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The Presented Past is concerned with the differences between the comparatively static, well-understood way in which the past is presented in schools, museums and at historic sites compared to the approaches currently being explored in contemporary archaeology. It challenges the all-too-frequent representation of the past as something finished, understood and objective, rather than something that is `constructed' and therefore open to co-existing interpretations and constant re-interpretation. Central to the book is the belief that the presentation of the past in school curricula and in museum and site interpretations will benefit from a greater use of non-documentary sources derived from archaeological study and oral histories. The book suggests that a view of the past incorporating a larger body of evidence and a wider variety of understanding will help to invigorate the way history is taught. The Presented Past will be of interest to teachers, archaeologists, cultural resource managers, in fact anyone who is concerned with how the past is presented.
In his celebrated oil painting 'The black Christ', artist Ronald Harrison chose Chief Albert Luthuli as a model for the face of the Christ.
In the years between the Sharpeville Massacre of 1960 and the Soweto Uprising of 1976—a period that was both the height of the apartheid system in South Africa and, in retrospect, the beginning of its end—Harold Scheub went to Africa to collect stories. With tape-recorder and camera in hand, Scheub registered the testaments of Swati, Xhosa, Ndebele, and Zulu storytellers, farming people who lived in the remote reaches of rural South Africa. While young people fought in the streets of Soweto and South African writers made the world aware of apartheid’s evils, the rural storytellers resisted apartheid in their own way, using myth and metaphor to preserve their traditions and confront the...
THE STORY OF AN AFRICAN GAME is a ground-breaking book, the first to cover in detail the history and experiences of black African cricketers in South Africa. It is long overdue, coming 195 years after the first recorded game of cricket in this country was played at the Green Point Common, Cape Town, in 1808. This is a book that will forever change the way we look at South Africa's cricket history and help us understand where the game is heading in the future.
This book provides the first comprehensive and complete history of Western Province cricket and the Cape Cobras in the 121 years from 1890 to 2011.
‘Sisters in the struggle’: Women of Indian Origin in South Africa’s Liberation Struggle 1900–1994 unveils an unchartered historical terrain, highlighting the contributions of Indian women towards non-racialism and equality and their experiences within diverse political parties; therefore, shifting the post-apartheid liberation stories which have been dominated by the journey of the ANC to other political organisations who collectively played a significant role in South Africa’s road to democracy. In this book, Hiralal presents a refreshing perspective of Indians, particularly women, as contributors and activists in the struggle. The book elucidates that the struggle against apartheid was a collective endeavour among the oppressed races and not a one-sided endeavour by the ANC. The book, thus, examines the participation of Indian women against apartheid and colonialism within gendered and political frameworks.
Jonathon Moses makes moral, political and economic arguments in favor of the free mobility of human beings across national borders. Pointing to the importance of immigration to the sucess of many nations, he shows that Europe itself now faces a falling population, and has over the past fifty years actively encouraged huge immigration from other countries. There is near consensus across the political spectrum that the free movement of goods and free movement of capital are good for economies, and therefore should apply to people as well.
This is the true story of a standout artist in the field of pop and sentimental song; a star entertainer who rose to fame in Cape Town, South Africa. The world reflected in this book has several genealogical strands reaching back to other histories – to the nineteenth century theatre, to the rise of racism in South Africa, and the ways people were forced to negotiate the contradictions of being human against impossible odds. We encounter a biographer with a subject which is close to him, and which he has meticulously researched over a course of time. The book offers insights into the musical world of the phonograph, of the global popular culture after the Second World War and how this was absorbed into Cape Town’s popular culture.
“There will be a black Springbok over my dead body.” — Dr Danie Craven, President of the South African Rugby Board, 1969 Just a year after the controversial D’Oliveira affair, the organised disruption of the all-white 1969/70 South African rugby and cricket tours to Britain represented a significant challenge to apartheid politics. Led by future cabinet minister Peter Hain, the ‘Stop the Seventy Tour’ campaign brought about the cancellation of both tours, presaging white South Africa’s expulsion from the Olympics and the end of apartheid sport altogether. With his brand of attention-grabbing, direct action sports protest, the 19-year-old Hain emerged as a hero to some and enemy...
"The Anglo-Zulu War, the most famous of Britain's lte ninetweenth-century campaigns of colonial conquest, was not fought in isolation. Along with the two Anglo-Pedi wars, the Ninth Cape Frontier War and the Northern Border War, it was one in a brutal series of interconnected and overlapping wars which the British waged between 1877-1879 to crush and disarm the remaining independent black states of South Africa. [Fusing] the widely differing African and European perspectives on events, [the author] probes the fateful decisions taken by statesmen and military commandrs, analyses military operations and their destructive impact on combatants and civilians alike, and explores why so many Africans chose to fight as auxiliaries and levies alongside the Bruitish instead of against them. ..."--Jacket.