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Cultural Studies in Modern China
As the first book to introduce and analyze cultural studies in contemporary China, this volume is an important resource for Western scholars wishing to understand the rise and development of cultural studies in China. Organized according to subject, it includes extensive material examining the relationships between culture and politics, as well as culture and institutions in contemporary China. Further, it discusses the development of cultural debates.
Realistic Revolution
This is a novel, transnational exploration of the major Chinese intellectual debates on radicalism in history, culture, and politics after 1989.
When Trees Fall, Monkeys Scatter: Rethinking Democracy In China
Predictions of the coming collapse of Chinese politics are today commonplace, however this thought-provoking book explores a radically different alternative. China, it argues, is a one-party-dominated political system whose surprising levels of public support and resilience in the face of serious economic, environmental and social problems suggest that it is more durable than most outside observers suppose. China is not an ailing 'autocracy', a case of 'crony capitalism' or a blindly repressive 'authoritarian regime'. The rulers of China are in fact experimenting with a wide range of locally-made democratic tools designed to win the trust and loyalty of their subjects. Examples probed in thi...
The Lost Geopoetic Horizon of Li Jieren
Engaged with the paradigms of cultural geography, local history, spatial politics, and everyday life, The Lost Geopoetic Horizon of Li Jieren unveils a Sichuan writer’s lifelong quest: an independent historical fiction writing project on Chengdu from the turn of the century through China’s 1911 Revolution. Kenny Kwok-kwan Ng's study illuminates the crisis of writing home in a globalized age by rescuing Li Jieren’s repeatedly revised but never finished river-novel series written from Republican to Communist China, struggling to liberate local memory from the national cum revolutionary currents. The book undercuts official historiography and rewrites Chinese literary history from the ground up by highlighting Li’s resilient geopoetics of writing that decenters the nation by adopting the place-based view of a distant province.
War Tao Becomes Saint
Unparalleled Sovereign Ye Dongfeng was only an inch away from the Misty Heavenly Dao, but at the critical moment, he was plotted against and reincarnated at the starting point of everything. In this life, Ye Dongfeng had created a perfect dao heart. He slowly got up, used his cold talent to sweep the world, turned his hand into a cloud, and used his own strength to trample all around, suppressing the current era. The regret and unwillingness from his past life had been completely wiped out. His name shook the Primordial Era, and with war as the way, he finally became a Saint Lord.
Discourses of Race and Rising China
This book is a critical study of the development of a racialised nationalism in China, exploring its unique characteristics and internal tensions, and connecting it to other forms of global racism. The growth of this discourse is contextualised within the party-state’s political agenda to seek legitimacy, in various groups’ efforts to carve their demands in a divided national community, and has directly affected identity politics across the global diasporic Chinese community. While there remains considerable debate in both academic literature and popular discussion about how the concept of ‘race’ is relevant to Chinese expressions of identity, Cheng makes a forceful case for the appropriateness of biological and familial narratives of descent for understanding Chinese nationalism today. Grounded in a strong conceptual framework and substantiated with rich materials, Discourses of Race and Rising China will be an important contribution to international studies of racism, and will appeal to academics and students of contemporary China, historians of modern China, and those who work in the fields of critical race, ethnicity, and cultural studies.
Indian and American Perspectives on Technological Developments in the Maritime Domain and Their Strategic Implications in the Indian Ocean Region
The maritime domain, hosting the highways of global prosperity—through trade, industrial raw material and energy links—rates high in its potential for conflict. As the global pendulum of economic vibrancy swings eastwards, the Indian Ocean Region (IOR) has been receiving increasing attention from all actors, state as well as non-state ones, and now presents itself in sharp focus as one of the volatile seascapes on this earth. The navies operating in the region will, therefore, need to depend on high technology and associated doctrines and procedures, so as to effectively deal with the wide spectrum of challenges therein. It will also become incumbent upon such littoral states as can affo...
A Dictionary of Cultural and Critical Theory
Now thoroughly updated and revised, this new edition of the highly acclaimed dictionary provides an authoritative and accessible guide to modern ideas in the broad interdisciplinary fields of cultural and critical theory Updated to feature over 40 new entries including pieces on Alain Badiou, Ecocriticism, Comparative Racialization , Ordinary Language Philosophy and Criticism, and Graphic Narrative Includes reflective, broad-ranging articles from leading theorists including Julia Kristeva, Stanley Cavell, and Simon Critchley Features a fully updated bibliography Wide-ranging content makes this an invaluable dictionary for students of a diverse range of disciplines
Signifying the Local
In Signifying the Local, Jin Liu examines contemporary cultural productions rendered in local languages and dialects (fangyan) in the fields of television, cinema, music, and literature in Mainland China. This ground-breaking interdisciplinary research provides an account of the ways in which local-language media have become a platform for the articulation of multivocal, complex, and marginal identities in post-socialist China. Viewed from the uniquely revealing perspective of local languages, the mediascape of China is no longer reducible to a unified, homogeneous, and coherent national culture, and thus renders any monolithic account of the Chinese language, Chineseness, and China impossible.
Craziness and Carnival in Neo-Noir Chinese Cinema
Craziness and Carnival in Neo-Noir Chinese Cinema offers an in-depth discussion of the “stone phenomenon” in Chinese film production and cinematic discourses triggered by the extraordinary success of the 2006 low-budget film, Crazy Stone. Surveying the nuanced implications of the film noir genre, Harry Kuoshu argues that global neo noir maintains a mediascape of references, borrowings, and re-workings and explores various social and cultural issues that constitute this Chinese episode of neo noir. Combining literary explorations of carnival, postmodernism, and post-socialism, Kuoshu advocates for neo noir as a cultural phenomenon that connects filmmakers, film critics, and film audiences rather than an industrial genre.
