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An interdisciplinary study on the myth of racial democracy in Brazil through the prism of producers of Afro-Brazilian culture.
Jerome Rothenberg’s final anthology—an experiment in omnipoetics with Javier Taboada—reaches into the deepest origins of the Americas, north and south, to redefine America and its poetries The Serpent and the Fire breaks out of deeply entrenched models that limit “American” literature to work written in English within the present boundaries of the United States. Editors Jerome Rothenberg and Javier Taboada gather vital pieces from all parts of the Western Hemisphere and the breadth of European and Indigenous languages within: a unique range of cultures and languages going back several millennia, an experiment in what the editors call an American “omnipoetics.” The Serpent and the Fire is divided into four chronological sections—from early pre-Columbian times to the immediately contemporary—and five thematic sections that move freely across languages and shifting geographical boundaries to underscore the complexities, conflicts, contradictions, and continuities of the poetry of the Americas. The book also boasts contextualizing commentaries to connect the poets and poems in dialogue across time and space.
Global Multiculturalism offers a rich collection of case studies on ethnic, racial, and cultural diversity drawn from thirteen countries_each unique in the way it understands, negotiates, and represents its diversity. A multi-disciplinary group of authors shows how, in different nations, identity groups are included, or made invisible by forced assimilation, or reviled even to the point of genocide. Framed within a theoretical discussion of national identity, transnationalism, hybridity, and diaspora, each chapter surveys the demographics and history of its country and then analyzes the dynamics of diversity. With cases ranging from Bosnia to Chiapas, Cuba to China, and Zimbabwe to France, this volume offers a truly global perspective and scope. Its genuinely comparative methodology and range of disciplinary perspectives make it a unique resource for all those seeking to understand ethnic conflict and diversity.
Minas Gerais is a state in southeastern Brazil deeply connected to the nation’s slave past and home to many traditions related to the African diaspora. Addressing a wide range of traditions helping to define the region, ethnomusicologist Jonathon Grasse examines the complexity of Minas Gerais by exploring the intersections of its history, music, and culture. Instruments, genres, social functions, and historical accounts are woven together to form a tapestry revealing a cultural territory’s development. The deep pool of Brazilian scholarship referenced in the book, with original translations by the author, cites over two hundred Portuguese-language publications focusing on Minas Gerais. T...
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O presente volume se propõe a contribuir com os estudos literários no que tange à necessidade de colocar em pauta a produção de autoria negra brasileira contemporânea modulada sobre questões, temas, linguagens e estéticas cruciais para que se reflita acerca das relações étnico-raciais no âmbito do imaginário literário. Neste sentido, estudos de diversos especialistas que se debruçaram sobre a literatura brasileira mais recente compõem o livro, apresentando análises transversais da produção de escritores e escritoras que publicaram toda ou parte de sua obra neste século.
A major work by this prominent Caribbean author and philosopher, available for the first time in English
Blacks of the Rosary tells the story of the Afro-Brazilian communities that developed within lay religious brotherhoods dedicated to Our Lady of the Rosary in Minas Gerais. It shows how these brotherhoods functioned as a social space in which Africans and their descendants could rebuild a communal identity based on a shared history of an African past and an ongoing devotional practice, thereby giving rise to enduring transnational cultures that have survived to the present day. In exploring this intersection of community, identity, and memory, the book probes the Portuguese and African contributions to the brotherhoods in Part One. Part Two traces the changes and continuities within the orga...
These essays on Brazilian performance culture comprise the first English-language book to study the varied manifestations of performance in and beyond Brazil, from carnival and capoeira to gender acts, curatorial practice, and political protest.
With its rich mix of cultures, European influences, colonial tensions, and migration from bordering nations, Ecuador has long drawn the interest of ethnographers, historians, and political scientists. In this book, Jean Muteba Rahier delivers a highly detailed, thought-provoking examination of the racial, sexual, and social complexities of Afro-Ecuadorian culture, as revealed through the annual Festival of the Kings. During the Festival, the people of various villages and towns of Esmeraldas--Ecuador's province most associated with blackness--engage in celebratory and parodic portrayals, often donning masks, cross-dressing, and disguising themselves as blacks, indigenous people, and whites, in an obvious critique of local, provincial, and national white, white-mestizo, and light-mulatto elites. Rahier shows that this festival, as performed in different locations, reveals each time a specific location's perspective on the larger struggles over identity, class, and gender relations in the racial-spacial order of Esmeraldas, and of the Ecuadorian nation in general.