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Originally published in 1990, this account of architectural books printed in Britain surveys a body of complex literature largely uncharted in bibliographical terms. It is however, more than a work of reference, and will fascinate anyone interested in British cultural and social history, the relationship between Britain and continental Europe, and the history of the book trade. For each of the 220 authors covered there is an essay discussing his interests, the purpose and the genesis of his publications. A detailed bibliographical description of the author's architectural publications follows each essay and gives details of the first and subsequent editions of some four hundred titles. The main body of the text is preceded by general essays on books on the Orders, bridges, archaeology, engraving, publishing and bookselling; manuals of carpentry and design; and pattern-books. There are detailed indexes.
"Most of Adam's enormous body of work was in pre-existing houses; the challenges of remodelling stimulated his inventive imagination, and he became a master at turning awkward situations to advantage. Harris has mined archival sources, including the large collection of drawings from the Adam office at Sir John Soane's Museum in London, and fully examined the houses themselves to discover exactly what Adam did in each project and why. Taking into account later alterations and renovations, Adam-revival additions, and so-called accurate restorations of the last twenty-five years, Harris brings to light how much of Adam's original work was conditioned by circumstance and how much was left to invention.".
The Education of the Eye examines the origins of visual culture in eighteenth-century Britain, setting out to reclaim visual culture for the democracy of the eye and to explain how aesthetic contemplation may, once more, be open to all who have eyes to look.
This work explores the British country house between 1700-1830 and looks at the lives of the noblemen and the servants who inhabited them. Reference is made to the whole of the British Isles and there is a discussion of their political significance.
Providing a pictorial survey of Robert Adam's distinctive architectural style, this book looks at the architecture, furniture and interior design from some of his most notable town and country houses.
The exchange of landscape practice between China and Europe from 1500–1800 is an important chapter in art history. While the material forms of the outcome of this exchange, like jardin anglo-chinoisand Européenerie are well documented, this book moves further to examine the role of the exchange in identity formation in early modern China and Europe. Proposing the new paradigm of “entangled landscapes”, drawing from the concept of “entangled histories”, this book looks at landscape design, cartography, literature, philosophy and material culture of the period. Challenging simplistic, binary treatments of the movements of “influences” between China and Europe, Entangled Landscapes reveals how landscape exchanges entailed complex processes of appropriation, crossover and transformation, through which Chinese and European identities were formed. Exploring these complex processes via three themes—empire building, mediators’ constraints, and aesthetic negotiations, this work breaks new ground in landscape and East-West studies. Interdisciplinary and revisionist in its thrust, it will also benefit scholars of history, human geography and postcolonial studies.
Leslie Harris's visit to her upstate New York lakeside family home after a decade of triumphs and disappointment resembles a nightmare more than the quiet vacation she'd herod for. The unexpected appearance of much-changed town ero girl Devon Weber, with whom Leslie shares a secret that haunts them both, rekindles an old heart ache—and reminds Leslie of just why she left. Even though her attraction to Dev comes roaring back, the one thing Leslie doesn't want is to pick up where they left off, especially not when she already has just the life she wants—a rewarding high-power law practice, a condo in Manhattan, and a lover who satisfies her without demanding the intimacy Leslie avoids. Unfortunately, environmental biologist Devon Weber doesn't play by Leslie's rules. Two women whose lives turned out far differently than they'd once imagined discover that sometimes the shape of the future can only be found in the past-and love is strongest When Dreams Tremble.
Published to accompany the exhibition held at the Getty Research Institute, Nov. 6, 2007 to Feb. 10, 2008.
The period 1660–1720 saw the foundation of modern London. The city was transformed post-Fire from a tight warren of medieval timber-framed buildings into a vastly expanded, regularised landscape of brick houses laid out in squares and spacious streets. This work for the first time examines in detail the building boom and the speculative developers who created that landscape. It offers a wealth of new information on their working practices, the role of craftsmen and the design thinking which led to the creation of a new prototype for English housing. The book concentrates on the mass-produced houses of 'the middling sort' which saw the adoption of classicism on a large scale in this country...
This book, in three volumes, presents a detailed revision of the systematics and taxonomy of the platyhelminth class Trematoda, subclasses Aspidogastrea and Digenea, with keys for the identification of these parasites at the superfamily, family, subfamily and generic levels. The trematodes areparasitic worms infecting all vertebrate groups and include families of significance to human and animal health, with considerable economic impact. The first volume covers the subclass Aspidogastrea and order Strigeida, while the second and third volumes cover the orders Echinostomida andPlagiorchiida.