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Donald Friend's legendary years in Bali in the 1960s and 1970s and his subsequent final decade in Australia are revealed in detail in this fourth and final volume of The Diaries of Donald Friend. In Bali he lives luxuriously, like a lorda even keeping his own gamelan orchestraa and becomes an international celebrity artist. He welcomes guests such as Mick Jagger and the Duke and Duchess of Bedford, entertains numerous other visitors who want to buy his paintings and drawings, and socialises freely with friends, including many other artists. He engages in significant building activity and property development while also producing superb illustrated manuscripts and books. And despite increasing ill-health, Friend continues to revel in his life's drama and creativity, remaining an eloquent, often charming and sometimes irascible companion. Including over 60 drawings from his diaries, many of them in colour, this volume confirms Friend's quicksilver creative brilliance and extraordinary insight. He is perhaps Australia's most important twentieth-century diarist.
It is no coincidence that Donald Robertson, known as @drawbertson to his hundreds of thousands of followers on social media, has become the fashion world’s favorite art bomber of the Instagram era.
'I said that although hanging Colby was almost certainly against the law, we had a perfect moral right to do so because he was our friend, belonged to us in various important senses, and he had after all gone too far.' Donald Barthelme is a puckish player with language, a writer of short but endlessly rewarding comic gems, a thinker and an experimenter. In these nine short stories, whether writing about a hairy, donkeyish king or a touching, private gesture of city-sized proportions, his is a surreal, deadpan genius. This book includes Some of Us Had Been Threatening Our Friend Colby, The Glass Mountain, I Bought a Little City, The Palace at Four A.M., Chablis, The School, Margins, Game and The Balloon.
Published on the fiftieth anniversary of Marcel Duchamp’s death, Duchamp’s Last Day offers a radical reading of the artist’s final hours. Just moments after Duchamp died, his closest friend Man Ray took a photograph of him. His face is wan; his eyes are closed; he appears calm. Taking this image as a point of departure, Donald Shambroom begins to examine the surrounding context—the dinner with Man Ray and another friend, Robert Lebel, the night Duchamp died, the conversations about his own death at that dinner and elsewhere, and the larger question of whether this radical artist’s death can be read as an extension of his work. Shambroom’s in-depth research into this final night, ...
Charting a chronology of works in painting, drawing, sculpture, installations and photography this volume focuses upon Donald Rodney who died of sickle cell anaemia. His work draws humorous yet poignant lessons on disease and racism and continues to reverberate through the world he left behind.
Brings to the public for the first time a representative selection of the extraordinary drawings from the Donald Friend diaries held in the National Library of Australia. Witty, moving and evocative, they chronicle the brilliance of one of Australia's finest draughtsmen.