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City Eclogue
"Ed Roberson was born and raised in Pittsburgh, Pennsylvania. In addition to writing poetry, he has pursued a variety of remarkable interests. He has worked as a limnologist (conducting research on inland and coastal fresh water systems in Alaska's Aleutian Islands and in Bermuda), and for a period he was employed as a diver for the Pittsburgh Aquazoo (training porpoises, among other things). He worked for a period in an advertising graphics agency and in the Pittsburgh steel mills. Twice Ed Roberson was a team member on the Explorers' Club of Pittsburgh's South American Expeditions, in which context he climbed mountains in the Peruvian and Ecuadorian Andes and explored the upper Amazonian jungle in eastern Ecuador. He has motorcycled across the USA, and traveled in Mexico, the Caribbean, and in Nigeria, West Africa. In recent years, he has been employed primarily as a teacher and as an academic administrator, most recently at Rutgers University and at Columbia College in Chicago."--Publisher's website.
Atmosphere Conditions
A winner of the 1998 National Poetry Series competition, selected by Nathaniel Mackey.
MPH and Other Road Poems
Poetry. Edited by Andrew Peart. In 2015, while, in his words, "dismantling my house in New Jersey and preparing it for sale," Ed Roberson discovered in some envelopes in his attic a manuscript he thought lost, drawn from the experiences of the summer of 1970, when the poet, along with two friends, rode cross-country from Pittsburgh to San Francisco and back on two BMW motorcycles. The recovery of this manuscript,--over forty years later--alerted Roberson to the fact that he had been relating to its material ever since, yielding for him work that "calls across the span of a lifetime." MPH is Roberson's epic, serial road poem, decades in the making, stamped with and guided by the talisman of its title. "one thing visible every day / any time 24/7 / for 3 months 8000 miles / was mph // on the speedometer. / a small petty thing. / a pin. / down of a larger / limiting. // a sighting an ideograph / even more than a picture beyond word."
Asked What Has Changed
A Black ecopoet observes the changing world from a high-rise window, “ever alert to affinities between the small and the vast, the fleeting and the cosmic” (James Gibbons, Hyperallergic). Award-winning poet Ed Roberson confronts the realities of an era in which the fate of humanity and the very survival of our planet are uncertain. Departing from the traditional nature poem, Roberson's work reclaims a much older tradition, drawing into poetry’s orbit what the physical and human sciences reveal about the state of a changing world. These poems test how far the lyric can go as an answer to our crisis, even calling into question poetic form itself. Reflections on the natural world and moments of personal interiority are interwoven with images of urbanscapes, environmental crises, and political instabilities. These poems speak life and truth to modernity in all its complexity. Throughout, Roberson takes up the ancient spiritual concern—the ephemerality of life—and gives us a new language to process the feeling of living in a century on the brink.
Recomposing Ecopoetics
In the first book devoted exclusively to the ecopoetics of the twenty-first century, Lynn Keller examines poetry of what she terms the "self-conscious Anthropocene," a period in which there is widespread awareness of the scale and severity of human effects on the planet. Recomposing Ecopoetics analyzes work written since the year 2000 by thirteen North American poets--including Evelyn Reilly, Juliana Spahr, Ed Roberson, and Jena Osman--all of whom push the bounds of literary convention as they seek forms and language adequate to complex environmental problems. Drawing as often on linguistic experimentalism as on traditional literary resources, these poets respond to environments transformed by people and take "nature" to be a far more inclusive and culturally imbricated category than conventional nature poetry does. This interdisciplinary study not only brings cutting-edge work in ecocriticism to bear on a diverse archive of contemporary environmental poetry; it also offers the environmental humanities new ways to understand the cultural and affective dimensions of the Anthropocene.
Bearden's Odyssey
Bearden's Odyssey: Poets Responding to the Art of Romare Bearden is a collection of thirty-five poems by the most celebrated African diaspora poets in the United States, presented together with full-color reproductions from Bearden's famous Odyssey series.
Closest Pronunciation
Northwestern University Press is honored to inaugurate the Drinking Gourd Chapbook Poetry Prize series with Ed Roberson’s Closest Pronunciation. Here is a teacher of poets studying his own assignments, questioning and seeking the generative capacity in looking at and seeing things that ends in the realization of a poem. In a line from the brief poem "Night Writing," from which the chapbook draws its title, he writes, "The word closest in pronunciation / To an ambulance’s siren is ‘wrong.’" The collection as a whole gives voice, often quiet but always profound, to many things overlooked and neglected in culture, nature, and everyday life.
Macedonia
“Pekar has proven that comics can address the ambiguities of daily living, that like the finest fiction, they can hold a mirror up to life.” –The New York Times For years Heather Roberson, a passionate peace activist, has argued that war can always be avoided. But she has repeatedly faced counterarguments that fighting is an inescapable consequence of world conflicts. Indeed, Heather finds proving her point to be a little tricky without examples to bolster her case. So she does something a little crazy: She sets out for far-off Macedonia, a landlocked country north of Greece and west of Bulgaria, to explore a region that has edged–repeatedly–close to the brink of violence, only to ...
Southern Reporter
Includes the decisions of the Supreme Courts of Alabama, Florida, Louisiana, and Mississippi, the Appellate Courts of Alabama and, Sept. 1928/Jan. 1929-Jan./Mar. 1941, the Courts of Appeal of Louisiana.
