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Rooted in the creative success of over 30 years of supermarket tabloid publishing, the Weekly World News has been the world's only reliable news source since 1979. The online hub www.weeklyworldnews.com is a leading entertainment news site.
The story of Faulkner Hospital begins with the Faulkner family. Dr. George Faulkner's ancestry includes one of the first woolens manufacturers, a Revolutionary War colonel, and an accused Salem witch. When Dr. Faulkner's daughter Mary died, the hospital was established in her honor. Paul Revere's great-granddaughter broke ground on the hospital, which sits on land where the Peacock Tavern, owned by Samuel Adams, once stood. The original building contained 26 beds, 6 of which were free. A nursing school opened in 1903, on the day the hospital opened. Using images from the hospital's vast archives, Faulkner Hospital celebrates the hospital's centennial and explores its rich history as a leader in medicine, education, and community enrichment. Faulkner Hospital is a major teaching hospital to Harvard and Tufts Medical Schools, with many clinical firsts, like the discovery of rejuvenated blood. It is also home to world-renowned breast and headache centers and has implemented many unique concepts, including nurservers and monorails. Readers will learn about the hospital's role in the movie Whose Life Is It Anyway? and discover the famous writers, athletes, and royalty who have visited.
Trust is central to our social lives. We know by trusting what others tell us. We act on that basis, and on the basis of trust in their promises and implicit commitments. So trust underpins both epistemic and practical cooperation and is key to philosophical debates on the conditions of its possibility. It is difficult to overstate the significance of these issues. On the practical side, discussions of cooperation address what makes society possible-of how it is that life is not a Hobbesian war of all against all. On the epistemic side, discussions of cooperation address what makes the pooling of knowledge possible-and so the edifice that is science. But trust is not merely central to our lives instrumentally; trusting relations are themselves of great value, and in trusting others, we realise distinctive forms of value. What are these forms of value, and how is trust central to our lives? These questions are explored and developed in this volume, which collects fifteen new essays on the philosophy of trust. They develop and extend existing philosophical discussion of trust and will provide a reference point for future work on trust.
Gathers the religious and magical texts used in ancient Egypt to give the deceased a satisfactory afterlife and the power to leave his tomb when necessary.
In this exploration of Faulkner's creative process, Sensibar discovers that the relationships that Faulkner had with three particular women were not simply close; they gave life to his imagination. The author brings to the foreground, as Faulkner did, this 'female world', an approach unprecedented in Faulkner biography.
This comprehensive overview of William Faulkner's short fiction is a systematic study of this body of work, which Faulkner produced over a period of forty years. The author examines Faulkner's struggle to master the special problems posed by the genre. The book is organized topically. A chronological survey of Faulkner's career as a writer of short fiction is followed by chapters devoted to aspects of Faulkner's craft: thematic patterns, points of view, and other technical and formal patterns. The author offers a frank assessment of Faulkner's failures and successes as a writer of short fiction.
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"The universe was created with purpose and reason; and modern science with all of its experiments, exploration, and sophistication has ever proven otherwise. In fact, as author Dr. Danny Faulkner makes plain, advanced science argues more for a created cosmology than a big bang"--Cover page 4.
In 1944, William Faulkner wrote to Malcolm Cowley, “I'm telling the same story over and over which is myself and the world. That's all a writer ever does, he tells his own biography in a thousand different terms.” With these words, Faulkner suggests that what changes in the course of his prolific novel-writing career is not so much the content but the style, “the thousand different terms” of his fiction. The essays in Faulkner and the Craft of Fiction, first presented at the 1987 Faulkner and Yoknapatawpha Conference at the University of Mississippi, focus on Faulkner's narrative inventiveness, on how Faulkner, like his character Benjy in The Sound and the Fury, relentlessly kept “...
The new guide, the first comprehensive book of its kind, offers analyses of all Faulkner's short stories, published and unpublished, that were not incorporated into novels or turned into chapters of a novel. Seventy-one stories receive individual critical analysis and evaluation. These discussions reveal the relationship of the stories to the novels and point up Faulkner's skills as a writer of short fiction. Although Faulkner often spoke disparagingly of the short story form and claimed that he wrote stories for moneywhich he didEdmond L. Volpe's study reveals that Faulkner could not escape even in this shorter form his incomparable fictional imagination nor his mastery of narrative structure and technique.