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"Make it up, dammit! Just lie! How can you expect to become a physician if you don't learn how to lie?" I used to recommend to junior medical students the first day they walked into a ward. I shared the wisdom accumulated in more than thirty years. I had survived thanks to a carefully woven web of lies. The mother of all lies holds there is an objective good, such as money, power, or prestige. We are expected to pursue it at the cost of denying ourselves, our unique living truth.This book narrates the journey of Lodovico Balducci in his discovery of the living truth: the ability to give and receive unconditional love. "Agape" is purposeful, determined, and committed love inspired by our own mystery, the most intimate needs and inspiration. Agape allowed Balducci to convert his worst liabilities, such as depression, into his most valuable assets when ministering to the suffering. Agape showed Balducci that he was "sacred," that is, endowed with a mission only he can accomplish, that "sacrifice" (the recognition of one's sacredness) is the meaning of existence, and that redemption (the paying of somebody else's debt for the common good) is the goal of personal sacrifice.
How do you tell a friendly gesture from an intimate one? While on vacation with her closeted girlfriend, Anna falls for another woman, her Italian teacher. They begin a confusingly intimate friendship. One year later, Anna leaves behind the sociocultural limits of her homeland to find out once and for all if she can win the heart of the mysterious Italian beauty. She returns to Perugia for another intensive course: both in the Italian language and the exquisite agony of ambiguous female bonds. An autobiographical novel in the tradition of Audre Lorde and Jeanette Winterson, The Intensive Course is a story of claiming self and desire amid multiple taboos. For those who came of age between Stonewall and Love is Love, for anyone learning to be themselves in a religious culture that wants to erase them, for anyone who has wondered what happens to love unfulfilled.
"Michael Vena highlights here some of the significant innovations of these "grotteschi" both in terms of ideas and in the relationship between author, actor, and the public, thereby suggesting that the time is ripe for a systematic rassessment of these and other voices of that brief but significant movement, widely acclaimed then, certainly underestimated now, and perhaps all along misunderstood."--BOOK JACKET.
This book offers a cross-section of current research on the concepts of 'the Self' and 'the Other' as documented in the contemporary and historical perception and representation of three cities: Istanbul, Vienna, and Venice. The book's contributors are from the UK, Belgium, Italy, Slovenia, Croatia, Germany, Turkey, and Austria, and they write from very different cultural, ideological, scientific, academic, and non-academic perspectives/backgrounds. (Series: Anthropology / Ethnologie - Vol. 60) [Subject: Sociology]
Without warning or a word of explanation, an unnamed 13-year-old girl is sent away from the family she has always thought of as hers to live with her birth family: a large, chaotic assortment of individuals whom she has never met and who seem anything but welcoming. Thus begins a new life, one of struggle, conflict, especially between the young girl and her mother, and deprivation. But in her relationship with Adriana and Vincenzo, two of her newly acquired siblings, she will find the strength to start again and to build a new and enduring sense of self. Told with an immediacy and a rare expressive intensity that has earned it countless adoring readers and one of Italy's most prestigious literary prizes, A Girl Returned is a powerful novel rendered with sensitivity and verve by Ann Goldstein, translator of the works of Elena Ferrante. Set against the stark, beautiful landscape of Abruzzo in central Italy, this is a compelling story about mothers and daughters, about responsibility, siblings, and caregiving, pitch-perfect in Ann Goldstein's English translation.
In Person: Reenactment in Postwar and Contemporary Cinema delineates a new performative genre based on replay and self-awareness. The book argues that in-person reenactment, an actual person reenacting her past on camera, departs radically from other modes of mimetic reconstruction. In Person theorizes this figure's protean temporality and revisionist capabilities and it considers its import in terms of social representativity and exemplarity. Close readings of select, historicized examples define an alternate, confessional-performative vein to understand the self-reflexive nature of postwar and post-holocaust testimonial cinemas. The book contextualizes Zavattini's proposal that in neoreali...
Family businesses—the predominant form of business organization around the world—can make numerous, critical contributions to the economy and family well-being in both financial and qualitative terms. But dysfunctional family businesses can be difficult to manage, painful experiences at best, and they can destroy family wealth and personal relationships. This book explores the dynamics of family business management, in the context of constantly changing market conditions and the role that knowledge management plays in strategic planning and adaptation. Integrating the literature from family business, entrepreneurship, industrial psychology, and knowledge management, and with illustrative...
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A long-awaited and highly intimate visual history of Versace, the glamorous and globally renowned Italian fashion house. Versace—a name that epitomizes Italian opulence, bold sexiness, and a flair for the extravagant—holds its place firmly in the fashion world as a legendary and iconic luxury brand. Taking over the creative artistic direction of the family-run fashion house in 1997, the enigmatic and alluring Donatella Versace has since catapulted the brand into popular culture, cementing Versace as a go-to label for A-list celebrities. This richly illustrated tome chronicles Donatella’s interpretation of Versace in the twenty-first century and her remarkable work as the curator and fa...
The jasmine plant is Duke Cosimo de Medici's most treasured possession. When the gardener Antonio clips a sprig of the forbidden jasmine for his love, he is sent to prison. Now brave Donatella, Antonio's beloved, is his only hope for freedom. Full color.