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All I Ever Needed Was the Music
"All I Ever Needed Was the Music: A Biography of Edward Kleban, Lyricist of A Chorus Line" by Phillip Sprayberry is the first biography that reviews the life of Edward Kleban, a largely under-recognized talent of the 20th Century. Edward Lawrence Kleban (1939-1987) was a figure of vital importance to the 20th Century musical theatre community whose value to the genre was, and is, underestimated. This biography discusses his personal and professional life and his value to musical theatre by examining his work as a record producer, as a student and teacher at the BMI Musical Theatre Workshop, as a composer, and as a lyricist, especially regarding his contribution to the multi-award winning mus...
A Chorus Line
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A Class Act
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The Great White Way
An investigation into the ways in which race and ethnicity have shaped the American musical over the course of the twentieth century up through today
A Chorus Line
For the first time in musical theater history, the intensity of the drama, the story, and its characters overshadowed the music of a Broadway musical. For the first time ever in print, the experience of this landmark production is available to give the reader a full sensual rendition of the play in performance. More than 100 production photos with costumes and set designs are included.
A Chorus Line - Updated Edition (Songbook)
(Vocal Selections). One of the longest running shows on Broadway, A Chorus Line won nine Tony Awards and the Pulitzer Prize for Drama. Our updated songbook features vocal lines with piano accompaniment for ten songs: At the Ballet * Dance: Ten; Looks: Three * I Can Do That * I Hope I Get It * One * What I Did for Love * more.
Our Musicals, Ourselves
Our Musicals, Ourselves is the first full-scale social history of the American musical theater from the imported Gilbert and Sullivan comic operas of the late nineteenth century to such recent musicals as The Producers and Urinetown. While many aficionados of the Broadway musical associate it with wonderful, diversionary shows like The Music Man or My Fair Lady, John Bush Jones instead selects musicals for their social relevance and the extent to which they engage, directly or metaphorically, contemporary politics and culture. Organized chronologically, with some liberties taken to keep together similarly themed musicals, Jones examines dozens of Broadway shows from the beginning of the twen...
The Chocolate Money
After being raised in 1980s Chicago by a promiscuous mother, Bettina Ballentyne, the daughter of a chocolate heiress struggles to walk the line between self-preservation and self-destruction at an East Coast prep school.
Broadway
This volume is another example in the Routledge tradition of producing high-quality reference works on theater, music, and the arts. An A to Z encyclopedia of Broadway, this volume includes tons of information, including producers, writer, composers, lyricists, set designers, theaters, performers, and landmarks in its sweep.
