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Space is a central topic in cultural and narrative theory today, although in most cases theory assumes Newtonian absolute space. However, the idea of a universal homogeneous space is now obsolete. Black holes, multiple dimensions, quantum entanglement, and spatio-temporal distortions of relativity have passed into culture at large. This book examines whether narrative can be used to represent these "impossible" spaces. Impossible topologies abound in ancient mythologies, from the Australian Aborigines’ "dream-time" to the multiple-layer universe of the Sumerians. More recently, from Alice’s adventures in Wonderland to contemporary science fiction’s obsession with black holes and quantu...
This Bronze E-Book Edition for institutional buyers provides web reader access and download of an abridged version in PDF and device formats.
We live in an increasingly violent world. From suicide terrorists to serial killers, violent subjects challenge our imaginations. We seek answers to our questions on this subject in literature, cinema, and electronic media. In Bloodscripts, Elana Gomel examines how popular culture narratives construct violent subjectivity. Using such various narratives as mystery, horror; detective, and fantasy fiction as well as accounts of the atrocities perpetuated by serial killers and the Holocaust, Bloodscripts offers a new map of the genres of violence and links the twin obsessions of postmodern culture: crime and genocide. Bloodscripts is a stimulating, original, and accessible account of the narrative construction of the violent subject. It proposes a narrative model that will be of interest to literary critics, cultural scholars, criminologists, and anyone trying to understand the role of violence in postmodern culture.
Through the lens of science fiction, this book investigates representations of time in postmodernism.
An invasion like no other is threatening the Silicon Valley. A cutting-edge quantum communication technology has unleashed a flood of cryptid sightings. From headless Mothmen to dog-faced cats, strange beasts are prowling the streets and emerging from the woods, spreading a deadly epidemic of mind-blindness. Children mutate into protean monsters; people are carried away by thunderbirds; and those who survive fail to recognize themselves in the mirror. Cryptozoologist Sharon Manley, a stranger in a strange land, thinks she knows what is going on. But who is going to believe her if her information comes to her in dreams? Torn between two countries and two men, she finally embarks on a one-way odyssey into the heart of the cryptid Earth to uncover its shocking secrets. Her quest takes her to the forest of flayed bears, to the beach colonized by Mothmen, and finally to the golden city of Hell. There she has to confront the enigmatic cryptid masters and to make the choice that will determine the fate of more worlds than one.
A schoolgirl steps between a soldier and a ravening monster... 1943. Soviet Union is under attack as WW2 is raging. Fighting in the doomed battle of Kursk, Andrei finds himself in a strange city where Svetlana, a girl he has never seen but who looks eerily familiar, saves him from a fist-faced creature. When Svetlana's family is lost, the two embark on a harrowing odyssey across the snow-covered plain, battling deformed former humans and taken prisoners by the army of black stars. Against impossible odds, they reach their destination where they discover a secret that will change history. Little Sister is a dystopian historical fantasy set in the Soviet Era. Presenting a richly imagined alternative history world, this is a tale of friendship, survival, and heartbreak. Fans of The Book Thief and The Wolfhound Century will enjoy this striking fantasy rooted in Russian fiction. Proudly represented by Crystal Lake Publishing-Tales from the Darkest Depths.
Mike Mosher’s “Some Aspects of Californian Cyberpunk” vividly reminds us of the influence of West Coast counterculture on cyberpunks, with special emphasis on 1960s theoretical gurus such as Timothy Leary and Marshall McLuhan, who explored the frontiers of inner space as well as the global village. Frenchy Lunning’s “Cyberpunk Redux: Dérives in the Rich Sight of Post-Anthropocentric Visuality” examines how the heritage of Ridley Scott’s techno-noir film Blade Runner (1982) that preceded Gibson’s Neuromancer (1984) keeps revolutionizing the art of visuality, even in the age of the Anthropocene. If you read Lunning’s essay along with Lidia Meras’s “European Cyberpunk Cin...
NOMINATED FOR A SHIRLEY JACKSON AWARD AND BRITISH FANTASY AWARD "This rich and masterful collection of horror highlights both up-and-coming and established authors in an interesting twist on the standard anthology [...] Highly recommended for longstanding horror fans and those readers who may not think horror is for them. There is something for everyone in this one." — Booklist This new anthology contains 20 original horror stories, 16 of which have been commissioned from some of the top names in the genre, and 4 of which have been selected from the 100s of stories sent to Flame Tree during a 2-week open submissions window. It is the first of what will hopefully become an annual, non-theme...
Examines the Spiritualist movement's role in disseminating eugenic and hard hereditarian thought
Environmentalism and ecology are areas of rapid growth in academia and society at large. Screening Nature is the first comprehensive work that groups together the wide range of concerns in the field of cinema and the environment, and what could be termed “posthuman cinema.” It comprises key readings that highlight the centrality of nature and nonhuman animals to the cinematic medium, and to the language and institution of film. The book offers a fresh and timely intervention into contemporary film theory through a focus on the nonhuman environment as principal register in many filmic texts. Screening Nature offers an extensive resource for teachers, undergraduate students, and more advanced scholars on the intersections between the natural world and the worlds of film. It emphasizes the cross-cultural and geographically diverse relevance of the topic of cinema ecology.