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The audience Review features reviews of plays on Broadway, off-Broadway, off-off Broadway, and regional theater, as well as reviews of literature and poetry, and other informative critiques. The audience Review also contains author interviews and essays, and the occasional play or short story. The goal of the critics who write for The audience Review is to find broad themes in their subjects.
Poetry from John Skoyles, Denise Provost, Lee Sharkey, Richard Hoffman, and more...
Issue no. 4 of spoKe, a poetry annual based in Boston. This issue features POETRY, DRAMA, and CRITICISM.
The Wilderness House Literary Review was form out of the desires of a group of writers and poets to create an online journal for their works. As promised this is a print summary of the best of volume 1.
A few corrections to these pieces have been made. For the most part I have left them as they were sent out. Some or many of these pieces, it has been suggested to me, have been posted on a bulletin board at the Harvard Law School. Whether or not anyone pays any attention to them, I cannot say. Most have been sent to various members of the Harvard, Yale and other university faculty. There has been little or no direct feedback from these recipients, as to even whether the emails were opened. Occasionally, perhaps twice, I was asked to stop sending the emails. My methodology has been to follow the news and news analysis of various journalists and social scientists; to build my analyses upon tho...
Before William Jennings Bryan successfully prosecuted John Scopes in the infamous “Scopes Monkey Trial,” he was a prominent antievolution agitator in Florida. In Going Ape, Brandon Haught tells the riveting story of how the war over teaching evolution began and unfolded in Florida, one of the nation’s bellwether states. It still simmers just below the surface, waiting for the right moment to engulf the state. The saga opens with the first shouts of religious persecution and child endangerment in 1923 Tallahassee and continues today with forced delays and extra public hearings in state-level textbook adoptions. These ceaseless battles feature some of the most colorful culture warriors i...
The work here is as individual and unique as each contributing Bard. Delighted readers will find a variety of styles and forms, including ekphrasia,prose poems, villanelle, and free form poetry. Between these covers can be found little day-to-day deaths, dreams, and wounds, lost causesand dead ends presented in playful, whimsical, and experimental ways.If you haven’t discovered the Bagel Bards yet, start with their latest anthology. Short of having breakfast with them at the Au Bon Pain, reading the results of their Saturday mornings is the next best thing.— Laurel Johnson Midwest Book Review
In her debut story collection DEER, Susan Tepper takes us into the forest of her imagination, shining a light on a pack of off-kilter characters caught in unusual and compelling circumstances. Tepper is one of the most original voices in fiction I've heard in quite a while. While reading her loopy-beautiful dark narratives, I was reminded of the first time I read Denis Johnson. Yes, she 's that good. This is a writer to watch! - Jamie Cat Callan, The Writer's Toolbox & French Women Don't Sleep Alone
Manufacturing America bears witness to the lyrical life of a factory and the individuals who inhabit it at the start-up of the 21stcentury. Lisa Beatman adds the stories of immigrant workers, heard through the ear of a poet on site to teach literacy skills, to the growing literature of work poetry. - Susan Eisenberg, author of Blind Spot
The trade in books has always been and remains an ambiguous commercial activity, associated as it is with literature and the exchange of ideas. This collection is concerned with the cultural and economic roles of independent bookstores, and it considers how eight shops founded during the modernist era provided distinctive spaces of literary production that exceeded and yet never escaped their commercial functions. As the contributors show, these booksellers were essential institutional players in literary networks. When the eight shops examined first opened their doors, their relevance to literary and commercial life was taken for granted. In our current context of box stores, online shopping, and ebooks, we no longer encounter the book as we did as recently as twenty years ago. By contributing to our understanding of bookshops as unique social spaces on the thresholds of commerce and culture, this volume helps to lay the groundwork for comprehending how our relationship to books and literature has been and will be affected by the physical changes to the reading experience taking place in the twenty-first century.