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Modern Drawing
A guide for artists, illustrators, students, and hobbyists on how to use basic drawing principles and techniques to create fresh, expressive pieces of art. This isn’t a dry instruction manual; it’s a contemporary guide filled with instruction, encouragement, and tips. You’ll enjoy a dynamic, easy-to-follow exploration of drawing mediums and tools as you work through creative exercises and projects. Aspiring pencil artists and illustrators will also learn how to “see” a subject and render a personal yet modern interpretation of their observations on paper. From expressive architecture and landscapes to nature motifs, animals, and people, Modern Drawing provides a fresh, contemporary, and enjoyable approach to learning how to draw. The Modern Series of books offers a fun, contemporary method to working with traditional art media, demonstrating that with the right type of instruction, encouragement, and tips, drawing and painting success can be achieved by any artist or creative type. Also in the Modern Series: Modern Colored Pencil, Modern Acrylic, and Modern Watercolor.
The Modern Drawing
"Of all the modern arts, drawing is the most resistant to definition. The Museum of Modern Art simply calls every unique work on paper a drawing. Here, therefore, are works in the traditional drawing media-pencil, ink, charcoal, and so on-but also watercolours, pastels, and other related forms. Many of these works are classics of their kind-among the greatest of all modern drawings-but some are suprisingly little known. Artists represented include Arp, Brancusi, Cezanne, Ernst, Johns, Kandinsky, Klee, Malevich, Matisse, Miro, Picasso, Pollock, Rauschenberg, Seurat, van Gogh and many others."--BOOK JACKET.
Contemporary Drawing
Drawing is experiencing an unparalleled surge in the art world. Passé notions that once defined drawing as being a preparatory stage for painting or sculpture have long since been cast aside. Drawing is now fully recognized as its own art form—in the biennials, art fairs, museum exhibitions, and beyond. Drawing has come of age. Contemporary artists are increasingly discovering that drawing is something unique and different from painting. It is an intense, sensitive, compelling, personal, and utterly direct art form, one with its own concepts, characteristics, and techniques. In addition, contemporary drawing is not governed by any particular imagery, but rather encompasses a variety of ap...
Drawing and the Senses
A study of drawing and philosophy in artistic practice, important not only for art history but also for literature studies, intellectual history, religious history, history of the book,and history of science. 00Leon Battista Alberti wrote in 'De pictura' (1435) that painting is divine because, ?as they say of friendship, a painting lets the absent be present.? Absence and Presence in Early-Modern Drawing Pedagogy examines this relationship between absent and present objects and subjects in early-modern artistic pedagogy. This book studies the intersections among artistic treatises, natural philosophy and theology from 1400-1700, arguing that drawing pedagogy sought to teach the painting of histories that stimulated in the viewer the sensation of being present before the historical moment, the person, the still life. The manifestation of presence remained not only in the sensation of sight but also in all the sensory perceptions of touch, taste, smell and the sixth sense of sensing, the experience of existence. This book demonstrates the pedagogical means by which artists sought to teach the simulation of presence (and the sensorial perception of absence
Modern Colored Pencil
Learn to use colored pencils and watercolor pencils to create vibrant, exciting works of art! *Named One of the 54 Best Colored Pencil Drawing Books of All Time by BookAuthority* Modern Colored Pencil delves into all the basic techniques and concepts required to create fresh, colorful works of colored pencil art. Talented artist and author of Your Year in Art and Modern Drawing (both from Walter Foster Publishing) Chelsea Ward takes you on a lively, easy-to-follow exploration of colored pencils in this book. It is packed with creative exercises and projects designed to show you how to work with the versatile, approachable colored pencil medium. Modern Colored Pencil begins with a brief intro...
Drawing Now
An exhibition in book form, this showcase of the best of drawing now features one hundred works by almost fifty artists including Susan Hauptman, Paul Noble, Jeff Gabel, Tracey Emin, Jane Harris, Julia Fish, Cornelia Parker and Jerwood Drawing Prize winner Sarah Woodfine. Carefully 'curated' with many new drawings specifically commissioned for the volume, the book also includes an Introduction by the Editors which lays out the themes underpinning this diverse and exciting selection of work. With a revival of interest in drawing in recent years, "Drawing Now" is a timely collection of the work of artists intent on giving a contemporary twist to the most traditional of forms.
Drawing from the Modern
From pictorial investigations that expanded the possibilities of vision to the invention of various media, drawing has been the perfect laboratory for avant-garde experimentation. This work traces such innovation through the holdings of the drawings collection of The Museum of Modern Art.
A Companion to Contemporary Drawing
The first university-level textbook on the power, condition, and expanse of contemporary fine art drawing A Companion to Contemporary Drawing explores how 20th and 21st century artists have used drawing to understand and comment on the world. Presenting contributions by both theorists and practitioners, this unique textbook considers the place, space, and history of drawing and explores shifts in attitudes towards its practice over the years. Twenty-seven essays discuss how drawing emerges from the mind of the artist to question and reflect upon what they see, feel, and experience. This book discusses key themes in contemporary drawing practice, addresses the working conditions and context o...
On Line
On Line: Drawing Through the Twentieth Century explores the radical transformation of drawing that began during the last century as numerous artists critically re-examined the traditional concepts of the medium. In a revolutionary departure from the institutional definition of drawing and from reliance on paper as the fundamental support material, artists instead pushed the line into real space, expanding the medium's relationship to gesture and form and connecting it with painting, sculpture, photography, film and dance. Published in conjunction with an exhibition at The Museum of Modern Art, On Line presents a discursive history of mark-making through nearly 250 works by 100 artists, including Aleksandr Rodchenko, Alexander Calder, Karel Malich, Eva Hesse, Anna Maria Maiolino, Richard Tuttle, Mona Hatoum and Monika Grzymala, among many others. Essays by the curators illuminate individual practices and examine broader themes, such as the exploration of the line by the avant-garde and the relationship between drawing and dance.
Drawing Modern
Drawing Modern illustrates major pieces by some of the twentieth century's most important artists, including Louise Bourgeois, Arshile Gorky, Eva Hesse, Jasper Johns, Ellsworth Kelly, Paul Klee, Roy Lichtenstein, Brice Marden, Bruce Nauman, and Cy Twombly. Works by a younger generation of artists are also included, among them William Kentridge, Gabriel Orozco, and Rosemary Trockel. Drawn from the extensive private collection of Agnes Gund, president of the Museum of Modern Art in New York, the works on paper collected here represent a panoramic view of the major developments in American art from Abstract Expressionism onward. This remarkable group of drawings evinces an inclusive and pluralistic vision, comprising an unusual variety of media and styles, even as they are clearly grounded in a high-modernist aesthetic, and invested in the notion of the art object as an autonomous, organic whole. The abstraction characteristic of this work enables a complex personal, and even emotional, engagement. As Ms. Gund herself puts it, in her Foreword to the volume, "An especially well-rendered work makes my heart sing and my stomach get the squishy feeling of falling in love."
