You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Shortlisted for the Guyana Prize, Best Book of Poetry, 2014 If love circumscribes everything, these poems show that everything--economics, politics, ambitions and exiles--also circumscribes love.
Hayim Nahman Bialik (1873-1934) is considered Israel's national poet and one of the greatest Hebrew poets of all time. Several of his poems, particularly his immensely popular children's verse, were set to music and proved to be among the most popular twentieth-century Hebrew songs. An essayist, storyteller, translator, and editor, he had a unique ability to use fully the entire linguistic and conceptual inventory of the Hebrew language. Bialik's career was a turning point in Hebrew literature, bringing Biblical Hebrew into a contemporary usage and forming the basis of its renewed vigor. His legacy remains embedded in modern Hebrew literature like an immovable foundation stone. Atar Hadari's new translation of Bialik's major poetry fills a long-standing gap in English letters.
Valentina Polukhina is professor emeritus at Keele University. She specializes in modern Russian poetry and is the author of several major studies of Joseph Brodsky and editor of bilingual collections of the poetry of Olga Sedakova, Dmitry Prigov, and Evegeny Rein. Daniel Weissbort is cofounder, along with Ted Hughes, and former editor of Modern Poetry in Translation, professor emeritus at the University of Iowa, and honorary professor at the Centre for Translation and Comparative Cultural Studies at the University of Warwick. Co-editor of Twentieth-Century Russian Poetry (Iowa 1992), he is also the translator of more than a dozen books, editor of numerous anthologies, and author of many collections of his own poetry. His forthcoming books include a historical reader on translation theory, a book on Ted Hughes and translation, and an edited collection of selected translations of Hughes.
On 15 April 1989, during the opening minutes of the FA Cup semi-final between Nottingham Forest and Liverpool, 96 men, women and children died in what remains the most serious tragedy in UK sporting history - the Hillsborough Stadium disaster. Thousands more suffered physical injury and long-term psychological harm. For almost thirty years the survivors and the families of the dead had to campaign against the police, government and media who blamed the supporters for the tragedy. Eventually, in 2016 a second inquest ruled that the supporters were unlawfully killed due to failures of the police and ambulance services. InJune2017,sixpeoplewerecharged with manslaughter by gross negligence, misconduct in public office and perverting the course of justice. Published to mark the 30th anniversary of the disaster,Truth Street combines the eye-witness testimonies of the survivors at the second inquest to create an epic-poem that is part oral history and part documentary theatre. Inspired by the work of Charles Reznikoff and Svetlana Alexietich, Truth Street was first performed in 2017 at the Utter Lutonia festival and the Brighton Festival.
In 1986, when this autobiography opens, the author is a typical fourteen-year-old boy in Asyut in Upper Egypt. Attracted at first by the image of a radical Islamist group as "strong Muslims," his involvement develops until he finds himself deeply committed to its beliefs and implicated in its activities. This ends when, as he leaves the university following a demonstration, he is arrested. Prison, a return to life on the outside, and attending Cairo University all lead to Khaled al-Berry's eventual alienation from radical Islam. This book opens a window onto the mind of an extremist who turns out to be disarmingly like many other clever adolescents, and bears witness to a history with whose reverberations we continue to live. It also serves as an intelligent and critical guide for the reader to the movement's unfamiliar debates and preoccupations, motives and intentions. Fluently written, intellectually gripping, exciting, and often funny, Life Is More Beautiful than Paradise provides a vital key to the understanding of a world that is both a source of fear and a magnet of curiosity for the west.
Women refugees now in exile in Britain tell their stories in fiction, poetry and from memory in this anthology. Many of the contributors were writers before entering Britain and some of the writing reflects their political ideology and motivation.
Resistance brings together the voices of writers whose personal experience and testimonies of human rights abuses and conflict are transmuted into powerful poetry and memoir. The book includes the work of renowned writers and writers who have experienced torture, or prison, or loss of their homelands. Their poems and prose lay bare the realities of persecution and war and the pain of displacement. In so doing, their searing art becomes a form of protest and illumination
A book of poetry about exile and home, love and loss, describing the experience of Islam in Europe.
Jen Hadfield began this book on the hoof, travelling across Canada with an appetite for new landscapes. However, it is in Shetland that she becomes acutely aware of her own voice - her fluency and tongue-tiedness, repetition, hiatus and breath. Hadfield is also the author of 'Almanacs'.