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First Published in 2012. Routledge is an imprint of Taylor & Francis, an informa company.
The story of Asbury Park and its musical heritage is well known and loved by many the world over. Visitors come from miles to see the spots described in famous song lyrics, such as the Stone Pony and the Palace Amusements building. Little do they know as they walk down Cookman Avenue they pass one of the best-kept secrets in Rock n Roll! Containing over 1000 never before seen images of musicians, hippies, riots, town life, and artwork it gives an in depth, up close and personal look at a community undergoing a musical renaissance while at the same time struggling for civil rights. Memories of musicians and locals provide a guide to this missing piece of rock history as you wander into the portal of The Upstage Club and Green Mermaid Cafe and experience this exciting long awaited release of the entire Tom Potter Collection.
As the 20th century got under way, Asbury Park was booming. Real estate advertisements promoted a residential resort where country meets the sea. The nearly one-square-mile gridded municipality attracted individuals who saw opportunities, from architects and artists to entrepreneurs and people looking for employment. But with the death of its founder and leading benefactor, James A. Bradley, and the rise of machine politics under Mayor Clarence E.F. Hetrick, Asbury Park's civic and economic fortunes started to change. In World War II's long aftermath, suburbs, shopping malls, and modern amusement destinations sprang up outside its municipal borders. Its once-bustling economy faltered, and civil unrest festered until 1970, when it turned violent. It took more than 10 years for new changes to find their way to the drawing boards. But it was in the 21st century that new business and civic leaders with a more inclusive pioneering spirit started turning Asbury Park's fortunes around.
German-speaking playwrights have exercised a considerable if subtle influence on Australian theatre history. Presenting a range of paradigmatic case studies, this book offers a detailed account of Australian productions of German-language drama between 1945 and 1996. The reception of Bertolt Brecht is used as a touchstone for analysing stagings of plays by writers such as Max Frisch, Rolf Hochhuth, Peter Handke and Franz Xaver Kroetz. In addition, more recent developments in the reception of German drama on the Australian stage are discussed.
This book describes the Interactive Method (IM) for teaching different abilities, special needs, and all learners. It involves hand’s-on techniques for retention of curriculum and the teaching of thinking; from the elementary through college years. Types of comprehension are defined along with how memory works. Chapters address types of special needs and defines the term and different abilities, in conjunction with creating lessons that result in memory acquisition and transference to personal success on tests or exams, as well as daily situations regarding experiential learning. Also offered are entry level means of instruction for developing a sense of self-confidence, efficacy, reliance...
In Cahoots, In Asbury Park is the story of one of the most important cities in music history, from the perspective of one band, Cahoots, and their closest counterparts and fans in the Asbury Park music scene. The book begins with the stories of two musicians whose careers literally began on separate sides of the railroad tracks that divide Asbury Park in half at Springwood Avenue. In July 1970, Cahoots’ bassist, John Luraschi, was on the roof of The Upstage music club, surrounded by armed musicians who set out to protect the club, where artists such as Bruce Springsteen, Steven Van Zandt and "Southside" Johnny Lyon honed their craft, before becoming music legends. Luraschi felt indebted to...
Richard Handford (1808-1893) immigrated in 1830 from Devonshire, England to Cinquacousy Township, Huron County, Ontario, moving in 1832 to land near Exeter, Huron County, Ontario. In 1836 he married Dorothy Bissett, who had immigrated with her parents from Devonshire in 1834. Descendants and relatives lived in Ontario, Manitoba, Saskatchewan, Alberta, British Columbia, New Brunswick, Nova Scotia, Newfoundland and elsewhere.
Makris and Gatta engage in a rich ethnographic investigation of Asbury Park to better understand the connection between jobs and seasonal gentrification and the experiences of longtime residents in this beach-community city. They demonstrate how the racial inequality in the founding of Asbury Park is reverberating a century later. This book tells an important and nuanced tale of gentrification using an intersectional lens to examine the history of race relations, the too often overlooked history of the postindustrial city, the role of the LGBTQ population, barriers to employment and access to amenities, and the role of developers as the city rapidly changes. Makris and Gatta draw on in-depth interviews, focus groups, ethnographic observation, as well as data analysis to tell the reader a story of life on the West Side of Asbury Park as the East Side prospers and to point to a potential path forward.
Five deranged CIA killers break out from a secret insane asylum for retired agents... James Grady revolutionized thrillers with his first novel 'Six Days of the Condor'. Now Grady breaks out of all genre limitations with 'Mad Dogs', a stunning novel launched from a totally original creation: the CIA's secret insane asylum for retired agents. Five deranged CIA killers, all of them dependent on their meds, and deep in the woods of Maine, are forced to break out when someone murders their psychiatrist. Like the central character of 'Motherless Brooklyn', they operate under somewhat skewed perceptions of the real world. Their training, however, has prepared them to survive in an unfriendly world - even if that world is the Boston to Washington corridor as they chase down the real killer.
Western society is now a very different, very difficult mission field. In such a situation, the mission of evangelism cannot succeed with an attitude of "business as usual." This volume builds a theology of evangelism that has its focus on the church itself. Darrell Guder shows that the church's missionary calling requires that the theology and practice of evangelism be fundamentally rethought and redirected, focused on the continuing evangelization of the church so that it can carry out its witness faithfully in today's world. In Part 1 Guder explores how, under the influence of reductionism and individualism, the church has historically moved away from a biblical theology of evangelism. Part 2 presents contemporary challenges to the church's evangelical ministry, especially those challenges that illustrate the church's need for continuing conversion. Part 3 discusses what a truly missional theology would mean for the church, including sweeping changes in its institutional structures and practices. Written for teachers, church leaders, and students of evangelism, this volume is vital reading for everyone engaged in mission work.