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Drawing on an extensive knowledge of the critical history of Olympian One , Professor Gerber here presents a thorough analysis of the language thought, myth, structure, and poetic technique of Pindar's most famous ode.
This handbook is a guide to the reading of elegiac, iambic, personal and public poetry of early Greece. Intended as a teaching manual or as an aid for advanced undergraduate and graduate students, it presents the major scholarly debates affecting the reading of these poetic texts, such as the effect of genre, the question of the poetic persona, or the impact of modern literary theory.
The claim that Revelation's hymns function as did Classical tragic choral lyrics insofar as they comment upon or interpret the surrounding narrative has become axiomatic in studies of Revelation. Justin Jeffcoat Schedtler marks an advance in this line of inquiry by offering an exegetical analysis of Revelation's hymns alongside a presentation of the forms and functions of ancient tragic choruses and choral lyrics. Evaluating the hymns in light of the varieties and complexities of ancient tragic choruses, he demonstrate that they are not best evaluated in terms of choral lyrics generally, but in terms of dramatic hymns in particular, insofar as they constitute mythological-theological reflections on the surrounding narrative, and function to situate the surrounding dramatic activity in a particular mythological-theological contexts.
Nevin Montgomery, a young lawyer with a prestigious Boston law firm, is dispatched to the Cape Cod compound of Andrew Windsor, the most acclaimed artist in America, to update Windsor's will. Nevin arrives to the news that a woman, who had secretly modeled for Windsor for decades, has been found dead. Nevin, who is battling a hidden drug addiction, is asked to remain at the Windsor compound to complete his assignment because the health of his law firm's most famous client is deteriorating rapidly. Nevin is introduced to the secretive art world, and he becomes smitten along the way with Catina Cruz, a beautiful young Portuguese-American woman he meets at the compound. Nevin eventually learns t...
"This volume aims at providing a text and translation of the elegiac poets contained in the second edition of M.L. West's two volumes, 'Iambi et elegi Graeci' (Oxford 1989 and 1992). For various reasons, however, a number of poets have been omitted."--p. vii.
In this book, Nicholson examines how aristocrats responded to the changes in athletics as they affected social structure.
From the opening chapter's bold revision of the character of the American Revolution to the closing chapter's provocative reinterpretation of many of the most famous cases in Supreme Court history, this book demonstrates the importance of approaching constitutional interpretation from more than one discipline. Indeed, Gerber's analysis reveals that the Constitution cannot be properly understood without recourse to history, political philosophy, and law.
Forsaking the Fall argues along exegetical, theological, and philosophical lines that the doctrines of the Fall and Original Sin need not be understood as integral components of orthodox Christianity. By engaging biblical studies, systematic theology, and analytic philosophy, the book provides a comprehensive understanding of the most important issues at play in the Original Sin debate, as well as offers a set of tools for helping readers to think critically about the essence of the Christian faith and its relation to Original Sin. Crucially, it lays the theoretical groundwork for an orthodox nonlapsarianism and advances a novel theory vis-à-vis the Fall and Original Sin in Christian theology. This innovative and provocative book will be of interest to scholars of theology and philosophy, specifically analytic theologians and philosophers of religion.
The poetry of archaic Greece gives voice to the history and politics of the culture of that age. This book explores the types of history that have been, and can be, written from archaic Greek Poetry, and the role this poetry had in articulating the social and political realities and ideologies of that period. In doing so, it pays particular attention to the stance of exhortation adopted in early Greek elegy, and to the political poetry of Solon; it also stresses the importance of considering performance context as a critical factor in interpreting the political expressions of this poetry. Part I of this study argues that the singing of elegiac paraenesis in the élite symposium reflects the ...