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Irish Literature
Irish literature's roots have been traced to the 7th-9th century. This is a rich and hardy literature starting with descriptions of the brave deeds of kings, saints and other heroes. These were followed by generous veins of religious, historical, genealogical, scientific and other works. The development of prose, poetry and drama raced along with the times. Modern, well-known Irish writers include: William Yeats, James Joyce, Sean Casey, George Bernard Shaw, Oscar Wilde, John Synge and Samuel Beckett.
The Cassell Dictionary of Appropriate Adjectives
Lipsius (1547-1606) was a 16th century humanist, scholar errant, and prolific correspondent who sought to reclaim the concept of letter-writing that had died during the Dark and Middle Ages. Here, he describes the serious, the learned, and the familiar letter, as well as such topics as conversational style, clarity, two kinds of simplicity, elegance, and decorum. Translated and edited by R. V. Young and M. Thomas Hester (both English, N. Carolina State U.), this edition prints the original Latin facing the English translation on each page. Annotation copyright by Book News, Inc., Portland, OR
The Importance of Being Earnest and Other Plays
Probably the most popular and wittiest of Oscar Wilde's comedies. Noted for its outrageous situations and brittle humor celebrating the triumph of life over adversity. Stars Michael Redgrave, Margaret Rutherford and Edith.
Brendan Behan
Hailed as the new O'Casey by Irish critics in 1958, Behan is now often portrayed as the archetypal Irishman and spectacular drunk. Behind the myth lies the more compelling story of a writer who was never able to fully harness his larger-than-life personality and talent.
Mikhail Bakunin
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Henry James, Oscar Wilde and Aesthetic Culture
This book, the first fully sustained reading of Henry James's and Oscar Wilde's relationship, reveals why the antagonisms between both authors are symptomatic of the cultural oppositions within Aestheticism itself.
Irish Literature Since 1800
This book surveys Irish writing in English over the last two centuries, from Maria Edgeworth to Seamus Heaney, to give the literary student and the general reader an up-to-date sense of its variety and vitality and to indicate some of the ways in which it has been described and discussed. It begins with a brief outline of Irish history, of Irish writing in Irish and Latin, and of writing in English before 1800. Later chapters consider Irish romanticism, Victorian Ireland, W.B.Yeats and the Irish Literary Revival, new directions in Irish writing after Joyce and the literature of contemporary Ireland, north and south, from 1960 to the present.
Authors in Context: Oscar Wilde
Wit, dandy, literary anarchist, self-publicist, and homosexual martyr: Wilde achieved fame and notoriety at a time when mass culture and communication promoted the 'new' in every area of British life. This book examines the rich interplay between Wilde's society and his writings and shows the remarkable recontextualizing of Wilde and his work in film, stage, and the media in the century following his death. - ;Authors in Context examines the work of major writers in relation to their own time and to the present day. Combining history with lively literary discussion, each volume provides comprehensive insight into texts in their context. Wit, dandy, literary anarchist, self-publicist, and hom...
Resist Everything Except Temptation
Oscar Wilde is remembered as a wit and a dandy, as a gay martyr, and as a brilliant writer, but his philosophical depth and political radicalism are often forgotten. Resist Everything Except Temptation locates Wilde in the tradition of left-wing anarchism, and argues that only when we take his politics seriously can we begin to understand the man, his life, and his work. Drawing from literary, historical, and biographical evidence, including archival research, the book outlines the philosophical influences and political implications of Wilde's ideas on art, sex, morality, violence, and above all, individualism. Williams raises questions about the relationships between culture and politics, between utopian aspirations and practical programs, and between individualism, group identity, and class struggle. The resulting volume represents, not merely a historical curiosity, but a contribution to current debates within political theory and a salvo in the broader culture wars.
"Something Dreadful and Grand"
This book traces the often uncanny relationships between Irish- and Jewish-America, arguing for the centrality of these two diasporic groups to the development of American popular music, fiction, and especially drama.
