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Comprehensive examination of how Indigenous peoples have been represented in Argentine film. Affectual Erasure examines how Argentine cinema has represented Indigenous peoples throughout a period spanning roughly a century. Cynthia Margarita Tompkins interrelates her discussion of films with the ethnographic context of the Indigenous peoples represented and an analysis of the affective dimensions at play. These emotions underscore the inherent violence of generic conventions, as well as the continued political violence preventing Indigenous peoples from access to their ancestral lands and cultural mores. Tompkins explores a broad range of movies beginning in the silent period and includes bo...
"This book presents scientific, theoretical, and practical insight on the software and technology of social networks and the factors that boost communicability, highlighting different disciplines in the computer and social sciences fields"--Provided by publisher.
Argentine Cinema and National Identity covers the development of Argentine cinema since the late 1950s to the mid-1970s, concentrating on the historical film genre and the gauchesque. This cultural history investigates the way Argentine cinema positioned itself when facing the competition of American films.
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CORRUPTION AND ITS IMPACT ON THE ECONOMY Ph.D. Vicente Humberto Monteverde University of Moron-Argentina Contents I. Introduction II- Corruption and its Structural Theory III-Psychology, Sociology and Culture of corruption IV-Corruption networks V-Political corruption VI-Private Corruption VII-Public Corruption VIII-The corruption in the history of the world IX-Hypothesis on corruption X-Cost of Corruption and undue benefit XI-Causes and Effects of Corruption XII-Effects of corruption on investment, economic growth and the allocation of public spending XIII-Corruption represented as a hidden tax and economic efficiency XIV-Corruption represented as a natural phenomenon and positive externality XV-Corruption represented by different economic models XVI-Effects of corruption on fiscal and economic variables XVII-General Conclusions XVIII-Bibliography
"For several decades now, the Andean conjunto has been the preeminent format for 'Andean folk music' groups in the major cities of the world. Easily identified through the musicians' colorful ponchos and indigenous-associated instruments such as the panpipe, these 4-6 member ensembles interpret the music of the Andes in a style that bears little resemblance to traditional indigenous music, notwithstanding the efforts of "world music" labels to market their recordings as if they accurately reproduce indigenous expressions. Developed mainly by criollo and mestizo musicians, the Andean conjunto tradition has taken root in many Latin American countries, from Argentina to Mexico, but it is only i...