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The Forest Within the Gate
Poetry. Art. This book of haiku and photographs was conceived as a gift for poet Edith Shiffert on entering her ninety-first year. Shiffert has lived in Kyoto, Japan since 1963. She is the author of twelve collections of poetry, and has co-translated several volumes of Japanese poetry. Photographer John Einarsen, whose black-and-white images of Kyoto appear here paired with Shiffert's haiku, is the founding editor of Kyoto Journal. He writes in the preface: "Edith's writings, which contain Buddhist and Taoist sensibilities, yet remain totally individualistic, have taught me over the years to see Kyoto, nature, and existence from a new and profound perspective...I suspect that her poems and my photographs were essentially approached in a similar way: mostly by walking, with little or no purpose in mind, and simply recording impressions just as they were encountered."
Kyoto-Dwelling: Poems
This collection of Japanese haiku by an American expat is an important contribution to the world of poetry. Edith Shiffert, called by Poetry Nippon "one of Kyoto's living nation--and international-- treasures," here writes brief poems in the form of traditional Japanese haiku for each month of the year. Taken as a whole, the poems describe an American woman's twenty five-five year sojourn in Kyoto The poems, over 350 in all, are beautifully complemented by the traditional Japanese ink-paintings of Kyoto-born artist Kohka Saito.
Kyoto
A breathtaking visit to the magic of Kyoto. This Kyoto dwelling Reveals as many seasons As eternity.
When on the Edge
"Shiffert's poetry possesses a graciousness which comes from a reverence for life and gratitude for being."--Kenneth Rexroth
Pathways
Pathways is a distillation of six decades of poetry
Coming Into Contact
A snapshot of ecocriticism in action, Coming into Contact collects sixteen previously unpublished essays that explore some of the most promising new directions in the study of literature and the environment. They look to previously unexamined or underexamined aspects of literature's relationship to the environment, including swamps, internment camps, Asian American environments, the urbanized Northeast, and lynching sites. The authors relate environmental discourse to practice, including the teaching of green design in composition classes, the restoration of damaged landscapes, the persuasive strategies of environmental activists, the practice of urban architecture, and the impact of human technologies on nature. The essays also put ecocriticism into greater contact with the natural sciences, including elements of evolutionary biology, biological taxonomy, and geology. Engaging both ecocritical theory and practice, these authors more closely align ecocriticism with the physical environment, with the wide range of texts and cultural practices that concern it, and with the growing scholarly conversation that surrounds this concern.
Three Simple Lines
One of the world's foremost writing teachers invites readers on a joyful journey into the reading and origins of haiku A haiku is three simple lines. But it is also, as Allen Ginsberg put it, three lines that "make the mind leap." A good one, he said, lets the mind experience "a small sensation of space which is nothing less than God." As many spiritual practices seek to do, the haiku's spare yet acute noticing of the immediate and often ordinary grounds the reader in the pure awareness of now. Natalie Goldberg is a delightfully companionable tour guide into this world. She highlights the history of the form, dating back to the seventeenth century; shows why masters such as Basho and Issa are so revered; discovers Chiyo-ni, an important woman haiku master; and provides insight into writing and reading haiku. A fellow seeker who travels to Japan to explore the birthplace of haiku, Goldberg revels in everything she encounters, including food and family, painting and fashion, frogs and ponds. She also experiences and allows readers to share in the spontaneous and profound moments of enlightenment and awakening that haiku promises.
The Lyric Journey
This beautifully illustrated book looks at three exemplary traditions in poetic painting, bringing new understanding of the relationship between the art and the societies that produced it.
The Art of Haiku
In the past hundred years, haiku has gone far beyond its Japanese origins to become a worldwide phenomenon—with the classic poetic form growing and evolving as it has adapted to the needs of the whole range of languages and cultures that have embraced it. This proliferation of the joy of haiku is cause for celebration—but it can also compel us to go back to the beginning: to look at haiku’s development during the centuries before it was known outside Japan. This in-depth study of haiku history begins with the great early masters of the form—like Basho, Buson, and Issa—and goes all the way to twentieth-century greats, like Santoka. It also focuses on an important aspect of tradition...
Modern Japanese Poets and the Nature of Literature
A Stanford University Press classic.
