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A Class Act
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The Great White Way
Broadway musicals are one of America’s most beloved art forms and play to millions of people each year. But what do these shows, which are often thought to be just frothy entertainment, really have to say about our country and who we are as a nation? Now in a new second edition, The Great White Way is the first book to reveal the racial politics, content, and subtexts that have haunted musicals for almost one hundred years from Show Boat (1927) to Hamilton (2015). This revised edition includes a new introduction and conclusion, updated chapters, as well as a brand-new chapter that looks at the blockbuster musicals The Book of Mormon and Hamilton. Musicals mirror their time periods and refl...
All I Ever Needed Was the Music
"All I Ever Needed Was the Music: A Biography of Edward Kleban, Lyricist of A Chorus Line" by Phillip Sprayberry is the first biography that reviews the life of Edward Kleban, a largely under-recognized talent of the 20th Century. Edward Lawrence Kleban (1939-1987) was a figure of vital importance to the 20th Century musical theatre community whose value to the genre was, and is, underestimated. This biography discusses his personal and professional life and his value to musical theatre by examining his work as a record producer, as a student and teacher at the BMI Musical Theatre Workshop, as a composer, and as a lyricist, especially regarding his contribution to the multi-award winning mus...
Our Musicals, Ourselves
Our Musicals, Ourselves is the first full-scale social history of the American musical theater from the imported Gilbert and Sullivan comic operas of the late nineteenth century to such recent musicals as The Producers and Urinetown. While many aficionados of the Broadway musical associate it with wonderful, diversionary shows like The Music Man or My Fair Lady, John Bush Jones instead selects musicals for their social relevance and the extent to which they engage, directly or metaphorically, contemporary politics and culture. Organized chronologically, with some liberties taken to keep together similarly themed musicals, Jones examines dozens of Broadway shows from the beginning of the twen...
A Chorus Line
(Applause Books). It is hard to believe that over 25 years have passed since A Chorus Line first electrified a New York audience. The memories of the show's birth in 1975, not to mention those of its 15-year-life and poignant death, remain incandescent and not just because nothing so exciting has happened to the American musical since. For a generation of theater people and theatergoers, A Chorus Line was and is the touchstone that defines the glittering promise, more often realized in lengend than in reality, of the Broadway way. This impressive book contains the complete book and lyrics of one of the longest running shows in Broadway history with a preface by Samuel Freedman, an introduction by Frank Rich and lots of photos from the stage production.
Nine Ms and a Mother Like No Other
In the memoir Nine Ms and a Mother Like No Other, Martial Bednar brings warmth, wit, and insight to this entertaining narrative about his family and their trials and triumphs as they survive a messy divorce, cross-country road trips in broken down jitneys, several siblings split into foster homes, and life-threatening medical experiences and in the end, still consider themselves blessed. Told with candor and humor from the kid brother's unique perspective, Bednar begins with a colorful description of his mother Peggy an heiress whose husband walked out after twenty years of marriage and nine children who became a desperate housewife long before it was in vogue. As he chronicles his jaw-dropping childhood adventures, Bednar also introduces his siblings (the nine Ms) and shares the inspirational story of his brother Merrick, a priest-in-the-making whose profound health crises not only strengthen his own faith, but also the fabric of his entire family. This true story often hysterical, at times heartbreaking gives testimony to the inseparable bonds of family, the incredible power of perseverance and prayer, and the life-sustaining gifts of faith, hope, and love.
Outstanding Broadway Dramas and Comedies
Many Pulitzer Prize-winners in the theater award category started their international careers right from Broadway. Among the laureates were dramatists such as Eugene O'Neill who earned four awards. Double prize-winner Tennessee Williams was praised for A Streetcar Named Desire and Cat on a Hot Tin Roof. Thornton Wilder's plays Our Town and The Skin of Our Teeth were successful, as well as Arthur Miller's Death of a Salesman. Edward Albee's Three Tall Women or Alfred Uhry's Driving Miss Daisy represent the younger generation of Pulitzer Prize-winning playwrights. This book takes a look at many of the Pulitzer Prize-winning productions that have been presented over the years on Broadway. (Series: Pulitzer Prize Panorama - Vol. 6)
The Chocolate Money
After being raised in 1980s Chicago by a promiscuous mother, Bettina Ballentyne, the daughter of a chocolate heiress struggles to walk the line between self-preservation and self-destruction at an East Coast prep school.
Broadway Bodies
Broadway has body issues. What is a Broadway Body? Broadway has long preserved the ideology of the "Broadway Body" the hyper-fit, exceptionally able, triple-threat performer who represents how Broadway musicals favor certain kinds of bodies. Casting is always a political act, situated within a power structure that gives preference to the Broadway Body. In Broadway Bodies, author Ryan Donovan explores how ability, sexuality, and size intersect with gender, race, and ethnicity in casting and performance. To understand these intersectional relationships, he poses a series of questions: Why did A Chorus Line, a show that sought to individuate dancers, inevitably make dancers indistinguishable? H...
