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Misunderstandings about what it means for humans to be created in God's image have wreaked devastation throughout history -- for example, slavery in the U. S., genocide in Nazi Germany, and the demeaning of women everywhere. In Dignity and Destiny John Kilner explores what the Bible itself teaches about humanity being in God's image. He discusses in detail all of the biblical references to the image of God, interacts extensively with other work on the topic, and documents how misunderstandings of it have been so problematic. People made according to God's image, Kilner says, have a special connection with God and are intended to be a meaningful reflection of him. Because of sin, they don't a...
The imaginings of a boy lead to confusion in love and relationships in later life. A particular sort of boy, a dreamer by nature perhaps, finds real life difficult to discover; and those around him are caught up in his struggles.
This volume represents current theory and research in rhetoric, across disciplines, and is of interest to scholars and students in rhetoric studies in speech communication, English, and related disciplines.
The first of two volumes devoted to the evolution of the Allemande, the Balletto, and the Tanz from 1540 to 1750.
How do people, in both the past and the present, think about moments of social and political crisis, and how do they respond to them? What are the interpretive codes by which troubling events are read and given meaning, and what part do these codes play in suggesting specific strategies for coping with the world? In Past Convictions Courtney Booker attempts to answer these questions by examining the controversial divestiture and public penance of Charlemagne's son, the Emperor Louis the Pious, in 833. Historians have customarily viewed the event as marking the beginning of the end of the Carolingian dynasty. Exploring how both contemporaries and subsequent generations thought about Louis's f...
Possible worlds in humanities, arts, and sciences : proceedings of Nobel Symposium 65.
Comprehensive Manual of Ophthalmology in which sufficient information has been provided in easy-to-understand language with a definite and uniform format. Many tables have been incorporated for summarizing key facts about different diseases. Enough standard colored illustrations will be of immense help. A short list of Further Readings has been added at the end of each chapter for those who want to persue further on the particular topic. I consider this humble endeavor as a mini textbook of ophthalmology in a refreshingly reader-friendly fashion, which I presume will be quite useful for both undergraduate and postgraduate students, residents and even practicing ophthalmologists.
Lewis S. Feuer shows that the gestation of the hypotheses of original-minded scientists, such as Darwin, Einstein, or Bohr, is in large part a subconscious process. Scientists try to project upon the world structural laws that, beside fitting the given physical realities, will also realize their own emotional longings among alternative worldviews. Repeatedly, too, in examining the standpoints of philosophical figures ranging from Spinoza, Descartes, Kant, and Mill to contemporary figures such as Einstein, Lovejoy, and Hook, Feuer illumines how sociological antipathies project themselves into scientific divergences. Feuer delves into the bearing of emotive beliefs such as pacifism, socialism, anti-Semitism, upon the formation of concurrent worldviews, often fixations of scientific belief, held with the same passion in science as in religion.
Available in English for the first time, Prosdocimo's Tractatus plane musice (1412) and Tractatus musice speculative (1425) are exemplary texts for understanding the high sophistication of music theory in the early fifteenth century. Known for considering music as a science based on demonstrable mathematical principles, Prosdocimo praises Marchetto for his theory of plainchant but criticizes his influential Lucidarium for its heterodox mathematics. In dismissing Marchetto as a “mere performer,” Prosdocimo takes up matters as broad as the nature and definition of music and as precise as counterpoint, tuning, and ecclesiastical modes. The treatises also reveal much about Prosdocimo’s understanding of plainchant; his work with Euclid's Elementa; and his familiarity with the music theory of Boethius, Macrobius, and Johannes de Muris. A foremost authority on Italian music theory of the Middle Ages and early Renaissance, Jan Herlinger consults manuscripts from Bologna, Cremona, and Lucca in preparing these valuable first critical editions.
This book studies nineteenth-century American individualism and its relationship to the simultaneous rise of the market economy as articulated in the works of Ralph Waldo Emerson, Henry David Thoreau, and William Graham Sumner. The argument of the book is that these thinkers offer distinct visions of individualism that reflect their respective understandings of the market, and provide thoughtful and insightful perspectives upon the promise and peril of this economic and social order. Looking back to Emerson, Thoreau, and Sumner furnishes valuable insights about the history of American political and social thought, as well as about the complexity of one of the most basic and prevalent relationships of modern life: that between the individual and the institutional complex of the market.