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It's Me, Edward Wayne Edwards
Meet Edward Wayne Edwards, the most evil serial killer you've never heard of. In this chilling case-by-case analysis and story of the killer's life, former detective John A. Cameron argues that Edwards was not only responsible for the five torture-murders he confessed to and was eventually convicted for, but for dozens more across the U.S., over decades. Tracing the murderer's life from his beginnings as a misguided boy who witnessed his mother's suicide, Cameron conducted hundreds of interviews, including exchanging phone calls and letters with the killer and interviewing his family. The result is a complex, terrifying, and fascinating analysis of Edwards' travels across the U.S. in the per...
Metamorphosis of a Criminal
"Ed Edward's story is a fascinating account of a life devoted to courting disaster by drifting from one crime to another...A man of considerable cunning, charm and personal appeal, Ed was never without a woman, and never more than a hair's breadth away from the arm of the law...You will be rooting for him all the way through his squalid life to his miraculous rehabilitation and metamorphosis."--Jacket.
It Was Always ME!
Forget everything you thought you thought you knew about the most publicly covered murders of our time. The evidence leads to one man committing the most chilling and widely known murders that have captivated the public's interest and caused terror throughout our communities including the Zodiac killings. Based on the investigation by veteran detective John Cameron and others contained in this book, Edward Edwards is also now linked to the murder of JonBenet Ramsey, the Black Dahlia, and Laci Peterson for which he set up Scott Peterson who is currently on death row for killing her. The evidence also strongly suggests that he killed JonBenet Ramsay and that he framed the parents whom were later exonerated.
The Third Revolution
Comprehensive account of the great revolutions that swept over Europe and America.
Renaissance Drama in Action
Renaissance Drama in Action is a fascinating exploration of Renaissance theatre practice and staging. Covering questions of contemporary playhouse design, verse and language, staging and rehearsal practices, and acting styles, Martin White relates the characteristics of Renaissance theatre to the issues involved in staging the plays today. This refreshingly accessible volume: * examines the history of the plays on the English stage from the seventeenth century to the present day * explores questions arising from reconstructions, with particular reference to the new Globe Theatre * includes interviews with, and draws on the work and experience of modern theatre practitioners including Harriet Walter, Matthew Warchus, Trevor Nunn, Stephen Jeffreys, Adrian Noble and Helen Mirren * includes discussions of familiar plays such as The Duchess of Malfi and 'Tis Pity She's A Whore, as well as many lesser known play-texts Renaissance Drama in Action offers undergraduates and A-level students an invaluable guide to the characteristics of Elizabethan and Jacobean drama, and its relationship to contemporary theatre and staging.
Krampus Tales
Something stirs in the darkness of these stories. Join twelve authors as they explore the holiday season's scary side. From monsters to ghosts and villainous people, there's sure to be a scare for you.As the first of Jazz House's winter holiday anthologies, Krampus Tales: A Killer Anthology compiles the best horror stories from over 60 submissions submitted by independent authors. Jazz House is dedicated to uplifting marginalized voices and giving a platform to independent authors. To see how we do this, visit us at jazzhousepublications.com.
Ed & Fred Flea
As his brother prepares to leave the dog they share, Fred the greedy flea pretends to have the flu in order to stay behind and have the whole dog to himself! Color illustrations throughout.
Lord Strange's Men and Their Plays
For a brief period in the late Elizabethan Era an innovative company of players dominated the London stage. A fellowship of dedicated thespians, Lord Strange’s Men established their reputation by concentrating on “modern matter” performed in a spectacular style, exploring new modes of impersonation, and deliberately courting controversy. Supported by their equally controversial patron, theater connoisseur and potential claimant to the English throne Ferdinando Stanley, the company included Edward Alleyn, considered the greatest actor of the age, as well as George Bryan, Thomas Pope, Augustine Phillips, William Kemp, and John Hemings, who later joined William Shakespeare and Richard Bur...
Edward's Menagerie: The New Collection
Enter a whole new world of 50 animal crochet patterns from bestselling author Kerry Lord. Crochet your way through this new collection of easy-to-make amigurumi characters – from a philosophical sloth and a chess-playing armadillo to a very fluffy Angora bunny who loves her job in customer service. Learn to improve your crochet techniques, working up from the beginner projects through to the more challenging later patterns. Each animal uses only basic stiches and there’s step-by-step instructions that mean this is the perfect book to learn to crochet. Each animal follows Kerry’s basic standard form, so if you can make one animal from the book, you can learn to make them all. Level one ...
The Constitution of English Literature
In this extended essay, Michael Gardiner examines the ideology of the discipline of English Literature in the light of the serious redefining work on England and Englishness that has been conductedin Political Studiesin the last decade. He argues that English Literature emerges from the development of the state and that consequently it has suppressed the idea of the nation. His claim is that English Literature has lost its form since its methodology and canonicity depended so heavily on a constitutional form which can no longer be defended. He calls upon those working in English Literature to recognise that they are not really participating in the same discipline, defined by the Burkean constitutional settlement, even if they think of themselves as writing 'within the canon'. His view is that a lack of appreciation of 'hard-edged' political factors have led to a 'continuant' and regressive form of English Literature which tends to hang on to stifling methodologies. In its place, he appeals for the creation of a more open-ended, inclusive, internationalist, and comparative 'literature of England'.
