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The Mother House is rich with images of orphans, exiles, migrants, decay, destruction, famine, disaster, the cloistered, the drowned, the marginalized, as well as disappearance and memory, music and loss. The poems speak of histories, in Ireland and elsewhere, as allegories of our age. Yet, the poetic is not offered as a salvo or a salve, for as the poet questions, "We made the long journey // to deliver the gesture, but who has noticed us?" Ní Chuilleanain nevertheless proves that when the mirror is held at the right angle, the past can shed a telling light upon the present, observing with great acumen, "it was like history, held there / in view of another lifetime." In this remarkable volume, art and literature reflect human suffering and survival across many frontiers.
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In The Girl Who Married the Reindeer, Eiléan Ní Chuilleanáin radically redesigns the language and form of poetic narrative. In poems about journeys to worlds real and metaphorical, she reveals deft crossings of borders, linguistic boundaries, and cultures, from the sepulchre of Lazarus to the web of a spider "who makes her own new centre every day." Beginning mid-journey, the poems often arrive at mysterious destinations. Throughout the volume, Ní Chuilleanáin displaces the finger posts of narrative which is redefined of a traveler's productive strayings and even self-exiles: "I follow the road that follows the lie of the land."
Eil an N Chuillean in is one of contemporary Ireland's most beloved poets. Her debut collection won the prestigious Patrick Kavanaugh Poetry Award, her poems are included on the final exam taken by all Irish secondary school students, and, in 2016 she was appointed the Ireland Professor of Poetry by Irish president Michael D. Higgins. It is this last honor that forms the backbone of Instead of a Shrine, the seventh installment in University College Dublin Press's Poet's Chair series. The three essays collected in this book examine a diverse slate of poetry-related topics and explore the forces that affect the work of every practicing poet. The first piece pays tribute to the Irish poet and t...
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A selection and major retrospective of one of Ireland's most distinguished poets, Eilean Ni Chuilleanain."
"Who are the censors of foreign literature? What motives influence them as they patrol the boundaries between cultures? Can cuts and changes sometimes save a book? What difference does it make when the text is for children, or designed for schools? These and other questions are explored in this wide-ranging international collection, with copious examples: from Catullus to Quixote, Petrarch to Shakespeare, Wollstonecraft to Waugh, Apuleius to Mansfield, how have migrating writers fared? We see many genres, from Celtic hero-tales to histories, autobiographies, polemics and even popular songs, transformed on their travels by the censor's hand."--BOOK JACKET.
This book looks at a cohort of poets who studied at University College Cork during the 1970s and early 1980s. Based on extensive interviews and archival work, the book examines the notion that the poets form a “generation” in sociological terms. It proposes an analysis of the work of the poets, studying the thematics and preoccupations that shape their oeuvre. Among the poets that figure in the book are Greg Delanty, Theo Dorgan, Seán Dunne, Gerry Murphy, Thomas McCarthy, Gregory O’Donoghue, and Maurice Riordan. The volume is prefaced by Eiléan Ní Chuilleanáin.
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