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'Compelling, unconventional. Genius' Michael J. Fox, New York Times 'Up-ends received wisdom about disability, testifies to an uncrushable spirit and an ordinary, extraordinary family... Revolutionary' David Mitchell, author of Cloud Atlas 'A profound, contemplative work' New Statesman 'A powerful examination... a wonderful memoir' Independent ______ Jan Grue was diagnosed with spinal muscular atrophy at the age of three, along with the assumption that his life would be narrow and limited. In I Live a Life Like Yours, he confronts this spectacular failure to anticipate the life that he lives now - as a husband, a father, a professor - and sets out to forge a radical new way to tell his story...
Although efforts have been made to integrate disability into the discourse analysis and conversation analysis canon, the link between the two fields needs to be strengthened. This ground-breaking volume contributes to this link by thoroughly applying the analytical vocabulary of discourse analysis to issues that are central to the field of disability studies. It strengthens disability studies by supplying case studies of representations and constructions of disability and disabled people in discourse, theorizes the role played by language in the social construction of disability, and makes disability a more salient topic for discourse analysts.
An innovative theory of consciousness, drawing on the phenomenology of Edmund Husserl and supported by brain-imaging, presented in the form of a hardboiled detective story. Professor Grue is dead (or is he?). When graduate student/sleuth Miranda Sharpe discovers him slumped over his keyboard, she does the sensible thing--she grabs her dissertation and runs. Little does she suspect that soon she will be probing the heart of two mysteries, trying to discover what happened to Max Grue, and trying to solve the profound neurophilosophical problem of consciousness. Radiant Cool may be the first novel of ideas that actually breaks new theoretical ground, as Dan Lloyd uses a neo-noir (neuro-noir?), ...
"They raped me and ate my friend alive." Thus starts this work of erotic horror fiction filled with 'sacrilege, blasphemy, and crime' -- written in a style that is part H P Lovecraft, part Marquis de Sade, and part Octave Mirbeau -- "The Cannibal Within" is literally 'wet with sin, slippery with blood, and slimy with fornication.' The novel's central character is part Lara Croft part Sarah Connor. She/We has a choice: the evil may be patiently borne or savagely resisted. We may think we are special -- holy, honoured, valued -- God's chosen primates -- but that is a fraud. The dupes of superhuman forces, we are misfits and abominations. We have no higher purpose -- no saviour god died for our sins--we exist, only because our masters are infatuated with our meat.
Provides a workable notion of the kinds of skills and capacities that are central for those who work in the arts.
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
In 1909, the crack Blue Anchor liner, the Waratah, sinks without trace, or survivors, off the coast of South Africa. In 1967, the Gemsbok, a Viscount airliner of South African Airways disappears in exactly the same place. To some it is merely an uncanny mystery. To others a tragedy. People like Ian Fairlie, captain of the weather ship Walvis Bay--whose father was the pilot of the Gemsbok and whose grandfather was the first officer of the Waratah. Ian Fairlie has sworn that he will resolve the mystery. But to do so, he must face cyclonic winds and mountainous seas, risking his ship, his life and the woman he loves... "Geoffrey Jenkins can write with a rare compelling fervour." Times Literary Supplement
Every few months there's a shocking news story about the sustained, and often fatal, abuse of a disabled person. It's easy to write off such cases as bullying that got out of hand, terrible criminal anomalies or regrettable failures of the care system, but in fact they point to a more uncomfortable and fundamental truth about how our society treats its most unequal citizens. In Scapegoat, Katharine Quarmby looks behind the headlines to question and understand our discomfort with disabled people. Combining fascinating examples from history with tenacious investigation and powerful first person interviews, Scapegoat will change the way we think about disability - and about the changes we must make as a society to ensure that disabled people are seen as equal citizens, worthy of respect, not targets for taunting, torture and attack.
This groundbreaking text makes an intervention on behalf of disability studies into the broad field of qualitative inquiry. Ronald Berger and Laura Lorenz introduce readers to a range of issues involved in doing qualitative research on disabilities by bringing together a collection of scholarly work that supplements their own contributions and covers a variety of qualitative methods: participant observation, interviewing and interview coding, focus groups, autoethnography, life history, narrative analysis, content analysis, and participatory visual methods.
A New Statesman Book of the Year 2021 In this piercing and unforgettable memoir, the award-winning poet reflects on a year of turbulence, fear and hope. For acclaimed British-Guyanese writer Fred D'Aguiar, 2020 was a year of personal and global crisis. The world around him was shattered by the impact of the Covid-19 pandemic, Black Lives Matter protests erupted across the United States, California burned, and D'Aguiar was diagnosed with stage-4 cancer. Year of Plagues is an intimate, multifaceted exploration of these seismic events, which trouble and alienate D'Aguiar from community, place and body. Combining personal reminiscence and philosophy, drawing on music and on poetry, D'Aguiar conf...