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Many homes across America have designs based on plans taken from pattern books or mail-order catalogs. In Houses from Books, Daniel D. Reiff traces the history of published plans and offers the first comprehensive survey of their influence on the structure and the style of American houses from 1738 to 1950. Houses from Books shows that architectural publications, from Palladio&’s I Quattro Libri to Aladdin's Readi-Cut Homes, played a decisive role in every aspect of American domestic building. Reiff discusses the people and the firms who produced the books as well as the ways in which builders and architects adapted the designs in communities throughout the country. His book also offers a ...
The first and only full-scale technical and stylistic analysis of 200 years of architectural evolution in northern New England
Eighteenth-century Colchester in Essex was a sizeable provincial town. Colchester People is a mine of information for those researching particular individuals and families. It also builds up a picture of social, political and religious connections between families, individuals and neighbourhoods.This biographical dictionary is based on the archive compiled by John Bensusan Butt. It identifies over 1,000 individuals of the middling sort and town gentry who lived in or were associated with Colchester. This is the second of three volumes and covers those with surnames M-Y. Volume 1 deals with surnames A-L. Volume 3 contains appendices including entries for Colchester's eighteenth-century inns and full indexes cross-referenced across all volumes.
A Founding Father, a patriot in the Revolutionary War, a delegate from Virginia to the Constitutional Convention, and one of the driving forces behind the creation of the U.S. Bill of Rights, George Mason (1725-1792) worked passionately and diligently throughout his life, both as a private citizen and as a public servant, to ensure that government protected the inherent rights of the people. The Five George Masons, first published in 1975, provides a comprehensive overview of five generations of the Mason family, beginning with George Mason I, who fled England following the defeat of the Royalists at the second battle of Worcester in 1651, arriving in the Colony of Virginia in the early 1650...
Among the 18th century's most influential architectural designers and writers, Abraham Swan defined many conventions of English rococo detail. This reprint of an extremely rare and classic stylebook, compiled by the English architect nearly 250 years ago, provides outstanding examples of Palladian and Georgian architecture and design in colonial America and England. Included are floor plans, detailed elevations, and drawings for cornices, mouldings, and other decorative elements that demonstrate Swan's unique style. Designed, in his words, more for "Gentlemen of moderate Fortunes than of great Estates who may be inclined to build Houses," Swan's designs featured such aesthetic touches as double staircases, elegant entryways, and two or three floors with spacious galleries, salons, and dressing rooms. Invaluable to architectural historians and designers, this splendid stylebook will delight devotees of early English Georgian and American domestic architecture and interior design, cultural historians, artists, and craftworkers.
Contains two separate works. The first, by Christian Daniels, is a comprehensive history of Chinese sugar cane technology from ancient times to the early twentieth century. Dr Daniels includes an account of the contribution of Chinese techniques and machinery to the development of world sugar technology in the pre-modern period, devoting special attention to the transfer of this technology to the countries of South-East and East Asia in the period after the sixteenth century. The second, by Nicholas K. Menzies, is a history of forestry in China. A final section compares China's history of deforestation with the cases of Europe and Japan.
Through the story of a portrait of a woman in a silk dress, historian Zara Anishanslin embarks on a fascinating journey, exploring and refining debates about the cultural history of the eighteenth-century British Atlantic world. While most scholarship on commodities focuses either on labor and production or on consumption and use, Anishanslin unifies both, examining the worlds of four identifiable people who produced, wore, and represented this object: a London weaver, one of early modern Britain’s few women silk designers, a Philadelphia merchant’s wife, and a New England painter. Blending macro and micro history with nuanced gender analysis, Anishanslin shows how making, buying, and using goods in the British Atlantic created an object-based community that tied its inhabitants together, while also allowing for different views of the Empire. Investigating a range of subjects including self-fashioning, identity, natural history, politics, and trade, Anishanslin makes major contributions both to the study of material culture and to our ongoing conversation about how to write history.