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A special place of learning began in Bradford, Massachusetts, on the banks of the Merrimack River in 1803. It was christened Bradford Academy and it grew and flourished for almost two hundred years. A new identity and a new name came in 1932 when the academy became Bradford Junior College. For almost forty years, BJC held a distinguished position as one of the best of the nation's junior colleges. A second, almost revolutionary, transformation occurred in 1971. Bradford became coeducational and earned the right to grant the baccalaureate degree with a four-year course of study. Since 1971, the college has maintained a reputation for innovative teaching with a rigorous liberal arts curriculum within a small, caring community of scholars and learners. In the millennial year 2000, Bradford completed 197 years of service to academia. With change on the horizon, it is timely to view this special place, with its special people, called Bradford.
Explores the history of the Irish in America, offering an overview of Irish history, immigration to the United States, and the transition of the Irish from the working class to all levels of society.
Irish immigration to Haverhill, Massachusetts, was a constant from the days of the Great Famine to the present. The immigrants, their children, and their grandchildren have become an integral part of the fabric of the city's history. Some were teachers, politicians, police officers, and business owners, while others spent their lives as city laborers and factory workers. Whether these new residents were wealthy or poor, well known or little known, their experiences in America could not eliminate their common ties to the Emerald Isle. They collectively share a place in this "family album" of those Irish citizens who called Haverhill their new home. This volume is the sequel to the The Irish in Haverhill, Massachusetts, which was published in 1998. The response to that book was so enthusiastic that the author was overwhelmed with offers of additional photographs for a second volume.
For more than 225 years, the town of Bradford, Massachusetts, led an independent life on the Merrimack River. Stately homes lined its main roads, a classic New England common graced its center, and high on a hill stood Bradford Academy, the town's best-known institution. In November 1896, Bradford's long independence came to an end when the town's voters agreed to annexation by the city of Haverhill. Through the camera's eye, readers can stroll through the old town from the bridge to the Common, east along Salem Street and west to the railroad depot. They can visit Ward Hill, the once-sleepy farming community whose transformation to a planned factory village triggered the annexation.
“Bridget” was the Irish immigrant servant girl who worked in American homes from the second half of the nineteenth century into the early years of the twentieth. She is widely known as a pop culture cliché: the young girl who wreaked havoc in middle-class American homes. Now, in the first book-length treatment of the topic, Margaret Lynch-Brennan tells the real story of such Irish domestic servants, providing a richly detailed portrait of their lives and experiences. Drawing on personal correspondence and other primary sources, Lynch-Brennan gives voice to these young Irish women and celebrates their untold contribution to the ethnic history of the United States. In addition, recognizing the interest of scholars in contemporary domestic service, she devotes one chapter to comparing “Bridget’s” experience to that of other ethnic women over time in domestic service in America.
Salisbury Beach, surrounded by marshes and folklore of buried treasure, has long been a mecca for summer vacationers. In the good ole summertime of the 1890s, Salisbury Beach became the favorite resort of residents of the Merrimack Valley. Was it the magnetic force of the tide that beckoned people to the seaside, or was it the carefree carnival attitude that followed the Victorian era? Passengers arrived by horse, boat, train, electric trolley, and then by automobile to picnic on the beach and partake of the healthy sea air. By the light of the moon and the roar of the surf, couples danced the sultry summer nights away in the Ocean Echo and later at the Frolics. With the recent demolition of the Frolics, those evenings of dancing cheek to cheek to the music of Lionel Hampton and Frank Sinatra reside now only in memories. But for a brief moment in time, the gleaming white roller coaster towered like a giant skeleton over the amusement park while music piped out of the turret of the Ocean Echo Hotel, adding to the festive mood of the crowd.
Incorporated in 1668, Amesbury was a significant mill town from its earliest beginnings, producing everything from textiles and carriages to a machine that made nails. Amesbury flourished as the primary carriagemanufacturing town of the United States until modern technology demanded the manufacture of automobiles. Carriage factories were transformed into automobile factories as Amesbury kept the pace with the changing times. This wonderful new history covers much of the late 19th century and continues through the 1960s. Amesbury has, over the years, drawn many people inside its borders; both Robert Frost and Currier (of the Currier and Ives Prints) had summer homes in Amesbury. Natives of Amesbury include the famous poet Harriet Prescott Spofford; Josiah Bartlett, a signer of the Declaration of Independence; and Susan Fowler, the model for the Currier and Ives print of the Bloomer Costume. John Greenleaf Whittier, although born in Haverhill, spent most of his adult life in Amesbury. Whittier found much of his inspiration here for writing poetry, including the well-known poem, "Snow Bound."
Italian immigrants became permanent residents of Haverhill in the 1870s. The original Genoese first drew their relatives and friends from their home area to join them. Over the next few decades, they were joined by families from the central province of Abruzzi and from the towns and villages around Naples. Immigrants from parts of southern Italy, such as Calabria and Apulia and Sicily, settled here. All of the Italians, whether northern or southern, brought with them their culture, their vitality, their love of music, and their close family ties. Using over two hundred thirty vintage photographs, Italians in Haverhill takes a photographic walk through the exciting history of these immigrants. The images bring back to life representatives of more than two hundred families, whose descendants still live in the area. Here are the fruit sellers and shoe workers, the mothers and their children, the ball players and the musicians, the lawyers and doctors, and the bankers and civic leaders who make up the rich heritage of this important ethnic group.
Irish immigration to Haverhill, Massachusetts, was a constant from the days of the Great Famine to the present. The immigrants, their children, and their grandchildren have become an integral part of the fabric of the city's history. Some were teachers, politicians, police officers, and business owners, while others spent their lives as city laborers and factory workers. Whether these new residents were wealthy or poor, well known or little known, their experiences in America could not eliminate their common ties to the Emerald Isle. They collectively share a place in this "family album" of those Irish citizens who called Haverhill their new home. This volume is the sequel to the The Irish in Haverhill, Massachusetts, which was published in 1998. The response to that book was so enthusiastic that the author was overwhelmed with offers of additional photographs for a second volume.
Italian immigrants became permanent residents of Haverhill in the 1870s. The original Genoese first drew their relatives and friends from their home area to join them. Over the next few decades, they were joined by families from the central province of Abruzzi and from the towns and villages around Naples. Immigrants from parts of southern Italy, such as Calabria and Apulia and Sicily, settled here. All of the Italians, whether northern or southern, brought with them their culture, their vitality, their love of music, and their close family ties. Using over two hundred thirty vintage photographs, Italians in Haverhill takes a photographic walk through the exciting history of these immigrants. The images bring back to life representatives of more than two hundred families, whose descendants still live in the area. Here are the fruit sellers and shoe workers, the mothers and their children, the ball players and the musicians, the lawyers and doctors, and the bankers and civic leaders who make up the rich heritage of this important ethnic group.