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A Rhetoric of Irony
Perhaps no other critical label has been made to cover more ground than "irony," and in our time irony has come to have so many meanings that by itself it means almost nothing. In this work, Wayne C. Booth cuts through the resulting confusions by analyzing how we manage to share quite specific ironies—and why we often fail when we try to do so. How does a reader or listener recognize the kind of statement which requires him to reject its "clear" and "obvious" meaning? And how does any reader know where to stop, once he has embarked on the hazardous and exhilarating path of rejecting "what the words say" and reconstructing "what the author means"? In the first and longer part of his work, B...
What Happens in Literature
How can we become good readers? In this classic handbook, Edward W. Rosenheim lays out the basics that can help us all become sharper, more proficient readers. Looking at specific poems, novels, and plays, this excellent critical guide raises questions and offers suggestions designed to make us think more and enjoy more fully what we are reading. Designed for students of literature as well as those who simply like to read, What Happens in Literature helps readers appreciate literary works as unique creations, born in a particular time and place, but powerful enough to speak across centuries.
Self, Text, and Romantic Irony
Frederick Garber takes up in detail several problems of the self broached in his previous book, The Autonomy of the Self from Richardson to Huysmans (Princeton, 1982). Using patterns in Byron's canon as models, he focuses on the relations of self-making and text-making as a central Romantic issue. For Byron and many of his contemporaries, putting a text into the world meant putting a self there along with it, and it also meant that the difficulties of establishing the one inevitably reflect the parallel difficulties in the other. Professor Garber discusses some of Byron's key texts and shows how their development leads to an impasse involving both self and text. Byron's way out of these dile...
Stagg's University
For this first case study of college football by a social historian, Lester has brought life to the story of a university football program that had an unusual beginning, a glorious middle, and a unique and inglorious conclusion. The nation's first tenured coach and the most creative and entrepreneurial of all college coaches from the 1890s to the 1920s, Amos Alonzo Stagg headed a program marked by creation of the lettermans club and by the dominant use of the forward pass, of jersey numbers, and of the collegiate modern T formation. Stagg, who had been an all-American football player at Yale University, joined the company of nine former college or seminary presidents and academic notables in...
Adventure, Mystery, and Romance
In this first general theory for the analysis of popular literary formulas, John G. Cawelti reveals the artistry that underlies the best in formulaic literature. Cawelti discusses such seemingly diverse works as Mario Puzo's The Godfather, Dorothy Sayers's The Nine Tailors, and Owen Wister's The Virginian in the light of his hypotheses about the cultural function of formula literature. He describes the most important artistic characteristics of popular formula stories and the differences between this literature and that commonly labeled "high" or "serious" literature. He also defines the archetypal patterns of adventure, mystery, romance, melodrama, and fantasy, and offers a tentative account of their basis in human psychology.
Not at All What One Is Used To
Born in 1915 to one of New England’s elite wealthy families, Isabella Gardner was expected to follow a certain path in life—one that would take her from marriageable debutante to proper society lady. But that plan was derailed when at age eighteen, Isabella caused a drunk-driving accident. Her family, to shield her from disgrace, sent her to Europe for acting studies, not foreseeing how life abroad would fan the romantic longings and artistic impulses that would define the rest of Isabella’s years. In Not at All What One Is Used To, author Marian Janssen tells the story of this passionate, troubled woman, whose career as a poet was in constant compromise with her wayward love life and ...
Essays on Pope
Leading literary historian and eighteenth-century specialist Pat Rogers has long been recognized as an authority on the poet Alexander Pope. This volume addresses the many facets of Pope's world and work, and represents Rogers's important contribution over the years to Pope studies. A substantial new essay on Pope and the antiquarians is presented alongside considerably revised versions of essays published in scholarly journals, which together cover most of Pope's major work, including the Pastorals, Windsor Forest, Rape of the Lock, Epistle to Arbuthnot and The Dunciad. There are general essays on form and style, Pope's social context, his dealings with the Burlington circle, and his battles with his publisher. Essays on Pope gathers for the first time the best writing on this celebrated author by one of our foremost critics, and is an indispensable resource for scholars of eighteenth-century literature.
Journalism and the Development of Spanish American Narrative
A broad historical panorama of the journalist/narrative interaction, exploring the impact of journalism and journalistic rhetoric on the development of Spanish American narrative.
Jonathan Swift in Context
Jonathan Swift remains the most important and influential satirist in the English language. The author of Gulliver's Travels, A Modest Proposal, and A Tale of a Tub, in addition to vast numbers of political pamphlets, satirical verses, sermons, and other kinds of text, Swift is one of the most versatile writers in the literary canon. His writings were always closely intertwined with the English and Irish worlds in which he lived. The forty-four essays collected in Jonathan Swift in Context advance the latest research on Swift in a way that will engage undergraduate students while also remaining useful for scholars. Reflecting the best of current and ongoing scholarship, the contextual approach advanced by this volume will help to make Swift's works even more powerful and resonant to modern audiences.
