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"Medieval documents reveal that for centuries of European history, singing for a person at the moment of death was considered to be the ideal accompaniment to a life's ending. Rituals for the dying were well developed, practiced widely, and thoroughly integrated with music. Indeed, these rituals reveal that music, rather than the Eucharist, held a privileged position at the final breath. Music in Medieval Rituals for the End of Life examines and recovers, to the extent possible, the music sung for the dying during the Middle Ages. The book offers a view of the plainchant repertory through the sources of individual institutions. The first four chapters contain a series of "case studies": clos...
"Medieval documents reveal that for centuries of European history, singing for a person at the moment of death was considered to be the ideal accompaniment to a life's ending. Rituals for the dying were well developed, practiced widely, and thoroughly integrated with music. Indeed, these rituals reveal that music, rather than the Eucharist, held a privileged position at the final breath. Music in Medieval Rituals for the End of Life examines and recovers, to the extent possible, the music sung for the dying during the Middle Ages. The book offers a view of the plainchant repertory through the sources of individual institutions. The first four chapters contain a series of "case studies": clos...
This collection highlights and nuances some of the recent critical advances in scholarship on death and disease, across and beyond the pre-modern Mediterranean world, Christian, Islamic and Jewish healing traditions.Across and beyond the pre-modern Mediterranean world, Christian, Islamic and Jewish healing traditions shared inherited medical paradigms containing similar healthy living precepts and attitudes toward body, illness and mortality. Yet, as the chapters collected here demonstrate, customs of diagnosing, explaining and coping with disease and death often diverged with respect to knowledge and practice. Offering a variety of disciplinary approaches to a broad selection of material em...
The Poetry and Music of Science examines aspects of science and art that bear close comparison - for example the art of the novel and the art of scientific experimentation. The book eavesdrops on conversations between scientists on how new theories arise, and listens to artists' and composers' witness of their own creative processes.
A uniquely prismatic representation of total solar eclipses, this volume invites us to imagine a liberated mode of discovery, perception, creativity, and knowledge-production across the traditional academic divisions.
There is perhaps no more important value than fundamental human equality. And yet, despite large percentages of people affirming the value, the resources available to explain and defend the basis for such equality are few and far between. In his newest book Charles Camosy provides a thoughtful defense of human dignity. Telling personal stories like those of Jahi McMath, Terri Schiavo, and Alfie Evans, Camosy, a noted bioethicist and theologian, uses an engaging style to show how the influence of secularized medicine is undermining fundamental human equality in the broader culture. And in a disturbing final chapter, Camosy sounds the alarm about the next population to fall if we stay on our current trajectory: dozens of millions of human beings with dementia. Heeding this alarm, Camosy argues, means doing two things. First, making urgent and genuine attempts to dialogue with a secularized culture which cannot see how it is undermining one of its most foundational values. Second, religious communities which hold the Imago Dei sacred must mobilize their existing institutions (and create new ones) to care for a new set of human beings our throwaway culture may deem non-persons.
This comprehensive study of musical notation from early medieval Europe provides a crucial new foundational model for understanding later Western notations.
Based on highly original archival and palaeographical research, this is the first methodological and factual primer in English on the distinctive liturgical tradition of early medieval Spain. It provides clear and approachable blueprints for future work on the description and analysis (musical, theological and cultural) of this and other liturgies. For non-specialists, the authors introduce the main features of Old Hispanic liturgy, its manuscripts, its services and its liturgical genres. For specialists, they model a variety of ways to work with the Old Hispanic materials in depth, incorporating notational, musical, theological and historical perspectives. For those interested in musical notation, the book lays out a method for working with unpitched neumes, with illustrative results, that will inspire and challenge others working on monophonic chant. For historians and liturgists, the texts and melodies are analysed in combination with the theological context that informed their creation.
Throughout history and across cultures, people have shared the hope and the belief that somehow something about the human person survives death. Indeed, it seems that without a notion of life-after-death, this life would seem meaningless. If, in the end, everything we have strived for and all our love comes to naught and is simply swallowed up by nothingness, then what was the point of it all? In From Here to Eternity, Randall Smith shows how the Christian doctrines regarding the resurrection of the body and the communion of saints provide an understanding of life after death as a meaningful fulfillment of this life, not a negation of it.