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Women in Ugarit and Israel
In this volume the presupposition is investigated whether women in a polytheistic society had a better position than women in a monotheistic society. To this end the social and religious position of women in Ugarit according to its literary texts is compared to that of women in Israel according to the Hebrew Bible, while the wider context of the ancient Near East is also taken into consideration. After an overview of feminist biblical exegesis, the book discusses the roles of women in the family and in society. It also provides an analysis of the roles of women as religious specialists and as worshippers. Finally, the data on the position of women in the literary texts is compared to that in non-literary texts.
Reader's Guide to Women's Studies
The Reader's Guide to Women's Studies is a searching and analytical description of the most prominent and influential works written in the now universal field of women's studies. Some 200 scholars have contributed to the project which adopts a multi-layered approach allowing for comprehensive treatment of its subject matter. Entries range from very broad themes such as "Health: General Works" to entries on specific individuals or more focused topics such as "Doctors."
Script and Society
By the 13th century BC, the Syrian city of Ugarit hosted an extremely diverse range of writing practices. As well as two main scripts – alphabetic and logographic cuneiform - the site has also produced inscriptions in a wide range of scripts and languages, including Hurrian, Sumerian, Hittite, Egyptian hieroglyphs, Luwian hieroglyphs and Cypro-Minoan. This variety in script and language is accompanied by writing practices that blend influences from Mesopotamian, Anatolian and Levantine traditions together with what seem to be distinctive local innovations. Script and Society: The Social Context of Writing Practices in Late Bronze Age Ugarit explores the social and cultural context of these...
Canaad
“Gods against gods, men against men, each kind / against each other: Who is in the right? / Truly, which ones could ever conquer Death?” So Laeya—the Canaanite goddess Athirat masked in human form—asks after a crucial battle. Situated in the interimperial turmoil of the Late Bronze Age, Canaäd follows this heroine’s journey as it dovetails with that of Aqhat, a refugee from the Levantine coast. After tragedy casts Aqhat into the desert, a prophecy affords him the opportunity to slay three deities before the year’s end and thereby become divine himself. Determined to right the wrongs of those responsible for his community’s suffering, he and his companions join forces with Laeya, setting out to permanently revolutionize how mortals and gods interrelate—with consequences that even the gods cannot fathom. At once a speculative and historically attuned study of religion, Canaäd brings the Ancient Near East to life in tangible and dramatic form, weaving together largely unknown histories and numerous fragmentary myths from a Canaanite perspective.
Reader's Guide to Judaism
The Reader's Guide to Judaism is a survey of English-language translations of the most important primary texts in the Jewish tradition. The field is assessed in some 470 essays discussing individuals (Martin Buber, Gluckel of Hameln), literature (Genesis, Ladino Literature), thought and beliefs (Holiness, Bioethics), practice (Dietary Laws, Passover), history (Venice, Baghdadi Jews of India), and arts and material culture (Synagogue Architecture, Costume). The emphasis is on Judaism, rather than on Jewish studies more broadly.
Hebrew Studies
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Women of Canaan
A detailed and thorough study of the documents found at the ancient site of Ugarit in present-day northern Syria, illuminating the status of women in that culture, which also sheds light on the status of women in other Canaanite city-states. The documents available include myths and legends, court and diplomatic documents, letters, economic texts, and others, and they are in Ugaritic, the native language of the city-state, as well as various other languages, showing the cosmopolitan nature of the city.
"Interior Portraiture and Masculine Identity in France, 1789?914 "
Focusing specifically on portraiture as a genre, this volume challenges scholarly assumptions that regard interior spaces as uniquely feminine. Contributors analyze portraits of men in domestic and studio spaces in France during the long nineteenth century; the preponderance of such portraits alone supports the book's premise that the alignment of men with public life is oversimplified and more myth than reality. The volume offers analysis of works by a mix of artists, from familiar names such as David, Delacroix, Courbet, Manet, Rodin, and Matisse to less well-known image makers including Dominique Doncre, Constance Mayer, Anders Zorn and Lucien-Etienne Melingue. The essays cover a range of media from paintings and prints to photographs and sculpture that allows exploration of the relation between masculinity and interiority across the visual culture of the period. The home and other interior spaces emerge from these studies as rich and complex locations for both masculine self-expression and artistic creativity. Interior Portraiture and Masculine Identity in France, 1789-1914 provides a much-needed rethinking of modern masculinity in this period.
