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Trees Became Torches
The radical journalist and poet Edwin Rolfe wrote eloquently of subjects ranging from the hardships of the Great Depression and the experience of war to the witch-hunts of the McCarthy era. More than fifty of Rolfe's best poems - some beautifully lyrical and some devastatingly satiric - are included in Trees Became Torches, a book designed to reach a broader audience than the recently published Collected Poems. Rolfe was widely known as the poet laureate of the Abraham Lincoln Battalion, the Americans who volunteered to help defend the elected Spanish government during the 1936-39 civil war.
Edwin Rolfe
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Writing From the Left
In this collection of essays, the author combines a series of assessments of "classic" and "lost" texts in the US Marxist literary tradition, and analyzes developments in Marxist scholarship by Robin Kelley, Michael Lowy, James Murphy, Paula Rabinowitz and Alexander Saxton.
The Odyssey of the Abraham Lincoln Brigade
Looks at the role of the United States in the Spanish Civil War
Revolutionary Memory
Revolutionary Memory is the most important book yet to be published about the vital tradition of leftwing American Poetry. As Cary Nelson shows, it is not only our image of the past but also our sense of the present and future that changes when we recover these revolutionary memories. Making a forceful case for political poetry as poetry, Nelson brings to bear his extraordinary knowledge of American poets, radical movements, and social struggles in order to bring out an undervalued strength in a literature often left at the canon's edge. Focused in part of the red decade of the 1930s, RevolutionaryMemory revitalizes biographical criticism for writers on the margin and shows us for the first time how progressive poets fused their work into a powerful chorus of political voices. Richly detailed and beautifully illustrated with period engravings and woodcuts, Revolutionary Memory brings that chorus dramatically to life and set a cultural agenda for future work.
Making Something Happen
Poetry makes nothing happen," wrote W. H. Auden in 1939, expressing a belief that came to dominate American literary institutions in the late 1940s--the idea that good poetry cannot, and should not, be politically engaged. By contrast, Michael Thurston here looks back to the 1920s and 1930s to a generation of poets who wrote with the precise hope and the deep conviction that they would move their audiences to action. He offers an engaging new look at the political poetry of Edwin Rolfe, Langston Hughes, Ezra Pound, and Muriel Rukeyser. Thurston combines close textual reading of the poems with research into their historical context to reveal how these four poets deployed the resources of trad...
Crusade of the Left
Between 1936 and 1938, some 3,000 young Americans sailed to France and crossed the Pyrenees to take part in the brutal civil war raging in Spain. Virtually all joined the International Brigades, formed under the auspices of the Soviet-led Comintern and largely directed by Communists. Yet a large number were not Communists; their activism was inspired by domestic and international crises of the 1930s, and colored by idealism.The men who went to Spain came out of a radical subculture that emerged from the Depression and the New Deal. Th is radicalism was a native plant, but it was nourished from abroad. In the thirties the menace of fascism seemed to be spreading like cancer across Europe, giv...
The Edge of Modernism
In The Edge of Modernism, Walter Kalaidjian explores American poetry on genocide, the Holocaust, and total war as well as on postwar social antagonisms, racial oppression, and domestic violence. By asking what it means for traumatic memory to have agency in the American verse tradition, Kalaidjian creates an original historical account of how American poets became witnesses, often unconsciously, to modern extremity. Combining psychoanalytic theory and cultural studies, this intense, sweeping account of modern poetics analyzes the ways in which literary form gives testimony to the trauma of twentieth-century history. Through close readings of well-known and less familiar poets—among them Langston Hughes, Countee Cullen, Claude McKay, Edwin Rolfe, Sylvia Plath, Adrienne Rich, Peter Balakian, Rachel Blau DuPlessis, Anne Sexton, and Anthony Hecht—Kalaidjian discerns the latent "edge" of modern trauma as it cuts through the literary representations, themes, and formal techniques of twentieth-century American poetics. In this way, The Edge of Modernism advances an innovative and dynamic model of modern periodization.
Hold-Outs
This book examines the evolution of contemporary American poetry in Los Angeles, California.
