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Phenomenology, Modernism and Beyond
From the first stirrings of modernism to contemporary poetics, the modernist aesthetic project could be described as a form of phenomenological reduction that attempts to return to the invisible and unsayable foundations of human perception and expression, prior to objective points of view and scientific notions. It is this aspect of modernism that this book brings to the fore. The essays presented here bring into focus the contemporary face of ongoing debates about phenomenology and modernism. The contributors forcefully underline the intertwining of modernism and phenomenology and the extent to which the latter offers a clue to the former. The book presents the viewpoints of a range of int...
Ogrs 2009
This book contains abstracts of all contributions presented during the first Open Source Geospatial Research Symposium (OGRS) that was held in Nantes City, France, from July 8th to 10th, 2009.
France on Trial
A Telegraph, Spectator, Prospect, and Times Best Book of the Year “This is a story not just about Pétain but about war and resistance, the moral compromises of leadership, and the meaning of France itself.”―Margaret MacMillan “This is a finely tuned history...Those who enjoy tales of the sparring among excellent lawyers arguing an important case will find this book riveting. And for those who want to understand contemporary France and its intricate politics, France on Trial provides...a vibrant analysis of a trial and verdict that remain contentious almost eight decades later.”—Ronald C. Rosbottom, Wall Street Journal “Shows Jackson at his best—precise in detail, vivid in im...
French Crime Fiction, 1945–2005
In the first major study of representations of World War II in French crime fiction, Margaret-Anne Hutton draws on a corpus of over a hundred and fifty texts spanning more than sixty years. Included are well-known writers (male and female) such as Aubert, Simenon, Boileau-Narcejak, Vargas, Daeninckx, and Jonquet, as well as a broad range of lesser-known authors. Hutton's introduction situates her study within the larger framework of literary representations of World War II, setting the stage for her discussions of genre; the problem of defining crimes and criminals in the context of the war; the epistemological issues that arise in the relationship between World War II historiography and the crime novel; and the temporal textures linking past crimes to the present. Filling a gap in the fields of crime fiction and fictional representations of the War, Hutton's book calls into question the way both crime fiction and the French theatre of World War II have been conceptualized and codified.
The Development of Aspirated Fricatives in Gothic
This book presents three major hypotheses concerning the development of fricatives in Gothic. First, Gothic introduced aspiration or a phonological feature [spread glottis] to the fricative system. Second, this acquisition of aspirated fricatives should be explained as a contact-induced change. Specifically, a Gothic/Greek bilingual community may be held responsible for initiating and diffusing the contact change. Third, I claim that this contact-driven featural enrichment prompted an array of radical restructurings of fricatives in their phonological and morphological organizations in Gothic, notably the occurrence of Final Devoicing in contrast to the nonoccurrence of medial voicing, the elimination of Verner’s Law effects in strong verbs, the operation of Thurneysen’s Law, and the apparently irregular split of PGmc. */fl-/ to Go. /fl-/ and /þl-/. Thus, privileged by a Lower Danube community largely composed of Greek/Gothic bilinguals, this cluster of mid-fourth-century innovations came to define the phonological and morphological identities of Biblical Gothic.
Memory, Empire, and Postcolonialism
Long repressed following the collapse of empire, memories of the French colonial experience have recently gained unprecedented visibility. In popular culture, scholarly research, personal memoirs, public commemorations, and new ethnicities associated with the settlement of postcolonial immigrant minorities, the legacy of colonialism is now more apparent in France than at any time in the past. How is this upsurge of interest in the colonial past to be explained? Does the commemoration of empire necessarily imply glorification or condemnation? To what extent have previously marginalized voices succeeded in making themselves heard in new narratives of empire? While veils of secrecy have been lifted, what taboos still remain and why? These are among the questions addressed by an international team of leading researchers in this interdisciplinary volume, which will interest scholars in a wide range of disciplines including French studies, history, literature, cultural studies, and anthropology.
Allegories of Desire
This book explores the relationship between famous and fictional Caribbean female bodies to literary and historical writing. Through her concentration on the perspectives of women writers, her scrupulous attention to the specific histories of the different islands, her interest in diasporic as well as local writing, her embrace of texts in English, French, and Spanish, her insightful exploration of the poetics of allegory, Maude Adjarian invites us to undertake a fundamental rethinking of the concept of national allegory. This criticism is serious and substantial, scholarly and responsible, but also shrewd, engaging and very refreshing.Ross Chambers, Distinguished University Professor, Emeri...
De ongelofelijke successtory van tennis in België
De geschiedenis en de opmars van de tennissport in België.
