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Algiers, Third World Capital
A fascinating portrait of life with the Black Panthers in Algiers: a story of liberation and radical politics Following the Algerian war for independence and the defeat of France in 1962, Algiers became the liberation capital of the Third World. Elaine Mokhtefi, a young American woman immersed in the struggle and working with leaders of the Algerian Revolution, found a home here. A journalist and translator, she lived among guerrillas, revolutionaries, exiles, and visionaries, witnessing historical political formations and present at the filming of The Battle of Algiers. Mokhtefi crossed paths with some of the era’s brightest stars: Frantz Fanon, Stokely Carmichael, Timothy Leary, Ahmed Ben Bella, Jomo Kenyatta, and Eldridge Cleaver. She was instrumental in the establishment of the International Section of the Black Panther Party in Algiers and close at hand as the group became involved in intrigue, murder, and international hijackings. She traveled with the Panthers and organized Cleaver’s clandestine departure for France. Algiers, Third World Capital is an unforgettable story of an era of passion and promise.
I Was a French Muslim
GQ: Best of Modern Middle Eastern Literature This engaging memoir provides a vivid account of a childhood under French colonization and a life dedicated to fighting for the freedom and dignity of the Algerian people. The son of a butcher and the youngest of six siblings, Mokhtar Mokhtefi was born in 1935 and grew up in a village de colonisation roughly one hundred kilometers south of the capital of Algiers. Thanks to the efforts of a supportive teacher, he became the only child in the family to progress to high school, attending a French lycée that deepened his belief in the need for independence. In 1957, at age twenty-two, he joined the National Liberation Army (ALN), the armed wing of th...
Savage Appetites
A “necessary and brilliant” (NPR) exploration of our cultural fascination with true crime told through four “enthralling” (The New York Times Book Review) narratives of obsession. In Savage Appetites, Rachel Monroe links four criminal roles—Detective, Victim, Defender, and Killer—to four true stories about women driven by obsession. From a frustrated and brilliant heiress crafting crime-scene dollhouses to a young woman who became part of a Manson victim’s family, from a landscape architect in love with a convicted murderer to a Columbine fangirl who planned her own mass shooting, these women are alternately mesmerizing, horrifying, and sympathetic. A revealing study of women...
A Diplomatic Revolution
Algeria sits at the crossroads of the Atlantic, European, Arab, and African worlds. Yet, unlike the wars in Korea and Vietnam, Algeria's fight for independence has rarely been viewed as an international conflict. Even forty years later, it is remembered as the scene of a national drama that culminated with Charles de Gaulle's decision to "grant" Algerians their independence despite assassination attempts, mutinies, and settler insurrection. Yet, as Matthew Connelly demonstrates, the war the Algerians fought occupied a world stage, one in which the U.S. and the USSR, Israel and Egypt, Great Britain, Germany, and China all played key roles. Recognizing the futility of confronting France in a p...
Torture and the Twilight of Empire
Torture and the Twilight of Empire looks at the intimate relationship between torture and colonial domination through a close examination of the French army's coercive tactics during the Algerian war from 1954 to 1962. By tracing the psychological, cultural, and political meanings of torture at the end of the French empire, Marnia Lazreg also sheds new light on the United States and its recourse to torture in Iraq and Afghanistan. This book is nothing less than an anatomy of torture--its methods, justifications, functions, and consequences. Drawing extensively from archives, confessions by former torturers, interviews with former soldiers, and war diaries, as well as writings by Jean-Paul Sa...
Delayed Response
A celebration of waiting throughout history, and of its importance for connection, understanding, and intimacy in human communication We have always been conscious of the wait for life-changing messages, whether it be the time it takes to receive a text message from your love, for a soldier’s family to learn news from the front, or for a space probe to deliver data from the far reaches of the solar system. In this book in praise of wait times, award-winning author Jason Farman passionately argues that the delay between call and answer has always been an important part of the message. Traveling backward from our current era of Twitter and texts, Farman shows how societies have worked to eliminate waiting in communication and how they have interpreted those times’ meanings. Exploring seven eras and objects of waiting—including pneumatic mail tubes in New York, Elizabethan wax seals, and Aboriginal Australian message sticks—Farman offers a new mindset for waiting. In a rebuttal to the demand for instant communication, Farman makes a powerful case for why good things can come to those who wait.
The File on H.
In the mid-1930s, two Irish Americans travel to the Albanian highlands with an early model of a marvelous invention, the tape recorder. Their mission? To discover how Homer could have composed works as brilliant and as long as The Iliad and The Odyssey without ever putting pen to paper. The answer, they believe, can be found only in Albania, the last remaining habitat of the oral epic. But immediately upon their arrival, the scholars’ seemingly arcane research excites suspicion and puts them at the center of ethnic strife in the Balkans. Mistaken for foreign spies, they are placed under surveillance and are dogged by gossip and intrigue. It isn’t until a fierce-eyed monk from the Serbian side of the mountains makes his appearance that the scholars glimpse the full political import of their search for the key to the Homeric question.
Self Portrait in Green
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
The Black Count
WINNER OF THE PULITZER PRIZE FOR BIOGRAPHY 2013 ‘Completely absorbing’ Amanda Foreman 'Enthralling’ Guardian ‘The Three Musketeers! The Count of Monte Cristo! The stories of course are fiction. But here a prize-winning author shows us that the inspiration for the swashbuckling stories was, in fact, Dumas’s own father, Alex - the son of a marquis and a black slave... He achieved a giddy ascent from private in the Dragoons to the rank of general; an outsider who had grown up among slaves, he was all for Liberty and Equality. Alex Dumas was the stuff of legend’ Daily Mail So how did such this extraordinary man get erased by history? Why are there no statues of ‘Monsieur Humanity’ as his troops called him? The Black Count uncovers what happened and the role Napoleon played in Dumas’s downfall. By walking the same ground as Dumas - from Haiti to the Pyramids, Paris to the prison cell at Taranto – Reiss, like the novelist before him, triumphantly resurrects this forgotten hero. ‘Entrances from first to last. Dumas the novelist would be proud’ Independent ‘Brilliant’ Glasgow Herald
Last Days at Hot Slit
Selections from the work of radical feminist author Andrea Dworkin, famous for her antipornography stance and role in the feminist sex wars of the 1980s. Radical feminist author Andrea Dworkin was a caricature of misandrist extremism in the popular imagination and a polarizing figure within the women's movement, infamous for her antipornography stance and her role in the feminist sex wars of the 1980s. She still looms large in feminist demands for sexual freedom, evoked as a censorial demagogue, more than a decade after her death. Among the very first writers to use her own experiences of rape and battery in a revolutionary analysis of male supremacy, Dworkin was a philosopher outside and ag...
