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Shakespiritualism
This study concerns itself with a now-forgotten religious group, Spiritualists, and how their ensuing discussions of Shakespeare's meaning, his writing practices, his possible collaborations, and the supposed purity and/or corruption of his texts anticipated, accompanied, or silhouetted similar debates in Shakespeare Studies.
The Struggle for Shakespeare's Text
We know Shakespeare's writings only from imperfectly-made early editions, from which editors struggle to remove errors. The New Bibliography of the early twentieth century, refined with technological enhancements in the 1950s and 1960s, taught generations of editors how to make sense of the early editions of Shakespeare and use them to make modern editions. This book is the first complete history of the ideas that gave this movement its intellectual authority, and of the challenges to that authority that emerged in the 1980s and 1990s. Working chronologically, Egan traces the struggle to wring from the early editions evidence of precisely what Shakespeare wrote. The story of another struggle, between competing interpretations of the evidence from early editions, is told in detail and the consequences for editorial practice are comprehensively surveyed, allowing readers to discover just what is at stake when scholars argue about how to edit Shakespeare.
Queer Philologies
Beginning with the beguiling queerness of the Renaissance letter Q, Jeffrey Masten's stylishly written and extensively illustrated Queer Philologies demonstrates the intimate relation between the history of sexuality and the history of the language.
Early Modern Authorship and the Editorial Tradition
This volume adds a new dimension to authorship studies by linking the editorial tradition to the transformative reception of early modern authors and their works across time. Aleida Auld argues that the editorial tradition provides privileged access to the reception of early modern literature, informing our understanding of certain reconfigurations and sometimes helping to produce them between their time and our own. At stake are reconfigurations of oeuvre and authorship, the relationship between the author and work, the relationship between authors, and the author’s own role in establishing an editorial tradition. Ultimately, this study recognizes that the editorial tradition is a stabilizing force while asserting that it may also be a source of strange and provocative reconceptions of early modern authors and their works in the present day. Scholars and students of early modern literature will benefit from this approach to editing as a form of reception that encompasses all the editorial decisions that are necessary to ‘put forth’ a text.
The Day after Domesday
Though more than four hundred years have elapsed since the Bishops' Bible was first published in 1568, its story has never been adequately told. No book-length evaluation has been published, and no adequate bibliography is available for guidance in studying this least known of the Tudor-period Bibles. This neglect is surprising in that Shakespeare's earlier plays reflect his use of the Bishops' Bible and that the Bishops' Bible was used by the translators of the King James Version as the basis for their revision. This study depicts the religious, literary, and intellectual atmosphere that produced the Bishops' Bible, describes its place in sixteenth-century translations, re-evaluates its contribution to the study of the English Bible, and investigates the history and qualifications of the men invited to participate in the translation project. Attention is given to the artwork, the most elaborate of any in first editions of early English Bibles, and to the notes designed to correct the objectionable Calvinistic notes of the Geneva Bible. A presumption that the bishops would not prepare a better Bible until "a day after domesday" gives the title to this study--The Day after Domesday.
English Literature, Volume 2
Two volumes containing the annual bibliographies of 18th century scholarship published in the Philological Quarterly. "An excellent aid to the student of 18th century literature."—Saturday Review. Volume 2, 1939-1950, includes consolidated index for both volumes. Originally published in 1952. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Shakespeare and the Rise of the Editor
A study into the prehistory of editorial tradition, focusing on Shakespeare and his earliest 'editors'.
Catalog of Copyright Entries. Third Series
Includes Part 1A: Books and Part 1B: Pamphlets, Serials and Contributions to Periodicals
