. With a focus on Italy, France, Germany, the Netherlands and the Hapsburg lands, he covers the pitches of about 1,400 historical instruments and how the design and function influenced and were influenced by changes in pitch. In addition, he studies the effect of pitch differences on musical notation and choice of key. The author has also written a book on the oboe, the instrument that plays the "A" to which a symphony orchestra tunes. Annotation copyrighted by Book News, Inc., Portland, OR
Music in the Georgian Novel
This book investigates the literary representation of music in the Georgian novel against its musical, aesthetic and cultural background.
Before the Baton
How was large-scale music directed or conducted in Britain before baton conducting took hold in the 1830s?
Performance Practice
Performance practice is the study of how music was performed over the centuries, both by its originators (the composers and performers who introduced the works) and, later, by revivalists. This first of its kind Dictionary offers entries on composers, musiciansperformers, technical terms, performance centers, musical instruments, and genres, all aimed at elucidating issues in performance practice. This A-Z guide will help students, scholars, and listeners understand how musical works were originally performed and subsequently changed over the centuries. Compiled by a leading scholar in the field, this work will serve as both a point-of-entry for beginners as well as a roadmap for advanced scholarship in the field.
