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In the Shadow of Olympus
This anthology represents the first sustained feminist examination of eighteenth-and nineteenth-century German women writers in English. These essays highlight the literature produced by German women in the period 1790-1810, framing the discussions with a comparative orientation. The book analyzes in culturally specific detail how these authors came to constitute the first generation of writing women in Germany at a time when Goethe set the standard for literary production. Each essay focuses on the ambivalence of the author(s) toward literary and social models. The authors treated include Rahel Varnhagen, Charlotte von Stein, Friederike Helene Unger, Bettine von Arnim, Caroline Schlegel-Schelling, Sophie Albrecht, Therese Huber, Sophie Mereau, Sophie von La Roche, Henriette Frolich, and Benedikte Naubert.
Death and the Maidens
1816 was the fateful year when the Romantic poet Shelley and his lover Mary shared a hectic creative and sexual menage in Switzerland with Lord Byron. This intense period drew from the men some of the greatest poetry of the age; from Mary, it elicited the seminal figures of Frankenstein and his Creature. But for other women close to Shelley it was a time of tragedy. At the heart of the story are Fanny Wollstonecraft and Harriet Westbrook, women whose lives were literally overwhelmed by him – and who both committed suicide before the year was out. "Not only a splendid work of feminist history, this is an important addition to late 18th- and early 19-century literary criticism." - Publishers Weekly (starred review)
Closet Stages
Closet Stages examines theater theory produced by middle- and upper-class British women-playwrights, actresses, and spectators-between 1790 and 1840. Shifting the focus away from the Romantic male writers to the journals, letters, and play prefaces in which women framed their relationship to the theater arts, Catherine Burroughs reveals how a concern with the performative aspects of daily life and the movement between public and private spheres produced a notion of theater that complicates the Romantic opposition between "closet" and "stage."
Fanny Lewald
"Fanny Lewald: Between Rebellion and Renunciation provides the first comprehensive account in English of the life and work of Fanny Lewald (1811-1889), tracing the way she positioned herself - sometimes precariously - between rebellion and renunciation. All genres are considered: novels and stories, autobiography, travel literature, essays, diaries, and letters. Widely recognized as one of the early German advocates of women's right to education and work, this study places Lewald's views on these issues in a broadly comparative cultural context. This book will, therefore, be of interest not only to specialists in German literature, but also to students and scholars of European cultural and social history, Jewish studies, and women's studies."--Publisher's website.
The ‘Malleus Maleficarum‘ and the construction of witchcraft
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. The Malleus is an important text and is frequently quoted by authors across a wide range of scholarly disciplines. Yet it also presents serious difficulties: it is difficult to understand out of context, and is not generally representative of late medieval learned thinking. This, the first book-length study of the original text in English, provides students and scholars with an introduction to this controversial work and to the conceptual word of its authors. Like all witch-theorists, Institoris and Sprenger constructed their witch out of a constellation of pre-existing popular beliefs an...
Women in German Yearbook 2004
Women in German Yearbook is a refereed publication that presents a wide range of feminist approaches to all aspects of German literature, culture, and language, including pedagogy. Reflecting the interdisciplinary perspectives that inform feminist German studies, each issue contains critical studies involving gender and other analytical categories to examine the work, history, life, literature, and arts of the German-speaking world.Ruth-Ellen Boetcher Joeres is a professor of German at the University of Minnesota. Marjorie Gelus is a professor of German at California State University at Sacramento.
Women Philosophers in the Long Nineteenth Century
This volume makes available to English-language readers--in many cases for the first time--the works of nine women philosophers from the German tradition. It showcases their contemporary relevance and their crucial contributions to nineteenth-century philosophical movements. An Editors' Introduction offers a comprehensive overview of the contributions of women philosophers in the Nineteenth Century. Each chapter is furnished with an introduction to the distinctivelife and work of the philosopher in questions. The translated texts are accessible and engaging. The translations are furnished with explanatory footnotes. This is a good fit for courses in 19th Century Philosophy which can sometime...
Revealing Lives
Arnim, Bettina von ; Hugo, Adèle ; Wolf, Christa ; Mill, John Stuart ; Thackeray Ritchie, Anne ; Shortridge Foltz, Clara.
Articulating Difference
Enriches contemporary debates about gender and language by probing the histories of the philosophy and sciences of language. Drawing on a wide range of texts, from understudied ethnographic and scientific works to canonical literature and philosophy, Sophie Salvo uncovers the prehistory of the inextricability of gender and language. Taking German discourses on language as her focus, she argues that we are not the inventors but, rather, the inheritors and adapters of the notion that gender and language are interrelated. Particularly during the long nineteenth century, ideas about sexual differences shaped how language was understood, classified, and analyzed. As Salvo explains, philosophers a...
Women in German Yearbook
Women in German Yearbook volume 13 opens with essays by Herta M_ller and Libuse Mon�kov¾. Karin Wurst probes Elise B_rger's Gothic imagination, Daniel Purdy analyzes Sophie Mereau's translations in relation to early Romantic aesthetics, and Lynne Tatlock finds evidence of an imagined German nation in the memoirs of Luise M_hlbach. Barbara Hyams casts new light on Leopold von Sacher-Masoch's attitudes toward Jews and women, David Brenner examines Vicki Baum's ambivalence about her Jewish heritage, and Katharina Gerstenberger discusses Wanda von Sacher-Masoch's confessions to demonstrate the contested position of the female autobiographer.Birgit Dahlke focuses on Elke Erb to explore why man...
