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Ed McBain/Evan Hunter
One of the most prolific crime writers of the last century, Evan Hunter published more than 120 novels from 1952 to 2005 under a variety of pseudonymns. He also wrote several teleplays and screenplays, including Alfred Hitchcock's The Birds, and the 1954 novel The Blackboard Jungle. When the Mystery Writers of America named Hunter a Grand Master, he gave the designation to his alter ego, Ed McBain, best known for his long-running police procedural series about the detectives of the 87th Precinct. This comprehensive companion provides detailed information about all of Evan Hunter's/Ed McBain's works, characters, and recurring themes. From police detective and crime stories to dramatic novels and films, this reference celebrates the vast body of literature of this versatile writer.
Line Upon Line
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A Sheaf of Memories
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Ian Rankin
Ian Rankin is considered by many to be Scotland's greatest living crime fiction author. Most well known for his Inspector Rebus series--which has earned critical acclaim as well as scores of fans worldwide--Rankin is a prolific author whose other works include spy thrillers, nonfiction books and articles, short stories, novels, graphic novels, audio recordings, television/film, and plays. This companion--the first to provide a complete look at all of his writings--includes alphabetized entries on Rankin's works, characters, and themes; a biography; a chronology; maps of Rebus' Edinburgh; and an annotated bibliography. A champion of both Edinburgh and Scotland, Rankin continues to combine engaging entertainment with socio-political commentary showing Edinburgh as a microcosm of Scotland, and Scotland as a microcosm of the world. His writing investigates questions of Scottish identity, British history, masculinity, and contemporary culture while providing mystery readers with complex, suspenseful plots, realistic character development, and a unique mix of American hard-boiled and procedural styles with Scottish dialects and sensibilities.
The Syntactic Nature of Inner Aspect
This book explores the syntactic nature of inner aspect from a minimalist perspective. It begins with the new observation that there are two independent properties at play in English inner aspect: the object-to-event mapping and event structure. From a discussion of English statives and Russian, it is concluded that the former property is variant and the latter universal; a minimalist conception of language variation arises naturally in this context. Additionally, an exploration of a lexical derivational approach to achievements leads to the expectation that there are no accomplishments in the lexicon. A detailed look at idioms suggests that this expectation is met. These results support the division of labor between an operative lexicon and narrow syntax in aspectual composition; this naturally poses a problem for (neo-)constructional approaches to inner aspect. Finally, one conclusion reached about the syntactic nature of inner aspect regards the object-to-event mapping: it is a purely syntactic phenomenon.
The Invisible Art of Film Music
Beginning with the era of synchronized sound in the 1920s, music has been an integral part of motion pictures. Whether used to heighten the tension of a scene or evoke a subtle emotional response, scores have played a significant—if often unrealized—role in the viewer’s enjoyment. In The Invisible Art of Film Music, Laurence MacDonald provides a comprehensive introduction for the general student, film historian, and aspiring cinematographer. Arranged chronologically from the silent era to the present day, this volume provides insight into the evolution of music in cinema and analyzes the vital contributions of scores to hundreds of films. MacDonald reviews key developments in film musi...
Kevin Macdonald’s Metaphysical Failure: a Philosophical, Historical, and Moral Critique of Evolutionary Psychology, Sociobiology, and Identity Politics
In Kevin MacDonald’s Metaphysical Failure, Jonas E. Alexis offers a thoroughly researched, nuanced and lucid analysis of Kevin MacDonald’s thought, in particular MacDonald’s belief in biological and philosophical Darwinism. It is an important book that fills a critical gap in the literature on the history of revolutionary movements and Darwinism both in the West and in Asia. It is also a study that adds many significant strands to the densely interwoven history of ideas such as Malthusianism and Eugenics. Alexis’s book engages debates in the history of ideas—going back to Madison Grant and beyond—and the history of Darwinism. It challenges many of the life-long prevailing assumpt...
