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La mujer no tiene nombre
Una historia de liberación individual y colectiva que retrata los desafíos de las mujeres turcas para defender sus derechos y libertades. Considerada como el primer manifiesto feminista de Turquía, La mujer no tiene nombre evidenció la lucha de las mujeres turcas por escribir su propia historia. A través de sus páginas acompañamos a su protagonista, una mujer de clase media y de origen urbano, desde su infancia hasta la madurez. Una mujer innombrada que cuestiona los límites de una sociedad dominada por los hombres y que experimentará en primera persona temas tabúes como la sexualidad, el aborto o la infidelidad, mientras trata de abrirse paso en un mundo donde la desigualdad y la violencia funcionan como elementos coercitivos. Narrada en primera persona y construido con un lenguaje rico y directo, la novela fue prohibida por impúdica y, tras un largo proceso judicial, se convirtió en un gran éxito de ventas y en un clásico instantáneo de las letras turcas. Un clásico contemporáneo de las letras turcas. Una obra germinal, considerada el primer manifiesto feminista de Turquía. Una historia de liberación individual y colectiva.
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Ben Duygu
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Women’s Memory
Women’s archives appear to have been largely disregarded until the last couple of decades. Most countries lack well-documented archives, and the question of methodology has become a common concern and ever more significant for researchers. Aiming to contribute to the growing efforts of developing women’s archives, the present book brings together the works of numerous researchers from various disciplines. The researchers contributed to this volume in order to share information and experiences about the problems of sources and archives in women’s studies. The articles in the book not only analyse the problems encountered by researchers in the field of women’s studies, but also examine...
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Resistance in Contemporary Middle Eastern Cultures
This study highlights the connections between power, cultural products, resistance, and the artistic strategies through which that resistance is voiced in the Middle East. Exploring cultural displays of dissent in the form of literary works, films, and music, the collection uses the concept of 'cultural resistance' to describe the way culture and cultural creations are used to resist or even change the dominant political, social, economic, and cultural discourses and structures either consciously or unconsciously. The contributors do not claim that these cultural products constitute organized resistance movements, but rather that they reflect instances of defiance that stem from their peculiar contexts. If culture can be used to consolidate and perpetuate power relations in societies, it can also be used as the site of resistance to oppression in its various forms: gender, class, ethnicity, and sexuality, subverting existing dominant social and political hegemonies in the Middle East.
İki Kadın Bir Feminizm
Dr. Senem Soyer, çalışma esnasında, yaşadığımız toplumların hassasiyetleri ve farklı kültürlerinin kendini hissettirmesiyle tabiri caizse ince eledi sık dokudu; ayrıntılara indi, eleştirel düşündü ve değerlendirdi. Düşüncelerdeki güçlü ve zayıf yönleri, yüzeysellik ve derinlikleri tespit etti. Tüm bu takdir edilmesi gereken çabalarının sonucunda ortaya okunası bir kitap çıktı. Dr. Senem Soyer, tarihi süreç içinde kadın hareketi, Türkiye ve Mısır toplumlarında kadının konumu, iki feminist Nevâl es-Sa‘dâvî ile Duygu Asena’nın eserlerinin karşılaştırılması konularını kolaycı ve basit olmayan, seçkin kelimelerle süslenen ve sağ...
Woman, Man, and God in Modern Islam
Award-winning historian Theodore Friend recently set out alone across Asia and the Middle East on a quest to understand firsthand the life situations of women in Indonesia, Pakistan, Saudi Arabia, Iran, and Turkey. Woman, Man, and God in Modern Islam recounts Friend s remarkable journey and relates hundreds of encounters and conversations with people he met along the way. Commingling a deep respect for Islam and his faith in the potential of women to change their worlds, Friend presents an open, exploratory outsider s perspective on women in five very different Islamic cultures timely fare for all who wish to broaden their world horizons.
