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The subject of the supernatural in modern English fiction has been found difficult to deal with because of its wealth of material. While there has been no previous book on the topic, and none related to it, save Mr. C. E. Whitmore’s work on The Supernatural in Tragedy, the mass of fiction itself introducing ghostly or psychic motifs is simply enormous. It is manifestly impossible to discuss, or even to mention, all of it. Even in my bibliography which numbers over three thousand titles, I have made no effort to list all the available examples of the type. The bibliography, which I at first intended to publish in connection with this volume, is far too voluminous to be included here, so wil...
This is the story of Letty, a delicate girl who is forced to move from lush Virginia to desolate West Texas. The numbing blizzards, the howling sand storms, and the loneliness of the prairie all combine to undo her nerves. But it is the wind itself, a demon personified, that eventually drives her over the brink of madness.
Traces Negro folksongs back to their American beginnings. Dance songs, ballads, lullabies, work songs, and others are discussed.
subject of the supernatural in modern English fiction has been found difficult to deal with because of its wealth of material. While there has been no previous book on the topic, and none related to it, save Mr. C. E. Whitmore's work on The Supernatural in Tragedy, the mass of fiction itself introducing ghostly or psychic motifs is simply enormous. It is manifestly impossible to discuss, or even to mention, all of it. Even in my bibliography which numbers over three thousand titles, I have made no effort to list all the available examples of the type. The bibliography, which I at first intended to publish in connection with this volume, is far too voluminous to be included here, so will probably be brought out later by itself.
The wind was the cause of it all. The sand, too, had a share in it, and human beings were involved, but the wind was the primal force, and but for it the whole series of events would not have happened. there was nothing to break the sweep of the wind across the treeless prairies, when the sand blew in blinding fury across the plains. The winds were cruel to women that came under their tyranny. They were at them ceaselessly, buffeting them with icy blasts in winter, burning them with hot breath in summer, parching their skins and roughening their hair, and trying to wear down their nerves by attrition, and drive them away. The Wind by Dorothy Scarborough is a tensely written story about Letty Mason’s descent into madness. The novel opens with Letty, an 18-year-old orphan from Virginia, on a westbound train headed to Sweetwater Texas. Letty, coming from the lush and verdant Virginia, is not prepared for the drought-burdened Texas desert where there is no escape from the incessant wind. Nor can she cope with the financial desperation of everyday life in Sweetwater. Masterfully written, liberally sprinkled with genuine Texas vernacular.
A collection of 22 stories by Texas women writers that weave a story of their own: the story of women's writing in the Lone Star State, from 1865 to the present. Authors include Berverly Lowry, Carolyn Osborn, Annette Sanford, Denise Chavez, Katherine Anne Porter, Judy Alter and Joyce Gibson Roach.
A critical survey of over 150 years of Texas women writers, including fiction and nonfiction authors, poets, and dramatists.
An introduction to the type of Indian and eastern Ghosts has been added to this bookEMILY DOROTHY SCARBOROUGH, born in Mount Carmel on January 27, 1878, was the youngest child of Mary Adelaide Ellison and John Bledsoe Scarborough. Her father was a Confederate veteran from Louisiana and a successful Texas lawyer and Judge. Her brother, George Moore Scarborough was a successful playwright. Her sister, Martha Douglass, had graduated from Vassar and Baylor and published three books. Dorothy, besides being as an author, was a lecturer, and later a professor.Dorothy Scarborough's books include From a Southern Porch (1919), Impatient Griselda (1927), The Supernatural in Modern English Fiction (1917...
This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re...