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The Female Body in Medicine and Literature
Drawing on a range of texts from the seventeenth century to the present, The Female Body in Medicine and Literature explores accounts of motherhood, fertility, and clinical procedures for what they have to tell us about the development of women's medicine. The essays here offer nuanced historical analyses of subjects that have received little critical attention, including the relationship between gynecology and psychology and the influence of popular art forms on so-called women's science prior to the twenty-first century. Taken together, these essays offer a wealth of insight into the medical treatment of women and will appeal to scholars in gender studies, literature, and the history of medicine.
Literary Criticism of 17Th Century England
This collection of writings by English Renaissance poets and essayists includes poems and essays by Ben Jonson, George Chapman and Samuel Daniel. Excerpts from Francis Bacon, John Milton, William Drummond, George Herbert, Andrew Marvell, Abraham Cowley. The book also surveys the origins, range and development of literary taste and practice in 16th and 17th century England. Then, as now, poets anchored their lines between the poles of tradition and inspiration, loyalty and liberty, art and truth. Edward W. Tayler is the emeritus Lionel trilling Professor in the Humanities at Columbia University. His other books include Nature and Art in the Renaissance, Milton Poetry, and Donne Idea of a Woman. p> he selection is excellent?The introduction is most admirable and ?Tayler wisely is generous with explanations and identifications?His most volume supplants Sringarn as THE best collection of seventeenth-century criticism.?/p> Seventeenth-Century News Winter 1967
Agonistics
This book examines the ambiguities inherent in the concept of the agon as a motivating, conflictual force behind creative and social expression. The notion of agonistics extends far beyond the literary fame lent it by Harold Bloom to embrace all aspects of culture. The editors blend theoretical sophistication with an interdisciplinary approach and reposit the agon in a new, broad context for postmodern inquiry. Taking their inspiration from Friedrich Nietzsche's essay "Homer's Contest," Lungstrum and Sauer trace the evolution of the agon: from its vital function in ancient Greece, through modernity, and onward.
Poetry and Courtliness in Renaissance England
Model court conduct in the Renaissance shared many rhetorical features with poetry. Analyzing these stylistic affinities, Professor Javitch shows that the rise of the courtly ideal enhanced the status of poetic art. He suggests a new explanation for the fostering of poetic talents by courtly establishments and proposes that the court stimulated these talents more decisively than the Renaissance school. The author focuses on late Tudor England and considers how Queen Elizabeth's court helped poetry gain strength by subscribing to a code of behavior as artificial as that prescribed by Castiglione. Elizabethan writers, however, could benefit from the court's example only so long as their contem...
Donne's Idea of a Woman
Donne's Idea of a Woman
Scholarly Milton
'Scholarly Milton [...] is admirably clear and informative. It lays out the basics of Milton’s education and intellectual life and the evolution of his thinking in relation to the political concerns of his time in ways that should orient a person new to this material at the same time as it provides a focused refreshment for someone more expert. The articles themselves offer engaging and thoughtful explorations of Milton’s work by grounding their analysis in specific seventeenth-century intellectual concerns. [...] It should be clear that the essays in this volume speak to one another in fruitful ways; they foreground Milton the educator as much as Milton the scholar. Both educators and scholars will find it equally useful.' Margaret Thickstun, MLA
The Fayre Formez of the Pearl Poet
This book differs from most previous studies of the Pearl poet by treating all of his works as a whole. Prior’s purpose is to identify the underlying poetics of this major body of English poetry. Drawing on both the visual imagery of medieval art (the study includes 18 full-page illustrations) and the verbal imagery of the Bible and other literary sources, Prior shows how the poet’s "fayre formez" are the result of a coherent and self-conscious view of the artist’s craft.
Lyric Wonder
James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style--metaphysical wit and strong lines--as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search for strange artifacts and animals to display in the wonder-cabinets of the period. By embracing the genres of satire and epigram, poets of the Elizabethan court risked their chances for political advancement, exposing themselves to the danger of being classified either as malcontents or as jesters who lacked the gravitas required of those in power. John Donne himself recognized both the risks and benefits of adopting the "admirable" style, as Bi...
The Winter's Tale
The Winter’s Tale, one of Shakespeare’s very late plays, is filled with improbabilities. Before the conclusion, one character comments that what we are about to see, “Were it but told you, should be hooted at / Like an old tale.” It includes murderous passions, man-eating bears, princes and princesses in disguise, death by drowning and by grief, oracles, betrayal, and unexpected joy. Yet the play, which draws much of its power from Greek myth, is grounded in the everyday. A “winter’s tale” is one told or read on a long winter’s night. Paradoxically, this winter’s tale is ideally seen rather than read—though the imagination can transform words into vivid action. Its shift ...
The Empty Garden
The Empty Garden draws a portrait of Milton as a cultural and religious critic who, in his latest and greatest poems, wrote narratives that illustrate the proper relationships among the individual, the community, and God. Rushdy argues that the political theory implicit in these relationships arises from Milton's own drive for self-knowledge, a kind of knowledge that gives the individual freedom to act in accordance with his or her own understanding of God's will rather than the state's. Rushdy redefines Milton's creative spirit in a way that encompasses his poetic, political, and religious careers.
