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This new volume in the series Physics and Chemistry of Materials with Layered Structures satisfies the need for a comprehensive review of the progress made in the decade 1972-1982 in the field of the electronic properties of layer compounds. Some recent theoretical and experimental developments are highlighted by authori tative physicists active in current research. The previous books of this series covering similar topics are volumes 3 and 4. The present review is mainly intended to fulfill the gap up to 1982 and part of 1983. I am indebted to all the authors for their friendly co-operation and continuous effort in preparing the contributions in their own fields of competence. I am sure tha...
In der Geschichte des Seehandels unterscheidet man traditionell zwischen erlaubtem Handel und illegalen Praktiken. Doch was wir heute als "unerlaubt" ansehen, wurde bis zur Durchsetzung des souveränen Staates oft als legitim wahrgenommen, weil es innerhalb der Spielregeln des Wirtschaftslebens erfolgte. Je nachdem, wie gut ein Akteur seine Vorstellung durchsetzen konnte, wurde er als Pirat, Schmuggler, Kaufmann oder Admiral wahrgenommen.
On March 21, 1578, Holy Thursday, cavalier Fabrizio Bracciolini charged that he had been ambushed, slashed, stoned, and left bleeding in a Pistoia street by fellow cavalier Mariotto Cellesi and four accomplices. In The Captain's Concubine: Love, Honor, and Violence in Renaissance Tuscany, Donald Weinstein studies the lengthy investigation of the incident, bares the motives of the actors, and follows the ensuing trial. Weinstein examines the roles of the patricians, merchants, shopkeepers, weavers, priests, and prostitutes who served as audience, bit players, and chorus in this Renaissance street-theater drama. When Fabrizio is revealed to be the lover of Chiara, the concubine of Mariotto's f...
This volume is a collection of essays written in honor of David Burr, emeritus professor at the Polytechnic University of Virginia (Blacksburg): a scholar who has spent a career researching and publishing on the multi-faceted phenomenon of the Spiritual Franciscans (late 13th-early 14th century) and, in particular, on the life and writings of Peter of John Olivi in southern France. Representing some of the finest scholars in the field these eighteen scholarly essays touch on aspects of both phenomena. Three essays are devoted to the historiography of David Burr; three are dedicated to medieval Apocalypticism; another seven deal specifically with Peter of John Olivi; and five final essays explore aspects of the Spiritual Franciscans, their precursors and adherents. Contributors are C. Colt Anderson, Marco Bartoli, Michael F. Cusato, Gilbert Dahan, Alberto Forni, Fortunato Iozzelli, Philip D. Krey, Robert E. Lerner, Warren Lewis, Michele Lodone, Kevin Madigan, Antonio Montefusco, Delfi I. Nieto-Isabel, Dabney G. Park, Sylvain Piron, Gian Luca Potestà, Marco Rainini, and Paolo Vian.
This work offers the first English-language survey of the book industry in Renaissance Italy. Whereas traditional accounts of the book in the Renaissance celebrate authors and literary achievement, this study examines the nuts and bolts of a rapidly expanding trade that built on existing economic practices while developing new mechanisms in response to political and religious realities. Approaching the book trade from the perspective of its publishers and booksellers, this archive-based account ranges across family ambitions and warehouse fires to publishers' petitions and convivial bookshop conversation. In the process it constructs a nuanced picture of trading networks, production, and the distribution and sale of printed books, a profitable but capricious commodity. Originally published in Italian as Il commercio librario nell’Italia del Rinascimento (Milan: Franco Angeli, 1998; second, revised ed., 2003), this present English translation has not only been updated but has also been deeply revised and augmented.
Provides a list of Renaissance manuscripts (1350-1600), mostly in Latin or Italian, of philosophical, scientific, philological or literary content. The list is arranged by countries, cities, libraries, collections and shelf-marks, and is an indispensable work tool for Renaissance scholars.
William Poole recounts Milton's life as England’s self-elected national poet and explains how the greatest poem of the English language came to be written. How did a blind man compose this staggeringly complex, intensely visual work? Poole explores how Milton’s life and preoccupations inform the poem itself—its structure, content, and meaning.