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The Art of the Sister Chapel
The Sister Chapel (1974-78) was an important collaborative installation that materialized at the height of the womenâs art movement. Conceived as a nonhierarchical, secular commemoration of female role models, The Sister Chapel consisted of an eighteen-foot abstract ceiling that hung above a circular arrangement of eleven monumental canvases, each depicting the standing figure of a heroic woman. The choice of subject was left entirely to the creator of each work. As a result, the paintings formed a visually cohesive group without compromising the individuality of the artists. Contemporary and historical women, deities, and conceptual figures were portrayed by distinguished New York painter...
Bad Teeth
Four interlocking novellas (and twenty footnotes) form a richly comic Pynchonesque feast about love, academia, an elusive Tibetan novelist who might be a plagiarizer, and SOFA, a mysterious protest group whose very initials are ambiguous.
Survey of Food and Nutrition Research in the United States
A Compilation or Research Pertaining to Foods and Nutrition in Academic, Gevernmental and Industrial Laboratories.
Children's Nature
"The summer camps have provided many American children's first experience of community beyond their immediate family and neighbourhoods. This title chronicles the history of the American summer camp, from its invention in the late nineteenth century through its rise in the first four decades of the twentieth century"--OCLC.
Telephone Directory
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Possession
A riveting account of private art collectors' passion from Roman times to the present Whether it's the discovery of $1.6 billion in Nazi-looted art or the news that Syrian rebels are looting UNESCO archaeological sites to buy arms, art crime commands headlines. Erin Thompson, America's only professor of art crime, explores the dark history of looting, smuggling, and forgery that lies at the heart of many private art collections and many of the world's most renowned museums. Enlivened by fascinating personalities and scandalous events, Possession shows how collecting antiquities has been a way of creating identity, informed by a desire to annex the past while providing an illicit thrill along the way. Thompson's accounts of history's most infamous collectors--from the Roman Emperor Tiberius, who stole a life-sized nude Greek statue for his bedroom, to Queen Christina of Sweden, who habitually pilfered small antiquities from her fellow aristocrats, to Sir William Hamilton, who forced his mistress to enact poses from his collection of Greek vases--are as mesmerizing as they are revealing.
Equity
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