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This book provides a welcome English translation of a marvelous anthology of women's religious and secular writing, stretching from the visions of the late medieval mystics through the prison testaments of sixteenth-century Anabaptist martyrs to the pamphleteers and novelists of the growing urban bourgeoisie. The translations and introductions demonstrate the ways that women in the Low Countries shaped the intellectual and cultural developments of their eras.
The result of more than twenty years' research, this seven-volume book lists over 23,000 people and 8,500 marriages, all related to each other by birth or marriage and grouped into families with the surnames Brandt, Cencia, Cressman, Dybdall, Froelich, Henry, Knutson, Kohn, Krenz, Marsh, Meilgaard, Newell, Panetti, Raub, Richardson, Serra, Tempera, Walters, Whirry, and Young. Other frequently-occurring surnames include: Greene, Bartlett, Eastman, Smith, Wright, Davis, Denison, Arnold, Brown, Johnson, Spencer, Crossmann, Colby, Knighten, Wilbur, Marsh, Parker, Olmstead, Bowman, Hawley, Curtis, Adams, Hollingsworth, Rowley, Millis, and Howell. A few records extend back as far as the tenth century in Europe. The earliest recorded arrival in the New World was in 1626 with many more arrivals in the 1630s and 1640s. Until recent decades, the family has lived entirely north of the Mason-Dixon Line.
In Encounters of the Opposite Coast Markus Vink provides a narrative of the first half century of cross-cultural interaction between the Dutch East India Company (VOC), one of the great northern European chartered companies, and Madurai, one of the 'great southern Nayakas' and successor-states of the Vijayanagara empire, in southeast India (c. 1645-1690). A shared interest in trade and at times converging political objectives formed the unstable foundations for a complex relationship fraught with tensions, a mixture of conflict and coexistence typical of the 'age of contained conflict'. Drawing extensively on archival materials, Markus Vink covers a topic neglected by both Company historians and their Indian counterparts and sheds important light on a 'black hole in South Indian history'.
Dutch literature of the 17th century, while not as famous as other elements of the culture of the Dutch Golden Age, deserves independent focus, not only because of its own intrinsic worth, but also because of the evidence of strong social concern that it presents and the light it sheds on other aspects of the Golden Age. Despite this, outside the Netherlands the literature has not been examined closely, undoubtedly because of the language barrier, but also because there is no reasonable introduction to the material in English. This book fills that lacuna. Richly illustrated, it groups its subjects thematically: politics, religion, nature, daily life. Because Golden Age painting, in particular, is so famous, the book devotes a special chapter to the connection between poetry and painting. A concluding chapter shows the republic's function as a European literary trading center with brisk import and export. Included also are texts and translations of poems and extensive bibliographies for further study.