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Gabriel
Longlisted for the 2014 National Book Award Never has there been a book of poems quite like Gabriel, in which a short life, a bewildering death, and the unanswerable sorrow of a father come together in such a sustained elegy. This unabashed sequence speaks directly from Hirsch’s heart to our own, without sentimentality. From its opening lines—“The funeral director opened the coffin / And there he was alone / From the waist up”—Hirsch’s account is poignantly direct and open to the strange vicissitudes and tricks of grief. In propulsive three-line stanzas, he tells the story of how a once unstoppable child, who suffered from various developmental disorders, turned into an irreverent young adult, funny, rebellious, impulsive. Hirsch mixes his tale of Gabriel with the stories of other poets through the centuries who have also lost children, and expresses his feelings through theirs. His landmark poem enters the broad stream of human grief and raises in us the strange hope, even consolation, that we find in the writer’s act of witnessing and transformation. It will be read and reread.
100 Poems to Break Your Heart
We are not so much diminished as enlarged by grief, by our refusal to vanish, or to let others vanish, without leaving a verbal record. The poet is one who will not be reconciled, who is determined to leave a trace in words, to transform oceanic depths of feeling into the faithful nuances of art. Poetry companions us. Poems are written in solitude, but they reach out to others, which makes poetry a social act. It rises out of one solitude to meet another. Poems of terrible sadness and loss trouble and challenge us, but they also make us feel less alone and more connected. Our own desolations become more recognizable to us, more articulate, something shared. We become less isolated in our sorrow, and thus are befriended by the words of another. There is something ennobling in grief that is compacted, expressed, and transfigured into poetry. Book jacket.
A Poet's Glossary
A major addition to the literature of poetry, Edward Hirsch’s sparkling new work is a compilation of forms, devices, groups, movements, isms, aesthetics, rhetorical terms, and folklore—a book that all readers, writers, teachers, and students of poetry will return to over and over. Hirsch has delved deeply into the poetic traditions of the world, returning with an inclusive, international compendium. Moving gracefully from the bards of ancient Greece to the revolutionaries of Latin America, from small formal elements to large mysteries, he provides thoughtful definitions for the most important poetic vocabulary, imbuing his work with a lifetime of scholarship and the warmth of a man devoted to his art. Knowing how a poem works is essential to unlocking its meaning. Hirsch’s entries will deepen readers’ relationships with their favorite poems and open greater levels of understanding in each new poem they encounter. Shot through with the enthusiasm, authority, and sheer delight that made How to Read a Poem so beloved, A Poet’s Glossary is a new classic.
How to Read a Poem
An exploration of the reasons for and meanings of poetry analyzes poems by Wordsworth, Plath, Neruda, and others to define their unique power and message.
How to Read a Poem
Lucid, entertaining and full of insight, How To Read A Poem is designed to banish the intimidation that too often attends the subject of poetry, and in doing so to bring it into the personal possession of the students and the general reader. Offers a detailed examination of poetic form and its relation to content. Takes a wide range of poems from the Renaissance to the present day and submits them to brilliantly illuminating closes analysis. Discusses the work of major poets, including John Milton, Alexander Pope, John Keats, Christina Rossetti, Emily Dickinson, W.B. Yeats, Robert Frost, W.H.Auden, Seamus Heaney, Derek Mahon, and many more. Includes a helpful glossary of poetic terms.
Poet's Choice
A collection of revised and expanded writings culled from the author's popular Washington Post Book World "Poet's Choice" column demonstrates how poetry responds to world challenges and introduces the work of more than 130 writers.
The Heart of American Poetry
An acclaimed poet and our greatest champion for poetry offers an inspiring and insightful new reading of the American tradition We live in unsettled times. What is America and who are we as a people? How do we understand the dreams and betrayals that have shaped the American experience? For poet and critic Edward Hirsch, poetry opens up new ways of answering these questions, of reconnecting with one another and with what’s best in us. In this landmark new book from Library of America, Hirsch offers deeply personal readings of forty essential American poems we thought we knew—from Anne Bradstreet’s “The Author to Her Book” and Phillis Wheatley’s “To S.M. a Young African Painter,...
Wild Gratitude
Winner of the National Book Critics Circle Award in Poetry, 1986 “This is a lovely and moving collection, and it has not only the courage of its strong emotions, but the language and form that makes and keeps them clear and true.” —Anthony Hecht “Hirsch remains a poet of celebration, but the sorrows of the world are here too, in equal measure. The language is, throughout, simple, sensuous, and direct. We can be grateful for this book and this poet.” —Jay Parini “I have known the poetry of Edward Hirsch for some time, and have greatly admired it. But I even more greatly admire his Wild Gratitude as a general collection, and I am convinced that the best poems here are unsurpassed in our time.” —Robert Penn Warren
Special Orders
In Special Orders, the renowned poet Edward Hirsch brings us a new series of tightly crafted poems, work that demonstrates a thrilling expansion of his tone and subject matter. It is with a mixture of grief and joy that Hirsch examines what he calls “the minor triumphs, the major failures” of his life so far, in lines that reveal a startling frankness in the man composing them, a fearlessness in confronting his own internal divisions: “I lived between my heart and my head, / like a married couple who can’t get along,” he writes in “Self-portrait.” These poems constitute a profound, sometimes painful self-examination, by the end of which the poet marvels at the sense of expectan...
The Living Fire
A comprehensive selection of one of our most beloved poet’s rich and significant body of work alongside a gathering of “brilliant, deeply pleasurable” new poems (Booklist).
